Abstract
This essay uses autoethnography to investigate the intersection of the dual identities of feminist scholar and media consumer as one mode of investigating television’s role in women’s identity construction. I draw on my experiences with the popular television programs My So-Called Life, Felicity, and Sex and the City as examples of becoming intertwined with the main characters’ relational and purchasing choices on screen. I examine how women of the third wave, raised on television, have come to define our identities by the presence of a man, due in part to the limited, heteronormative media choices available to young women today. The essay closes with a discussion of how the author’s own coming of age as a feminist media scholar parallels the “coming of age” of the discipline of feminist media studies.
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Names have been changed to protect identities.
For example, from the latest crop of successful woman-centered prime-time programs, ABC’s Nashville and Fox’s The New Girl both rely on the heterosexual love triangle device.
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Stern, D.M. My So-Called Felicity and the City: Coming of Age with and Through Feminist Media Studies. Sexuality & Culture 17, 417–433 (2013). https://doi.org/10.1007/s12119-013-9188-z
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DOI: https://doi.org/10.1007/s12119-013-9188-z