Abstract
Here’s a commonplace experience: you are walking in a shopping mall when you hear a tune being played in the background. It takes you a moment but then you realize that it is a song that you last heard 20 years ago, which has now been redone—perhaps unfortunately—as an advertising jingle. Although the aesthetic experience associated with this little vignette may not be high, the ease with which our nervous system can carry out this kind of analysis belies the complexity involved. Consider: the music you hear is embedded in a background of irrelevant noise, so you need first to strip it away; you recognize the pattern of sound as the tune you are familiar with, even though none of the actual elements reaching your ear are the same as what you had originally encoded—the tempo, musical key, and instrument timbres may all be different; if the song has lyrics you must also separate the tonal component from the speech component to process each of them; the experience may also lead to retrieval of memories associated with the song; you could also begin to sing along with it, which means you must convert the information contained in the sound waves you hear to a set of motor commands that will produce similar sound waves from your vocal musculature; finally the song may lead you to experience emotion, which could range from annoyance to pleasure. The mechanisms that allow this complex cognitive chain of events to occur are far from being fully understood. This chapter aims to give readers an overview of what is known about the role of auditory cortex in processing and production of musical sounds, and an indication of the many open questions that remain. Understanding the neural and cognitive mechanisms involved in tonal and musical processes will yield insights into fundamental aspects of neural organization and function that would otherwise be difficult to obtain.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Alain, C., Arnott, S. R., Hevenor, S., Graham, S., & Grady, C. L. (2001). “What” and “where” in the human auditory system. Proceedings of the National Academy of Sciences of the USA, 98(21), 12301–12306.
Anderson, B., Southern, B. D., & Powers, R. E. (1999). Anatomic asymmetries of the posterior superior temporal lobes: A postmortem study. Neuropsychiatry, Neuropsychology, & Behavioral Neurology, 12, 247–254.
Attneave, F., & Olson, R. K. (1971). Pitch as a medium: A new approach to psychophysical scaling. American Journal of Psychology, 84, 147–166.
Ayotte, J., Peretz, I., & Hyde, K. (2002). Congenital amusia: A group study of adults afflicted with a music-specific disorder. Brain, 125(2), 238–251.
Bailey, J., & Penhune, V. (2010). Rhythm synchronization performance and auditory working memory in early- and late-trained musicians. Experimental Brain Research, 204, 91–101.
Bangert, M. W., & Altenmüller, E. O. (2003). Mapping perception to action in piano practice: A longitudinal DC-EEG study. BMC Neuroscience, 4(1), 26.
Belin, P., & Zatorre, R. J. (2000). ‘What’, ‘where‘ and ‘how’ in auditory cortex. Nature Neuroscience, 3(10), 965–966.
Bendor, D., & Wang, X. (2005). The neuronal representation of pitch in primate auditory cortex. Nature, 436(7054), 1161.
Bendor, D., & Wang, X. (2006). Cortical representations of pitch in monkeys and humans. Current Opinion in Neurobiology, 16(4), 391–399.
Bengtsson, S., Ehrsson, H., Forssberg, H., & Ullén, F. (2004). Dissociating brain regions controlling the temporal and ordinal structure of learned movement sequences. European Journal of Neuroscience, 19, 2591–2602.
Bermudez, P., Evans, A. C., Lerch, J. P., & Zatorre, R. J. (2009). Neuro-anatomical correlates of musicianship as revealed by cortical thickness and voxel-based morphometry. Cerebral Cortex, 19, 1583–1596.
Beurze, S. M., de Lange, F. P., Toni, I., & Medendorp, W. P. (2007). Integration of target and effector information in the human brain during reach planning. Journal of Neurophysiology, 97(1), 188–199.
Bidelman, G. M., & Krishnan, A. (2009). Neural correlates of consonance, dissonance, and the hierarchy of musical pitch in the human brainstem. Journal of Neuroscience, 29(42), 13165–13171.
Binder, J., Frost, J., Hammeke, T., Bellgowan, P., Springer, J., Kaufman, J., & Possing, J. (2000). Human temporal lobe activation by speech and nonspeech sounds. Cerebral Cortex, 10, 512–528.
Boemio, A., Fromm, S., Braun, A., & Poeppel, D. (2005). Hierarchical and asymmetric temporal sensitivity in human auditory cortices. Nature Neuroscience, 8(3), 389.
Bosnyak, D. J., Eaton, R. A., & Roberts, L. E. (2004). Distributed auditory cortical representations are modified when non-musicians are trained at pitch discrimination with 40 Hz amplitude modulated tones. Cerebral Cortex, 14(10), 1088–1099.
Brechmann, A., & Scheich, H. (2005). Hemispheric shifts of sound representation in auditory cortex with conceptual listening. Cerebral Cortex, 15(5), 578–587.
Brown, M., Irvine, D. R. F., & Park, V. N. (2004a). Perceptual learning on an auditory frequency discrimination task by cats: Association with changes in primary auditory cortex. Cerebral Cortex, 14(9), 952–965.
Brown, S., Martinez, M. J., Hodges, D. A., Fox, P. T., & Parsons, L. M. (2004b). The song system of the human brain. Brain Research: Cognitive Brain Research, 20(3), 363–375.
Buonomano, D., & Merzenich, M. (1998). Cortical plasticity: From synapses to maps. Annual Review of Neuroscience, 21, 149–186.
