Abstract
‘Let there be those “formidable erosions of contour” of which Nietzsche speaks’.1
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Notes
I. E. M. Forster, Aspects of the Novel ed. Oliver Stallybrass, Abinger edn. (London: Edward Arnold, 1974), p. 71. All page references in the text are to this edition of Forster’s work.
Roger Fry, Vision and Design ( London: Chatto, 1920 ), p. 194.
Clive Bell, Art (London: Chatto, 1914), p. 8, p. 25.
I. A. Richards, Principles of Literary Criticism ( 1924; rpt. London: Routledge, 1961), Chapters I, II, and I II.
A. C. Bradley, ‘Poetry for Poetry’s Sake’, Oxford Lectures on Poetry (London, 1909; rpt. Bloomington, Indiana: Indiana Univ. Press, n. d. ), pp. 16, 16–17.
Clive Bell, Civilisation ( London: Chatto, 1928 ), p. 170.
T. S. Eliot, The Sacred Wood (London, 1920; rpt. London: Methuen, 1960 ), p. 37.
See J. Howard Woolmer, A Checklist of the Hogarth Press, 1917–1938 ( London: Hogarth, 1976 ), p. 165.
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© 1982 Judith Scherer Herz and Robert K. Martin
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Rosenbaum, S.P. (1982). Aspects of the Novel and Literary History. In: Herz, J.S., Martin, R.K. (eds) E. M. Forster: Centenary Revaluations. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-05625-5_4
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