Abstract
Continuing the theme of the women who worked as Monuments Men, the Afterword looks at women, art, and crime within a wider context as well as drawing conclusions. Consideration is given to: gendered language used in the reporting of art crimes, the depiction of women in fictional and cinematic presentations about art crimes, breaking the silence about art crimes and women, the significance of familial ties in committing and enabling art crimes, criminal profiling, and how labelling some of the women presented in Females in the Frame as art criminals is problematic. Cataloguing women, art, and crime in one volume brings a greater balance to what has been predominantly male-centric discourse.
This is a preview of subscription content, log in via an institution to check access.
Bibliography
Anonymous. ‘Granny Fills in €80,000 Artwork Thinking It’s a Crossword’, The Local, 15 July 2016.
Amore, Anthony M. The Art of the Con. New York: St. Martin’s Griffin, 2015.
Beard, Mary. Women & Power: A Manifesto. London: Profile, 2017.
Briefel, Aviva. The Deceivers: Art Forgery and Identity in the Nineteenth Century. London: Cornell University Press, 2006.
Catrone, Aubrey. ‘A Feminine Legacy: Contemporary Views of Rose Valland’s Sacrifice in Occupied France’, The Journal of Art Crime, Issue 15, Spring 2016, pp. 59–62.
Chadwick, Whitney. Framed. London: Macmillan, 1998.
Charney, Noah. ‘The Secrets of the Master Forgers’, BBC Culture, 1 June 2015. http://www.bbc.com/culture/story/20150601-the-secrets-of-the-master-forgers.
Dolnick, Edward. The Rescue Artist. USA: HarperCollins, 2005.
Edsel, Robert M. with Bret Witter. Monuments Men: Allied Heroes, Nazi Thieves and the Greatest Treasure Hunt in History. London: Preface, 2009.
Goodwin, Christopher. ‘A Real Con Artist: How an Art School Dropout Pulled Off the Biggest Forgery Scam in History’, The Times Magazine, 10 May 2014, pp. 28–34.
Greer, Germaine. The Obstacle Race: The Fortunes of Women Painters and Their Work. London: Secker & Warburg, 1979.
Jackson, Penelope. Art Thieves, Fakers and Fraudsters: The New Zealand Story. Wellington: Awa Press, 2016.
Jackson, Penelope. ‘The Mothers of All Art Crimes’, The Journal of Art Crime, Issue 18, Fall 2017, pp. 11–20.
Lind, Hailey. Feint of Art (An Annie Kincaid Mystery). New York: Signet, 2006.
Morton, James and Susanna Lobez. King of Stings: The Greatest Swindles from Down Under. Australia: Melbourne University Publishing, 2011.
Shapiro, Barbara A. The Art Forger. Chapel Hill, NC: Algonquin, 2012.
Smith, Charles Samarez. ‘Anne Olivier Bell Obituary’, The Guardian, 19 July 2018. https://www.theguardian.com/artanddesign/2018/jul/19/anne-olivier-bell-obituary.
Smith, Dominic. The Last Painting of Sara de Vos. Australia: Allen & Unwin, 2016.
Tompkins, Arthur. Plundering Beauty: A History of Art Crime During War. London: Lund Humphries, 2018.
Topping, Alexander. ‘First Statue of a Woman in Parliament Square Unveiled’, The Guardian, 24 April 2018.
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
© 2019 The Author(s)
About this chapter
Cite this chapter
Jackson, P. (2019). Afterword: Making a Noise About the Silence. In: Females in the Frame. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-20766-3_9
Download citation
DOI: https://doi.org/10.1007/978-3-030-20766-3_9
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-20765-6
Online ISBN: 978-3-030-20766-3
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)