Cavada, C., & Goldman-Rakic, P. S. (1989). Posterior parietal cortex in rhesus monkey: II. Evidence for segregated corticocortical networks linking sensory and limbic areas with the frontal lobe. Journal of Comparative Neurology, 287(4), 422–445.
Chait, M., Poeppel, D., & Simon, J. Z. (2006). Neural response correlates of detection of monaurally and binaurally created pitches in humans. Cerebral Cortex, 16(6), 835–848.
Chance, S. A., Casanova, M. F., Switala, A. E., & Crow, T. J. (2006). Minicolumnar structure in Heschl’s gyrus and planum temporale: Asymmetries in relation to sex and callosal fiber number. Neuroscience, 143(4), 1041–1050.
Chen, J. L., Zatorre, R. J., & Penhune, V. B. (2006). Interactions between auditory and dorsal premotor cortex during synchronization to musical rhythms. NeuroImage, 32(4), 1771–1781.
Chen, J. L., Penhune, V. B., & Zatorre, R. J. (2008a). Listening to musical rhythms recruits motor regions of the brain. Cerebral Cortex, 18(12), 2844–2854.
Chen, J. L., Penhune, V. B., & Zatorre, R. J. (2008b). Moving on time: Brain network for auditory-motor synchronization is modulated by rhythm complexity and musical training. Journal of Cognitive Neuroscience, 20(2), 226–239.
Chen, J. L., Penhune, V. B., & Zatorre, R. J. (2009). The role of auditory and premotor cortex in sensorimotor transformations. Annals of the New York Academy of Sciences, 1169, 15–34.
Clarke, S., Bellmann Thiran, A., Maeder, P., Adriani, M., Vernet, O., Regli, L., et al. (2002). What and where in human audition: Selective deficits following focal hemispheric lesions. Experimental Brain Research, 147(1), 8–15.
Critchley, M., & Henson, R. A., Eds. (1977). Music and the brain: Studies in the neurology of music. London: Heinemann.
Culham, J. C., Cavina-Pratesi, C., & Singhal, A. (2006). The role of parietal cortex in visuomotor control: What have we learned from neuroimaging? Neuropsychologia, 44, 2668–2684.
Cupchik, G. C., Phillips, K., & Hill, D. S. (2001). Shared processes in spatial rotation and musical permutation. Brain and Cognition, 46(3), 373–382.
Dahmen, J. C., & King, A. J. (2007). Learning to hear: Plasticity of auditory cortical processing. Current Opinion in Neurobiology, 17(4), 456–464.
Dalla Bella, S., Giguere, J. F., & Peretz, I. (2009). Singing in congenital amusia. Journal of the Acoustical Society of America, 126(1), 414–424.
Dehaene-Lambertz, G., Pallier, C., Serniclaes, W., Sprenger-Charolles, L., Jobert, A., & Dehaene, S. (2005). Neural correlates of switching from auditory to speech perception. NeuroImage, 24(1), 21–33.
Dorsaint-Pierre, R., Penhune, V. B., Watkins, K. E., Neelin, P., Lerch, J. P., Bouffard, M., & Zatorre, R. J. (2006). Asymmetries of the planum temporale and Heschl’s gyrus: Relationship to language lateralization. Brain, 129(5), 1164–1176.
Douglas, K. M., & Bilkey, D. K. (2007). Amusia is associated with deficits in spatial processing. Nature Neuroscience, 10(7), 915–921.
Dowling, W. J. (1978). Scale and contour: Two components of a theory of memory for melodies. Psychological Review, 85, 341–354.
Dowling, W. J., & Harwood, D. (1986). Music cognition. Orlando, FL: Academic Press.
Draganski, B., Gaser, C., Busch, V., Schuierer, G., Bogdahn, U., & May, A. (2004). Neuroplasticity: Changes in grey matter induced by training. Nature, 427, 311–312.
Drayna, D., Manichaikul, A., de Lange, M., Snieder, H., & Spector, T. (2001). Genetic correlates of musical pitch recognition in humans. Science, 291, 1969–1972.
Elbert, T., Pantev, C., Wienbruch, C., Rockstroh, B., & Taub, E. (1995). Increased cortical representation of the fingers of the left hand in string players. Science, 270, 305–307.
Foster, N. E. V., & Zatorre, R. J. (2010a). Cortical structure predicts success in performing musical transformation judgments. NeuroImage, 53(1), 26–36.
Foster, N. E. V., & Zatorre, R. J. (2010b). A role for the intraparietal sulcus in transforming musical pitch information. Cerebral Cortex, 20(6), 1350–1359.
Foxton, J. M., Dean, J. L., Gee, R., Peretz, I., & Griffiths, T. D. (2004). Characterization of deficits in pitch perception underlying ‘tone deafness’. Brain, 127(4), 801–810.
Frey, S., Campbell, J. S. W., Pike, G. B., & Petrides, M. (2008). Dissociating the human language pathways with high angular resolution diffusion fiber tractography. Journal of Neuroscience, 28, 11435–11444.
Friederici, A. D., Ruschemeyer, S.-A., Hahne, A., & Fiebach, C. J. (2003). The role of left inferior frontal and superior temporal cortex in sentence comprehension: Localizing syntactic and semantic processes. Cerebral Cortex, 13(2), 170–177.
Fujioka, T., Trainor, L. J., Ross, B., Kakigi, R., & Pantev, C. (2005). Automatic encoding of polyphonic melodies in musicians and nonmusicians. Journal of Cognitive Neuroscience, 17, 1578–1592.
