Abstract
Nonhuman narrative refers to the representation of events with participants of nonhuman entities. It entails four broad categories: narrative about natural things, such as animals, plants, hills, rocks, water, and salt; narrative about supernatural things, such as gods, goblins, demons, and monsters; narrative about artificial objects, such as cloth, coins, chairs, ink, and toys, and narrative about artificial humans, such as robots, clones, and machines. The nonhuman entities take on the roles of narrator, character, and focalizer in a narrative text, and thus, perform three functions, namely, the telling, acting, and observing functions. An exploration of nonhuman narrative not only enriches the existing narrative theory, but also makes it more comprehensive and goes beyond anthropocentrism. Against the backdrop of the nonhuman turn, this paper proposes a theory of nonhuman narrative and reconsidering human—nonhuman relations so as to engage a larger organic sphere.
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Notes
I am deeply indebted to the anonymous reviewer for raising this insightful point.
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Acknowledgements
I am very grateful to Péter Hajdu and the anonymous reviewer for their insightful comments on early versions of this article and helpful suggestions for improvement. This work was supported by the National Social Science Fund of China (Grant Number: 17ZDA281).
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Shang, B. Towards a theory of nonhuman narrative. Neohelicon 49, 59–73 (2022). https://doi.org/10.1007/s11059-022-00628-y
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DOI: https://doi.org/10.1007/s11059-022-00628-y