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An Observer’s Reflections: The Artist Considered as Expert

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Explorations in Art and Technology

Part of the book series: Springer Series on Cultural Computing ((SSCC))

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Abstract

This article offers a perspective on some of the rich set of results of the COSTART project residencies, Observations are made on the process of collecting observational data and how some of the classical problems of such studies were dealt with, followed by a short review of the nature of expertise , some observations on human knowledge, the uses of external representations of that knowledge, and how the research into those topics relates to the artists being studied.

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References

  • COSTART Final Report: EPSRC Grant: GR/N26272/01 (2000). http://lindacandy.com/COSTART/pdfFiles/COSTARToverview.pdf. Accessed 15 Dec 2017

  • Ericsson KA (ed) (1996) The road to excellence: the acquisition of expert performance in the arts and sciences. Sports and Games. Erlbaum, Mahwah, NJ

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  • Glaser R, Chi MTH (1988) Overview. In: Chi MTH, Glaser R, Farr MJ (eds) The nature of expertise. Erlbaum, Hillsdale, NJ

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  • Norman DA (1988) The design of everyday things. Doubleday, New York

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  • Norman DA (1993) Things that make us smart. Addison-Wesley, Reading, MA

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Hewett, T. (2018). An Observer’s Reflections: The Artist Considered as Expert. In: Explorations in Art and Technology. Springer Series on Cultural Computing. Springer, London. https://doi.org/10.1007/978-1-4471-7367-0_12

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  • DOI: https://doi.org/10.1007/978-1-4471-7367-0_12

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  • Publisher Name: Springer, London

  • Print ISBN: 978-1-4471-7366-3

  • Online ISBN: 978-1-4471-7367-0

  • eBook Packages: Computer ScienceComputer Science (R0)

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