Fujioka, T., Ross, B., Kakigi, R., Pantev, C., & Trainor, L. J. (2006). One year of musical training affects development of auditory cortical-evoked fields in young children. Brain, 129(10), 2593–2608.
Gaab, N., Gaser, C., & Schlaug, G. (2006). Improvement-related functional plasticity following pitch memory training. NeuroImage, 31(1), 255–263.
Galaburda, A., & Sanides, F. (1980). Cytoarchitectonic organization of the human auditory cortex. Journal of Comparative Neurology, 190(3), 597–610.
Galaburda, A. M., Sherman, G. F., Rosen, G. D., Aboitiz, F., & Geschwind, N. (1985). Developmental dyslexia: Four consecutive patients with cortical anomalies. Annals of Neurology, 18(2), 222–233.
Galuske, R., Schlote, W., Bratzke, H., & Singer, W. (2000). Interhemispheric asymmetries of the modular structure in human temporal cortex. Science, 289, 1946–1949.
Gaser, C., & Schlaug, G. (2003). Brain structures differ between musicians and non-musicians. Journal of Neuroscience, 23(27), 9240–9245.
Giard, M. H., Lavikahen, J., Reinikainen, K., Perrin, F., Bertrand, O., Pernier, J., & Näätänen, R. (1995). Separate representation of stimulus frequency, intensity, and duration in auditory sensory memory: An event-related potential and dipole-model analysis. Journal of Cognitive Neuroscience, 7(2), 133–143.
Giraud, A. L., Kleinschmidt, A., Poeppel, D., Lund, T. E., Frackowiak, R. S., & Laufs, H. (2007). Endogenous cortical rhythms determine cerebral specialization for speech perception and production. Neuron, 56(6), 1127–1134.
Golestani, N., & Zatorre, R. J. (2004). Learning new sounds of speech: Reallocation of neural substrates. NeuroImage, 21, 494–506.
Golestani, N., Molko, N., Dehaene, S., LeBihan, D., & Pallier, C. (2007). Brain structure predicts the learning of foreign speech sounds. Cerebral Cortex, 17(3), 575–582.
Goodale, M. A., & Milner, A. D. (1992). Separate visual pathways for perception and action. Trends in Neurosciences, 15(1), 20–25.
Grefkes, C., & Fink, G. R. (2005). The functional organization of the intraparietal sulcus in humans and monkeys. Journal of Anatomy, 207, 3–17.
Griffiths, T. D., & Warren, J. D. (2002). The planum temporale as a computational hub. Trends in Neurosciences, 25(7), 348–353.
Griffiths, T. D., Büchel, C., Frackowiak, R. S. J., & Patterson, R. D. (1998). Analysis of temporal structure in sound by the human brain. Nature Neuroscience, 1, 422–427.
Griffiths, T. D., Johnsrude, I. S., Dean, J. L., & Green, G. G. R. (1999). A common neural substrate for the analysis of pitch and duration pattern in segmented sound? Neuroreport, 10, 3825–3830.
Griffiths, T. D., Kumar, S., Sedley, W., Nourski, K. V., Kawasaki, H., Oya, H., et al. (2010). Direct recordings of pitch responses from human auditory cortex. Current Biology, 20(12), 1128–1132.
Gutschalk, A., Patterson, R. D., Rupp, A., Uppenkamp, S., & Scherg, M. (2002). Sustained magnetic fields reveal separate sites for sound level and temporal regularity in human auditory cortex. NeuroImage, 15(1), 207–216.
Gutschalk, A., Patterson, R. D., Scherg, M., Uppenkamp, S., & Rupp, A. (2004). Temporal dynamics of pitch in human auditory cortex. NeuroImage, 22(2), 755–766.
Hackett, T. A., Stepniewska, I., & Kaas, J. H. (1998). Subdivisions of auditory cortex and ipsilateral cortical connections of the parabelt auditory cortex in macaque monkeys. Journal of Comparative Neurology, 394(4), 475–495.
Hackett, T. A., Stepniewska, I., & Kaas, J. H. (1999). Prefrontal connections of the parabelt auditory cortex in macaque monkeys. Brain Research, 817(1–2), 45–58.
Hall, D. A., & Plack, C. J. (2009). Pitch processing sites in the human auditory brain. Cerebral Cortex, 19(3), 576–585.
Hall, D. A., Johnsrude, I. S., Haggard, M. P., Palmer, A. R., Akeroyd, M. A., & Summerfield, A. Q. (2002). Spectral and temporal processing in human auditory cortex. Cerebral Cortex, 12(2), 140–149.
Hall, D. A., Edmondson-Jones, A. M., & Fridriksson, J. (2006). Periodicity and frequency coding in human auditory cortex. European Journal of Neuroscience, 24(12), 3601–3610.
Hart, H. C., Palmer, A. R., & Hall, D. A. (2003). Amplitude and frequency-modulated stimuli activate common regions of human auditory cortex. Cerebral Cortex, 13, 773–781.
Herholz, S. C., Lappe, C., Knief, A., & Pantev, C. (2008). Neural basis of music imagery and the effect of musical expertise. European Journal of Neuroscience, 28(11), 2352–2360.
Hickok, G., & Poeppel, D. (2000). Towards a functional neuroanatomy of speech perception. Trends in Cognitive Sciences, 4(4), 131–138.
