Abstract
This chapter addresses the relationship between fear and anxiety, landscape, mythology, and ritual in Hittite Anatolia. It stipulates that particular places in the Hittite landscape were experienced in an uncanny and ambivalent way as divine thresholds to the underworld. Such places were dangerous but also offered a beneficial potency, ameliorated through ritual. Rather than a mythological world simply represented in the landscape, we argue that it is the very features of the landscape itself that engendered the Hittite worlds of myth and ritual. We explore these aspects of landscape and mythology at Gavurkalesi, in central Anatolia, a place of fear and fascination, whose perilous atmosphere is resplendent in its natural, mythical, architectural, and political thresholds and passages.
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Notes
- 1.
Anthony Vidler contends that “the uncanny” is a modern condition with its origins in Romanticism (1992, p. 6). On similar grounds, Alice Mouton rejects Freudian psychoanalysis of Hittite dreams, arguing that such an approach is an anachronistic imposition of contemporary Western society on an ancient culture (2007, p. xxiv). However, Mladen Dolar (1991) challenges Vidler’s association of the uncanny with modernism, demonstrating that the notion of the uncanny may have been coined in the era of the Enlightenment, but did indeed exist within pre-Enlightenment cultural practices (such as rituals, storytelling, and folk traditions), yet the uncanny may have been located in different atmospheres or conceptual regimes, such as “the sacred and the untouchable” (1991, p. 7). With the Enlightenment, Dolar argues, “the uncanny became unplaceable; it became uncanny in the strict sense” (Dolar, 1991). Moreover, one of the two main sources of the uncanny for Freud was “surmounted beliefs,” by which he meant animistic concepts that we outgrow as we mature (Bowman, 2003, pp. 67–68). It has been argued that, because “there is nothing surmounted to return” for animists, they do not feel a sense of the uncanny (Clack, 2008, p. 253). However, Freud’s “relegation of so-called primitive ways of thinking to infantile complexes” has been challenged (Mueller, 1983, pp. 130–131).
- 2.
Proposals for the ancient name of Gavurkalesi, Külhöyük, and the Haymana region include Barjamovic (2011), del Monte (1992), del Monte and Tischler (1978), Ertem (1995), Forlanini (1977), and Mellaart (1982, 1984). Although speculative, several indications may suggest that the monument at Gavurkalesi was the work of the thirteenth century king Tudhaliya IV: He seems to have been responsible for most if not all inventories and restorations of cult places in the thirteenth century (Hazenbos, 2003). He was also the “most prolific landscape monument builder of all the Hittite kings” (Glatz & Plourde, 2011, p. 57). Two such monuments along the western frontier, Yalburt and Eflatun Pinar, are assigned to him (Glatz & Plourde, 2011; Hawkins, 1995).
- 3.
The three figures are usually identified as gods (Ehringhaus, 2005, pp. 13–14; Glatz & Plourde, 2011, p. 54; Kohlmeyer, 1983, pp. 47–48), possibly a typical Anatolian divine triad of mother, child, and father (Emre, 1971; Popko, 1995, p. 90) or a local Luwian divine triad (Giorgadze, 1999). For other identifications, see Bonatz (2007, p. 121, note 16); Börker-Klähn (1982, pp. 95–96).
- 4.
- 5.
The earliest evidence for use of the terrace below the reliefs at Gavurkalesi are pits dug into the lime deposits that form this terrace (see Temizsoy & Lumsden, 1999, p. 54 and Fig. 4.7a). Due to the lack of any stratified material from the Second Millennium in this area it was assumed at the time that these pits dated to the Iron Age; however, in retrospect, perhaps they represent the ritual activity discussed here during the Hittite Period.
- 6.
Bonatz (2007), Ehringhaus (2005), Glatz and Plourde (2011), Kohlmeyer (1983), and Seeher (2009). Gavurkalesi is sometimes left out of these discussions because of the uncertainty about the identification of the young male figure as human (i.e., a ruler) or divine, Bonatz (2007, p. 121), note 16; see also Stokkel, 2005.
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Sørensen, T.F., Lumsden, S. (2016). Hid in Death’s Dateless Night: The Lure of an Uncanny Landscape in Bronze Age Anatolia. In: Fleisher, J., Norman, N. (eds) The Archaeology of Anxiety. Springer, New York, NY. https://doi.org/10.1007/978-1-4939-3231-3_4
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