Abstract
The War on Terror has demanded the acceptance of ridiculous propositions. But is it funny—can we laugh at such a destructive endeavour? Considering this, the paper reads the War on Terror as a text of magical realism—a literary genre which utilises juxtapositions between the fantastic supernatural and the modern rationalist paradigm. Thinking about the War on Terror as a magical realist text allows us to engage with the fantasy (and humour) of counter-radicalisation policies which require us to believe in ideological contagion and witchcraft-like possession, and the extension of ever-more technologically sophisticated risk-management algorithms which draw upon and necessitate a fear of a coming apocalypse to function. Similar clashes of paradigm are used within magical realist literature to contest the supposedly secure boundaries of rationalism, and to open a place that Homi Bhabha calls ‘third space’ through the creative potential of juxtaposition. In reading the War on Terror as a magical realist text, the paper argues that contemporary security policy narrates its own third space—one that can be extremely funny in the juxtapositions it employs. The War on Terror undermines itself by narrating a liminal space where its claims of security appear ridiculous. Drawing on the thought of Luce Irigaray, the paper argues that this space of laughter is not only useful for resisting the practices of the War on Terror, but also that a failure to laugh consolidates the War on Terror discourse and the joke it is playing on us by taking it seriously.
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Notes
I would like to acknowledge three people as sources of inspiration for this paper. Firstly, the comedian Mark Thomas, whose satirical stage shows about Israel’s peace-wall and the various insanities of the Bush administration reveal a politics which can open doors through comedy. Also, Professor Jenny Edkins, who introduced me to the work of Luce Irigaray and Homi Bhabha; and finally, Catherine Charrett, who highlighted some of the many merits of the black-comedy Four Lions—a film about the challenges faced by British jihadists.
See James Der Derian & Michael Shapiro’s edited collection of poststructuralist approaches to International Politics (1989) which argues that the ‘objective reality’ of old understandings (and realities) of global politics have given way to intertextuality. Also, Ringmar (2006) has analysed disagreements between policymakers over the Iraq war with literary theory, arguing that they resemble conflicts between different narrative types.
I am indebted to a seminar discussion on the use of drones for this point, and the credit should pass to the undergraduate students of Aberystwyth University’s IP33420 module.
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Heath-Kelly, C. Can We Laugh Yet? Reading Post-9/11 Counterterrorism Policy as Magical Realism and Opening a Third-Space of Resistance. Eur J Crim Policy Res 18, 343–360 (2012). https://doi.org/10.1007/s10610-012-9180-4
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DOI: https://doi.org/10.1007/s10610-012-9180-4