Skip to main content
Log in

On the Common Origin of Music and Philosophy: Plato, Nietzsche, and Benjamin

  • Published:
Topoi Aims and scope Submit manuscript

Abstract

The essay shows the common ground between music and philosophy from the origin of Western philosophy to the crisis of metaphysical thinking, in particular with Nietzsche and Benjamin. At the beginning, the relationship between philosophy and music is marked by the hegemony of the word on the sound. This is the nature of the Platonic idea of music. With Nietzsche and Benjamin this hegemony is denied and a new vision of the relationship becomes possible. The sound is the origin both of language and of music. In thinking about this origin, philosophy shows that “thinking about music” is “thinking in music”, and that this thinking is the origin of philosophy itself.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Similar content being viewed by others

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Leonardo V. Distaso.

Rights and permissions

Reprints and permissions

About this article

Cite this article

Distaso, L.V. On the Common Origin of Music and Philosophy: Plato, Nietzsche, and Benjamin. Topoi 28, 137–142 (2009). https://doi.org/10.1007/s11245-009-9058-3

Download citation

  • Published:

  • Issue Date:

  • DOI: https://doi.org/10.1007/s11245-009-9058-3

Keywords

Navigation