Hickok, G., & Poeppel, D. (2004). Dorsal and ventral streams: A framework for understanding aspects of the functional anatomy of language. Cognition, 92(1–2), 67–99.
Hickok, G., & Poeppel, D. (2007). The cortical organization of speech processing. Nature Reviews: Neuroscience, 8(5), 393–402.
Hillyard, S., Hink, R., Schwent, V., & Picton, T. (1973). Electrical signs of selective attention in the human brain. Science, 182, 177–180.
Huron, D. (2006). Sweet anticipation: Music and the psychology of expectaction. Cambridge, MA: MIT Press.
Hutchins, S., Zarate, J. M., Zatorre, R. J., & Peretz, I. (2010). An acoustical study of vocal pitch matching in congenital amusia. Journal of the Acoustical Society of America, 127(1), 504–512.
Hutsler, J., & Gazzaniga, M. (1996). Acetylcholinesterase staining in human auditory and language cortices—regional variation of structural features. Cerebral Cortex, 6, 260–270.
Hyde, K. L., & Peretz, I. (2004). Brains that are out of tune but in time. Psychological Science, 15, 356–360.
Hyde, K. L., Zatorre, R. J., Griffiths, T. D., Lerch, J. P., & Peretz, I. (2006). Morphometry of the amusic brain: A two-site study. Brain, 129, 2562–2570.
Hyde, K. L., Lerch, J. P., Zatorre, R. J., Griffiths, T. D., Evans, A. C., & Peretz, I. (2007). Cortical thickness in congenital amusia: When less is better than more. Journal of Neuroscience, 27(47), 13028–13032.
Hyde, K. L., Peretz, I., & Zatorre, R. J. (2008). Evidence for the role of the right auditory cortex in fine pitch resolution. Neuropsychologia, 46(2), 632–639.
Hyde, K. L., Lerch, J., Norton, A., Forgeard, M., Winner, E., Evans, A. C., & Schlaug, G. (2009). Musical training shapes structural brain development. Journal of Neuroscience, 29(10), 3019–3025.
Hyde, K. L., Zatorre, R. J., & Peretz, I. (2011). Functional MRI evidence of an abnormal neural network for pitch processing in congenital amusia. Cerebral Cortex, 21(2), 292–299.
Irvine, D. R. F. (2007). Auditory cortical plasticity: Does it provide evidence for cognitive processing in the auditory cortex? Hearing Research, 229, 158–170.
Jamison, H. L., Watkins, K. E., Bishop, D. V. M., & Matthews, P. M. (2006). Hemispheric specialization for processing auditory nonspeech stimuli. Cerebral Cortex, 16(9), 1266–1275.
Jäncke, L., Gaab, N., Wüstenberg, T., Scheich, H., & Heinze, H.-J. (2001). Short-term functional plasticity in the human auditory cortex: An fMRI study. Cognitive Brain Research, 12, 479–485.
Johnson, J. A., & Zatorre, R. J. (2005). Attention to simultaneous unrelated auditory and visual events: Behavioral and neural correlates. Cerebral Cortex, 15, 1609–1620.
Johnsrude, I. S., Penhune, V. B., & Zatorre, R. J. (2000). Functional specificity in the right human auditory cortex for perceiving pitch direction. Brain, 123, 155–163.
Kaas, J. H., & Hackett, T. A. (2000). Subdivisions of auditory cortex and processing streams in primates. Proceedings of the National Academy of Sciences of the USA, 97(22), 11793–11799.
Katahira, K., Abla, D., Masuda, S., & Okanoya, K. (2008). Feedback-based error monitoring processes during musical performance: An ERP study. Neuroscience Research, 61(1), 120–128.
Kelly, A. M. C., & Garavan, H. (2005). Human functional neuroimaging of brain changes associated with practice. Cerebral Cortex, 15, 1089–1102.
Kleber, B., Birbaumer, N., Veit, R., Trevorrow, T., & Lotze, M. (2007). Overt and imagined singing of an Italian aria. NeuroImage, 36(3), 889–900.
Kleber, B., Veit, R., Birbaumer, N., Gruzelier, J., & Lotze, M. (2010). The brain of opera singers: Experience-dependent changes in functional activation. Cerebral Cortex, 20(5), 1144–1152.
Knudsen, E. I. (2004). Sensitive periods in the development of the brain and behavior. Journal of Cognitive Neuroscience, 16(8), 1412–1425.
Koelsch, S., Gunter, T. C., & Friederici, A. D. (2000). Brain indices of music processing: “Nonmusicians” are musical. Journal of Cognitive Neuroscience, 13, 520–541.
Koelsch, S., Gunter, T. C., von Cramon, D. Y., Zysset, S., Lohmann, G., & Friederici, A. D. (2002). Bach speaks: A cortical “language-network” serves the processing of music. NeuroImage, 17, 956–966.
Koelsch, S., Gunter, T., Schröger, E., & Friederici, A. D. (2003). Processing tonal modulations: An ERP study. Journal of Cognitive Neuroscience, 15, 1149–1159.
Koelsch, S., Fritz, T., Schulze, K., Alsop, D., & Schlaug, G. (2005). Adults and children processing music: An fMRI study. NeuroImage, 25(4), 1068–1076.
Kral, A., & Eggermont, J. J. (2007). What’s to lose and what’s to learn: Development under auditory deprivation, cochlear implants and limits of cortical plasticity. Brain Research Reviews, 56(1), 259–269.
