Abstract
Electronic music has come a long way since the days when it was associated almost exclusively with science fiction in people’s minds. In this chapter we trace the early history of the genre, from early experiments with tape recorders and musique concrète, through the laboratory-based work of composers like Karlheinz Stockhausen and Pierre Boulez—not to mention the BBC’s Radiophonic Workshop, which was responsible for the Dr Who theme tune—to the use of computers in “algorithmic composition”. After that we see electronic music entering the mainstream, with the work of pioneering artists like Brian Eno, Tangerine Dream and Wendy Carlos, who produced the soundtrack for Stanley Kubrick’s A Clockwork Orange.
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May, A. (2020). The Electronic Revolution. In: The Science of Sci-Fi Music. Science and Fiction. Springer, Cham. https://doi.org/10.1007/978-3-030-47833-9_3
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DOI: https://doi.org/10.1007/978-3-030-47833-9_3
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