Abstract
We are speaking of the Jewish Renaissance. By this we understand the peculiar and basically inexplicable phenomenon of the progressive rejuvenation of the Jewish people in language, customs, and art. We justifiably call it “renaissance” because it resembles—in the transfer of human fate to national fate—the great period that we call Renaissance above all others, because it is a rebirth, a renewal of the entire human being like this Renaissance, and not a return to old ideas and life forms; [it is] the path from semi-being to being, from vegetation to productivity, from the dialectical petrification of scholasticism to a broad and soulful perception of nature, from medieval asceticism to a warm, flowing feeling of life, from the constraints of narrow-minded communities to the freedom of the personality, the way from a volcanic, formless cultural potential to a harmonious, beautifully formed cultural product.
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© 2002 Asher D. Biemann
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Biemann, A.D. (2002). On the [Jewish] Renaissance (1903). In: Biemann, A.D. (eds) The Martin Buber Reader. Palgrave Macmillan, New York. https://doi.org/10.1007/978-1-137-07671-7_14
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DOI: https://doi.org/10.1007/978-1-137-07671-7_14
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-0-312-29290-4
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