Kraus, N., McGee, T., Littman, T., & King, C. (1994). Nonprimary auditory thalamic representation of acoustic change. Journal of Neurophysiology, 72, 1270–1277.
Kraus, N., McGee, T., Carrell, T., King, C., Tremblay, K., & Nicol, T. (1995). Central auditory system plasticity associated with speech discrimination training. Journal of Cognitive Neuroscience, 7, 25–32.
Krumbholz, K., Patterson, R. D., Seither-Preisler, A., Lammertmann, C., & Lutkenhoner, B. (2003). Neuromagnetic evidence for a pitch processing center in Heschl’s gyrus. Cerebral Cortex, 13(7), 765–772.
Krumhansl, C. L. (1990). Cognitive foundations of musical pitch. New York: Oxford University Press.
Lahav, A., Saltzman, E., & Schlaug, G. (2007). Action representation of sound: Audiomotor recognition network while listening to newly acquired actions. Journal of Neuroscience, 27(2), 308–314.
Lappe, C., Herholz, S. C., Trainor, L. J., & Pantev, C. (2008). Cortical plasticity induced by short-term unimodal and multimodal musical training. Journal of Neuroscience, 28(39), 9632–9639.
Large, E. W., & Palmer, C. (2002). Perceiving temporal regularity in music. Cognitive Science, 26, 1–37.
Leino, S., Brattico, E., Tervaniemi, M., & Vuust, P. (2007). Representation of harmony rules in the human brain: Further evidence from event-related potentials. Brain Research, 1142, 169–177.
Liégeois-Chauvel, C., Peretz, I., Babaï, M., Laguitton, V., & Chauvel, P. (1998). Contribution of different cortical areas in the temporal lobes to music processing. Brain, 121, 1853–1867.
Loui, P., Guenther, F. H., Mathys, C., & Schlaug, G. (2008). Action-perception mismatch in tone-deafness. Current Biology, 18(8), R331–R332.
Loui, P., Alsop, D., & Schlaug, G. (2009). Tone deafness: A new disconnection syndrome? Journal of Neuroscience, 29(33), 10215–10220.
Maess, B., Koelsch, S., Gunter, T., & Friederici, A. D. (2001). “Musical syntax” is processed in the area of Broca: An MEG-study. Nature Neuroscience, 4, 540–545.
Mandell, J., Schulze, K., & Schlaug, G. (2007). Congenital amusia: An auditory-motor feedback disorder? Restor Neurology and Neuroscience, 25(3–4), 323–334.
Margulis, E. H., Mlsna, L. M., Uppunda, A. K., Parrish, T. B., & Wong, P. C. M. (2009). Selective neurophysiologic responses to music in instrumentalists with different listening biographies. Human Brain Mapping, 30(1), 267–275.
Mars, R. B., Piekema, C., Coles, M. G., Hulstijn, W., & Toni, I. (2007). On the programming and reprogramming of actions. Cerebral Cortex, 17(12), 2972–2979.
McDermott, J. H., & Oxenham, A. J. (2008). Music perception, pitch, and the auditory system. Current Opinion in Neurobiology, 18(4), 452–463.
Menning, H., Roberts, L. E., & Pantev, C. (2000). Plastic changes in the auditory cortex induced by intensive frequency discrimination training. NeuroReport, 11, 817–822.
Milner, B. A. (1962). Laterality effects in audition. In V. Mountcastle (Ed.), Interhemispheric relations and cerebral dominance (pp. 177–195). Baltimore, MD: Johns Hopkins University Press.
Molholm, S., Martinez, A., Ritter, W., Javitt, D. C., & Foxe, J. J. (2005). The neural circuitry of pre-attentive auditory change-detection: An fMRI study of pitch and duration mismatch negativity generators. Cerebral Cortex, 15(5), 545–551.
Morillon, B., Lehongre, K., Frackowiak, R. S., Ducorps, A., Kleinschmidt, A., Poeppel, D., & Giraud, A. L. (2010). Neurophysiological origin of human brain asymmetry for speech and language. Proceedings of the National Academy of Sciences of the USA, 107(43), 18688–18693.
Möttönen, R., Calvert, G. A., Jääskeläinen, I. P., Matthews, P. M., Thesen, T., Tuomainen, J., & Sams, M. (2006). Perceiving identical sounds as speech or non-speech modulates activity in the left posterior superior temporal sulcus. NeuroImage, 30, 563–569.
Münte, T. F., Kohlmetz, C., Nager, W., & Altenmüller, E. (2001). Superior auditory spatial tuning in conductors. Nature, 409, 580.
Musacchia, G., Sams, M., Skoe, E., & Kraus, N. (2007). Musicians have enhanced subcortical auditory and audiovisual processing of speech and music. Proceedings of the National Academy of Sciences of the USA, 104(40), 15894–15898.
Näätänen, R., Paavilainen, P., Rinne, T., & Alho, K. (2007). The mismatch negativity (MMN) in basic research of central auditory processing: A review. Clinical Neurophysiology, 118(12), 2544–2590.
Ohnishi, T., Matsuda, H., Asada, T., Aruga, M., Hirakata, M., Nishikawa, M., et al. (2001). Functional anatomy of musical perception in musicians. Cerebral Cortex, 11(8), 754–760.
