Skip to main content

Fear and Fantasy: Women in Noir

  • Chapter
  • First Online:
Darkness Calls
  • 506 Accesses

Abstract

How have women been represented in noir and why has the femme fatale received more attention than other female characters? The chapter notes the way neo-noir has enabled this figure to triumph, yet her advancement comes at the expense of questionable (sometimes explicitly anti-feminist) conduct, causing us to ask how progressive such a figure truly is. Whether she is interpreted as a locus of male fears about female emancipation, or a questionable female fantasy, her increased prominence suggests there is a growing female audience for noir. We have also seen a corresponding expansion of roles, including the female amnesiac, assassin and outlaw which warrants closer examination. The chapter pays these developments due attention and questions what counts as genuinely progressive in neo-noir’s depiction of women.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 84.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Works Cited

  • Aziz, Jamaluddin, Transgressing Women: Space and the Body in Contemporary Noir Thrillers (Newcastle upon Tyne: Cambridge Scholarly Publishing, 2012).

    Google Scholar 

  • Burkeman, Oliver, ‘Gillian Flynn on Her Bestseller Gone Girl and Accusations of Misogyny’ (2013), available at https://www.theguardian.com/books/2013/may/01/gillian-flynn-bestseller-gone-girl-misogyny, accessed 8th November 2018.

  • Cowie, Elizabeth, ‘Film Noir and Women’, in Shades of Noir: A Reader, edited by Joan Copjec (London: Verso, 1993), pp. 121–166.

    Google Scholar 

  • Farrimond, Katherine, The Contemporary Femme Fatale: Gender, Genre and American Cinema(Oxon: Routledge, 2017).

    Google Scholar 

  • Farrimond, Katherine, The Contemporary Femme Fatale: Gender, Genre and American Cinema (Oxon: Routledge, 2018).

    Google Scholar 

  • Flynn, Gillian, Sharp Objects (2006).

    Google Scholar 

  • ———, Dark Places (2009).

    Google Scholar 

  • ———, Gone Girl (2012, republished London: Phoenix, 2013).

    Google Scholar 

  • Gledhill, Christine, ‘Klute 1: Contemporary Film Noir and Feminist Criticism’, Women in Film Noir (1998), pp. 20–34 and ‘Klute 2: Feminism and Klute’, Women in Film Noir, pp. 99–114.

    Google Scholar 

  • Grossman, Julie, Rethinking the Femme Fatale in Film Noir: Ready for her Close-Up (Houndmills: Palgrave Macmillan, 2009).

    Book  Google Scholar 

  • Hanson, Helen, Hollywood Heroines: Women in Film Noir and the Female Gothic Film (London: I.B. Tauris, 2007).

    Google Scholar 

  • Harris, Thomas, The Silence of the Lambs (1988).

    Google Scholar 

  • ———, Hannibal (1999).

    Google Scholar 

  • Hawkins, Paula, The Girl on the Train (London: Black Swan, 2016).

    Google Scholar 

  • Hodges, Daniel M., ‘The Rise and Fall of the War Noir’, in Film Reader 4: The Crucial Films and Themes, edited by Alain Silver and James Ursini (New Jersey: Limelight Editions, 2004), pp. 207–225.

    Google Scholar 

  • Johnston, Claire, ‘Double Indemnity’, in Women in Film Noir (London: BFI, 1998), pp. 89–98.

    Google Scholar 

  • Kaplan, E. Ann (ed.), ‘Revised Introduction’, in Women in Film Noir (London: BFI, 1998).

    Google Scholar 

  • Larsson, Stieg, The Girl with the Dragon Tattoo (London: Quercus, 2008).

    Google Scholar 

  • ———, The Girl Who Played with Fire (London: Quercus, 2009a).

    Google Scholar 

  • ———, The Girl Who Kicked the Hornet’s Nest (London: Quercus, 2009b).

    Google Scholar 

  • Lindop, Samantha, Postfeminism and the Fatale Figure in Neo-Noir Cinema (London: Wallflower Press, 2015).

    Book  Google Scholar 

  • Martin, Richard, Mean Streets and Raging Bulls: The Legacy of Film Noir in Contemporary American Cinema (Maryland: Scarecrow Press, 1999).

    Google Scholar 

  • McKay, Alastair, ‘Catch up TV’, Evening Standard (Friday, 30 September 2016), p. 45.

    Google Scholar 

  • Moore, Suzanna, In the Cut (1995).

    Google Scholar 

  • Place, Janey, ‘Women in Film Noir’, in Women in Film Noir (London: BFI, 1998), pp. 47–68.

    Google Scholar 

  • Rich, B. Ruby, ‘Dumb Lugs and Femmes Fatales’, Sight and Sound, vol. 5, no. 11, November 1995, pp. 6–11.

    Google Scholar 

  • Spicer, Andrew, Film Noir (Hounslow: Pearson, 2002).

    Google Scholar 

  • Stables, Kate, ‘The Postmodern Always Rings Twice: Constructing the Femme Fatale in 90s Cinema’, Women in Film Noir (London: BFI, 1998), pp. 164–182.

    Google Scholar 

  • Steadman, Carl, ‘The End of Work: From Double Indemnity to Body Heat’, in Neo-Noir, edited by Bould et al. (London: Wallflower Press, 2009).

    Google Scholar 

  • Straayer, Chris, ‘Femme Fatale or Lesbian Femme: Bound in Sexual Difference’, Women in Film Noir 1998, pp. 151–163.

    Google Scholar 

  • Watson S.J., Before I Go to Sleep (London: Black Swan, 2012).

    Google Scholar 

  • Williams, Linda Ruth, ‘A Woman Scorned: The Neo-Noir Erotic Thriller as Revenge Drama’, in Neo-Noir, edited by Mark Bould (London: Wallflower Press, 2009), pp. 168–185.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Reprints and permissions

Copyright information

© 2019 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Short, S. (2019). Fear and Fantasy: Women in Noir. In: Darkness Calls. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-13807-3_4

Download citation

Publish with us

Policies and ethics