Skip to main content

Economic Analysis of Music Copyright:Music Users

  • Chapter
  • First Online:
Economic Analysis of Music Copyright
  • 1731 Accesses

Abstract

The US media industry includes many segments not just radio, cable, television and Internet, but newspapers and films as well. The industry as a whole is reliant on the growth in advertising revenue to sustain profitability. This chapter explores the many music users and how their revenue becomes the source of licensing fees collected by PROs to compensate the copyright holders in the form of performance royalty payments for the use of their music. We will also examine the various types of music performances, their methods of collection, and the way in which royalty payments are computed.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

eBook
USD 16.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 119.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 119.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Reference

  • AFJ2 (2001). Second Amended Final Judgment, USA vs ASCAP, Civil Action No. 41-1395. United States District Court, S.D.N.Y. (White Plains), pp. 1–19.

    Google Scholar 

  • Brabec, J. and Brabec, T. (2008). Music Money and Success: The Insiders Guide to Making Money in the Music Industry. Schirmer Trade Books-Music Sales, New York, NY, 6th edition.

    Google Scholar 

  • Coen, R. (2008). Insider’s Report: Advertising Expenditures, December 2008. MAGNA Insights.

    Google Scholar 

  • Dertouzos, J. (2008). Radio Airplay and the Record Industry: An Economic Analysis. National Association of Broadcasters. Unpublished.

    Google Scholar 

  • Fabrikant, G. (2009). ‘Radio Giant Faces Crisis in Cash Flow’. www.nytimes.com. April 29.

  • GAO (2004). Intellectual Property: Economic Arrangements Among Small Webcasters and Third Parties and Their Effect on Royalty. United States Government Accountability Office. Report No. GAO-04-700.

    Google Scholar 

  • GAO (2007). Telecommunications: Preliminary Information on Media Ownership. United States Government Accountability Office. Report No. GAO-08-330R.

    Google Scholar 

  • Grant, P. and Wood, C. (2004). Blockbusters and Trade Wars: Popular Culture in a Globalized World. Douglas and McIntyre, Vancouver, BC.

    Google Scholar 

  • McBride, S. (2009). Commercial Radio Stations Beg For Cash. Wall Street Journal. April 30, p. B3.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Ivan L. Pitt Ph.D. .

Rights and permissions

Reprints and permissions

Copyright information

© 2010 Springer Science+Business Media, LLC

About this chapter

Cite this chapter

Pitt, I.L. (2010). Economic Analysis of Music Copyright:Music Users. In: Economic Analysis of Music Copyright. Springer, New York, NY. https://doi.org/10.1007/978-1-4419-6318-5_2

Download citation

Publish with us

Policies and ethics