Okamoto, H., Stracke, H., Draganova, R., & Pantev, C. (2009). Hemispheric asymmetry of auditory evoked fields elicited by spectral versus temporal stimulus change. Cerebral Cortex, 19(10), 2290–2297.
Opitz, B., Rinne, T., Mecklinger, A., von Cramon, D. Y., & Schröger, E. (2002). Differential contribution of frontal and temporal cortices to auditory change detection: fMRI and ERP results. NeuroImage, 15(1), 167–174.
Overath, T., Cusack, R., Kumar, S., Von Kriegstein, K., Warren, J. D., Grube, M., et al. (2007). An information theoretic characterisation of auditory encoding. PLoS Biology, 5(11), 2723–2732.
Overath, T., Kumar, S., von Kriegstein, K., & Griffiths, T. D. (2008). Encoding of spectral correlation over time in auditory cortex. Journal of Neuroscience, 28(49), 13268–13273.
Pantev, C., Oostenveld, R., Engelien, A., Ross, B., Roberts, L., & Hoke, M. (1998). Increased auditory cortical representation in musicians. Nature, 392, 811–814.
Pantev, C., Roberts, L., Schulz, M., Engelien, A., & Ross, B. (2001). Timbre-specific enhancement of auditory cortical representations in musicians. NeuroReport, 12, 169–174.
Patel, A. (2003). Language, music, syntax and the brain. Nature Neuroscience, 6, 674–681.
Patel, A., & Balaban, E. (2001). Human pitch perception is reflected in the timing of stimulus-related cortical activity. Nature Neuroscience, 4, 839–844.
Patel, A. D. (2008). Music, language, and the brain. New York: Oxford University Press.
Patterson, R. D., Uppenkamp, S., Johnsrude, I. S., & Griffiths, T. D. (2002). The processing of temporal pitch and melody information in auditory cortex. Neuron, 36, 767–776.
Penagos, H., Melcher, J. R., & Oxenham, A. J. (2004). A neural representation of pitch salience in nonprimary human auditory cortex revealed with functional magnetic resonance imaging. Journal of Neuroscience, 24(30), 6810–6815.
Penhune, V. B., Zatorre, R. J., MacDonald, J. D., & Evans, A. C. (1996). Interhemispheric anatomical differences in human primary auditory cortex: Probabilistic mapping and volume measurement from magnetic resonance scans. Cerebral Cortex, 6, 661–672.
Penhune, V. B., Cismaru, R., Dorsaint-Pierre, R., Petitto, L. A., & Zatorre, R. J. (2003). The morphometry of auditory cortex in the congenitally deaf measured using MRI. NeuroImage, 20, 1215–1225.
Peretz, I., & Hyde, K. L. (2003). What is specific to music processing? Insights from congenital amusia. Trends in Cognitive Sciences, 7, 362–367.
Peretz, I., Brattico, E., & Tervaniemi, M. (2005). Abnormal electrical brain responses to pitch in congenital amusia. Annals of Neurology, 58, 478–482.
Peretz, I., Cummings, S., & Dubé, M. P. (2007). The genetics of congenital amusia (tone deafness): A family-aggregation study. American Journal of Human Genetics, 81, 582–588.
Peretz, I., Brattico, E., Järvenpäa, M., & Tervaniemi, M. (2009). The amusic brain: In tune, out of key, and unaware. Brain, 132, 1277–1286.
Perry, D. W., Zatorre, R. J., Petrides, M., Alivisatos, B., Meyer, E., & Evans, A. C. (1999). Localization of cerebral activity during simple singing. NeuroReport, 10, 3979–3984.
Petkov, C. I., Kang, X., Alho, K., Bertrand, O., Yund, E. W., & Woods, D. L. (2004). Attentional modulation of human auditory cortex. Nature Neuroscience, 7, 658–663.
Poeppel, D. (2003). The analysis of speech in different temporal integration windows: Cerebral lateralization as ‘asymmetric sampling in time.’ Speech Communication, 41, 245–255.
Puschmann, S., Uppenkamp, S., Kollmeier, B., & Thiel, C. M. (2010). Dichotic pitch activates pitch processing centre in Heschl’s gyrus. NeuroImage, 49(2), 1641–1649.
Rauschecker, J. P., & Scott, S. K. (2009). Maps and streams in the auditory cortex: Nonhuman primates illuminate human speech processing. Nature Neuroscience, 12(6), 718–724.
Rauschecker, J. P., & Tian, B. (2000). Mechanisms and streams for processing of “what” and “where” in auditory cortex. Proceedings of the National Academy of Sciences of the USA, 97(22), 11800–11806.
Recanzone, G. H., Guard, D. C., Phan, M. L., & Su, T. K. (2000). Correlation between the activity of single auditory cortical neurons and sound-localization behavior in the macaque monkey. Journal of Neurophysiology, 83(5), 2723–2739.
Rinne, T., Degerman, A., & Alho, K. (2005). Superior temporal and inferior frontal cortices are activated by infrequent sound duration decrements: An fMRI study. NeuroImage, 26(1), 66–72.
Rivier, F., & Clarke, S. (1997). Cytochrome oxidase, acetylcholinesterase, and NADPH-diaphorase staining in human supratemporal and insular cortex: Evidence for multiple auditory areas. NeuroImage, 6(4), 288–304.
Romanski, L. M., Tian, B., Fritz, J., Mishkin, M., Goldman-Rakic, P. S., & Rauschecker, J. P. (1999). Dual streams of auditory afferents target multiple domains in the primate prefrontal cortex. Nature Neuroscience, 2(12), 1131–1136.
Romanski, L. M., Tian, B., Fritz, J. B., Mishkin, M., Goldman-Rakic, P. S., & Rauschecker, J. P. (2000). Reply to “What’, ‘where’ and ‘how’ in auditory cortex.’ Nature Neuroscience, 3(10), 966.
Schlaug, G., Jancke, L., Huang, Y., Staiger, J. F., & Steinmetz, H. (1995). Increased corpus callosum size in musicians. Neuropsychologia, 33(8), 1047–1055.
Schlaug, G., Forgeard, M., Zhu, L., Norton, A., Norton, A., & Winner, E. (2009). Training-induced neuroplasticity in young children. Annals of the New York Academy of Sciences 1169, 205–208.
Schneider, P., Scherg, M., Dosch, H. G., Specht, H. J., Gutschalk, A., & Rupp, A. (2002). Morphology of Heschl’s gyrus reflects enhanced activation in the auditory cortex of musicians. Nature Neuroscience, 5, 688–694.
Schönwiesner, M., & Zatorre, R. J. (2008). Depth electrode recordings show double dissociation between pitch processing in lateral Heschl’s gyrus and sound onset processing in medial Heschl’s gyrus. Experimental Brain Research, 187, 97–105.
Schönwiesner, M., Rubsamen, R., & von Cramon, D. Y. (2005). Hemispheric asymmetry for spectral and temporal processing in the human antero-lateral auditory belt cortex. European Journal of Neuroscience, 22(6), 1521–1528.
Schönwiesner, M., Novitski, N., Pakarinen, S., Carlson, S., Tervaniemi, M., & Näätänen, R. (2007). Heschl’s gyrus, posterior superior temporal gyrus, and mid-ventrolateral prefrontal cortex have different roles in the detection of acoustic changes. Journal of Neurophysiology, 97(3), 2075–2082.
Schroeder, C., & Foxe, J. (2002). The timing and laminar profile of converging inputs to multisensory areas of the macaque neocortex. Cognitive Brain Research, 14, 187–198.
Seldon, H. (1981). Structure of human auditory cortex. II: Axon distributions and morphological correlates of speech perception. Brain Research, 229, 295–310.
Shepard, R. N. (1982). Geometrical approximations to the structure of musical pitch. Psychological Review, 89(4), 305–333.
Sigalovsky, I. S., Fischl, B., & Melcher, J. R. (2006). Mapping an intrinsic MR property of gray matter in auditory cortex of living humans: A possible marker for primary cortex and hemispheric differences. NeuroImage, 32(4), 1524–1537.
Sluming, V., Barrick, T., Howard, M., Cezayirli, E., Mayes, A., & Roberts, N. (2002). Voxel-based morphometry reveals increased gray matter density in Broca’s area in male symphony orchestra musicians. NeuroImage, 17, 1613–1622.
Smith, K. R., Hsieh, I.-H., Saberi, K., & Hickok, G. (2010). Auditory spatial and object processing in the human planum temporale: No evidence for selectivity. Journal of Cognitive Neuroscience, 22(4), 632–639.
Stewart, L., von Kriegstein, K., Warren, J. D., & Griffiths, T. D. (2006). Music and the brain: Disorders of musical listening. Brain, 129(10), 2533–2553.
Tervaniemi, M., Rytkönen, M., Schröger, E., Ilmoniemi. R. J., & Näätänen, R. (2001). Superior formation of cortical memory traces for melodic patterns in musicians. Learning and Memory, 8, 295–300.
Tervaniemi, M., Szameitat, A. J., Kruck, S., Schroger, E., Alter, K., De Baene, W., & Friederici, A. D. (2006). From air oscillations to music and speech: Functional magnetic resonance imaging evidence for fine-tuned neural networks in audition. Journal of Neuroscience, 26(34), 8647–8652.
Thivard, L., Belin, P., Zilbovicius, M., Poline, J., & Samson, Y. (2000). A cortical region sensitive to auditory spectral motion. NeuroReport, 11, 2969–2972.
Tian, B., Reser, D., Durham, A., Kustov, A., & Rauschecker, J. P. (2001). Functional specialization in rhesus monkey auditory cortex. Science, 292(5515), 290–293.
Tillmann, B., Koelsch, S., Escoffier, N., Bigand, E., Lalitte, P., Friederici, A., & von Cramon, D. (2006). Cognitive priming in sung and instrumental music: Activation of inferior frontal cortex. NeuroImage, 31, 1771–1782.
Tillmann, B., Jolicœur, P., Ishihara, M., Gosselin, N., Bertrand, O., Rossetti, Y., & Peretz, I. (2010). The amusic brain: Lost in music, but not in space. PLoS ONE, 5(4), e10173.
Trainor, L., McDonald, K. L., & Alain, C. (2002). Automatic and controlled processing of melodic contour and interval information measured by electrical brain activity. Journal of Cognitive Neuroscience, 14, 430–442.
Ungerleider, L. G., & Haxby, J. V. (1994). ‘What’ and ‘where’ in the human brain. Current Opinion in Neurobiology, 4(2), 157–165.
Ungerleider, L. G., & Mishkin, M. (1982). Two cortical visual systems. In D. J. Ingle, M. A. Goodale, & R. J. W. Mansfield (Eds.), Analysis of visual behavior (pp. 549–586). Cambridge, MA: MIT Press.
von Economo, C., & Horn, L. (1930). Über Windungsrelief, Maße und Rindenarchitektonik der Supratemporalfläche, ihre individuellen und ihre Seitenunterschiede. Zeitschrift Neurologie und Psychiatrie, 130, 678–757.
Warren, J. D., & Griffiths, T. D. (2003). Distinct mechanisms for processing spatial sequences and pitch sequences in the human auditory brain. Journal of Neuroscience, 23, 5799–5804.
Warren, J. D., Uppenkamp, S., Patterson, R. D., & Griffiths, T. D. (2003). Separating pitch chroma and pitch height in the human brain. Proceedings of the National Academy of Sciences of the USA, 100(17), 10038–10042.
Warren, J. E., Wise, R. J., & Warren, J. D. (2005). Sounds do-able: Auditory-motor transformations and the posterior temporal plane. Trends in Neurosciences, 28(12), 636–643.
Warrier, C., Wong, P., Penhune, V., Zatorre, R., Parrish, T., Abrams, D., & Kraus, N. (2009). Relating structure to function: Heschl’s gyrus and acoustic processing. Journal of Neuroscience, 29(1), 61–69.
Watanabe, D., Savion-Lemieux, T., & Penhune, V. B. (2007). The effect of early musical training on adult motor performance: Evidence for a sensitive period in motor learning. Experimental Brain Research, 176, 332–340.
Wong, P. C., Skoe, E., Russo, N. M., Dees, T., & Kraus, N. (2007). Musical experience shapes human brainstem encoding of linguistic pitch patterns. Nature Neuroscience, 10(4), 420–422.
Wong, P. C. M., Warrier, C. M., Penhune, V. B., Roy, A. K., Sadehh, A., Parrish, T. B., & Zatorre, R. J. (2008). Volume of left Heschl’s gyrus and linguistic pitch learning. Cerebral Cortex, 18, 828–836.
Zacks, J. M. (2008). Neuroimaging studies of mental rotation: A meta-analysis and review. Journal of Cognitive Neuroscience, 20(1), 1–19.
Zarate, J. M., & Zatorre, R. J. (2008). Experience-dependent neural substrates involved in vocal pitch regulation during singing. NeuroImage, 40(4), 1871–1887.
Zarate, J. M., Delhommeau, K., Wood, S., & Zatorre, R. J. (2010a). Vocal accuracy and neural plasticity following micromelody-discrimination training. PLoS ONE, 5(6), e11181.
Zarate, J. M., Wood, S., & Zatorre, R. J. (2010b). Neural networks involved in voluntary and involuntary vocal pitch regulation in experienced singers. Neuropsychologia, 48(2), 607–618.
Zatorre, R. J. (1985). Discrimination and recognition of tonal melodies after unilateral cerebral excisions. Neuropsychologia, 23, 31–41.
Zatorre, R. J. (1988). Pitch perception of complex tones and human temporal-lobe function. Journal of the Acoustical Society of America, 84(2), 566–572.
Zatorre, R. J., & Belin, P. (2001). Spectral and temporal processing in human auditory cortex. Cerebral Cortex, 11, 946–953.
Zatorre, R. J., & Gandour, J. T. (2007). Neural specializations for speech and pitch: Moving beyond the dichotomies. Philosophical Transactions of the Royal Society of London B: Biological Sciences, 363, 1087–1104.
Zatorre, R. J., Evans, A. C., & Meyer, E. (1994). Neural mechanisms underlying melodic perception and memory for pitch. Journal of Neuroscience, 14(4), 1908–1919.
Zatorre, R. J., Belin, P., & Penhune, V. B. (2002a). Structure and function of auditory cortex: Music and speech. Trends in Cognitive Science, 6, 37–46.
Zatorre, R. J., Bouffard, M., Ahad, P., & Belin, P. (2002b). Where is ‘where’ in the human auditory cortex? Nature Neuroscience, 5, 905–909.
Zatorre, R. J., Bouffard, M., & Belin, P. (2004). Sensitivity to auditory object features in human temporal neocortex. Journal of Neuroscience, 24(14), 3637–3642.
Zatorre, R. J., Chen, J. L., & Penhune, V. B. (2007). When the brain plays music: Auditory-motor interactions in music perception and production. Nature Reviews Neuroscience, 8(7), 547–558.
Zatorre, R. J., Halpern, A. R., & Bouffard, M. (2010). Mental reversal of imagined melodies: A role for the posterior parietal cortex. Journal of Cognitive Neuroscience, 22, 775–789.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2012 Springer Science+Business Media, LLC
About this chapter
Cite this chapter
Zatorre, R.J., Zarate, J.M. (2012). Cortical Processing of Music. In: Poeppel, D., Overath, T., Popper, A., Fay, R. (eds) The Human Auditory Cortex. Springer Handbook of Auditory Research, vol 43. Springer, New York, NY. https://doi.org/10.1007/978-1-4614-2314-0_10
Download citation
DOI: https://doi.org/10.1007/978-1-4614-2314-0_10
Published:
Publisher Name: Springer, New York, NY
Print ISBN: 978-1-4614-2313-3
Online ISBN: 978-1-4614-2314-0
eBook Packages: Biomedical and Life SciencesBiomedical and Life Sciences (R0)