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“The Postilion’s Horn Sounds”: A Complementarity Approach to the Phenomenology of Sound-Consciousness?

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Abstract

In the phenomenology of the consciousness of internal time, Edmund Husserl has frequent recourse to sound and melody as illustrations of the processes that give rise to immanent temporal objects. In Husserl’s analysis, there is a philosophically pregnant tension between the geometrical diagrams representing multiple dimensions of immanent time and his intuition that time-points might be no more than fictions leading to absurdities. In this paper, I will address this tension in order to motivate a complementarity approach to temporal objects such as sound and melody that might illuminate the phenomenology of sound-consciousness.

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Notes

  1. In the Bernauer Manuskripte Husserl concludes a discussion of retention and protention based on one version of the diagram of immanent time by asserting that “Wir müssen zeigen, dass die Figur wirklich alles zur Zeitkonstitution Notwendige und nichts anders enthält, dass alles, was ich ihr ablesen <kann>, und was als bezeichnet definitorisch aufgenommen worden ist, auch vorhanden ist, und <wir> müssen zeigen, wie es in dieser Verwicklung möglich ist” (Hua XXXIII, p. 24, emphasis mine).

  2. For a discussion of the significance of the diagram of immanent time, see Larrabee (1989); for a discussion in the context of melody perception, see Miller (1984, p. 117 ff.). With the exemplary exception of Larrabee, Husserl scholars who have commented on time-consciousness have tended to take the structure of the diagrams of immanent time for granted, that is, they have rarely focused on the philosophical import of the assumptions on which the decision to represent the multiple dimensions of immanent time with straight lines rests. For example Merlan (1947), Sokolowski (1964), Morrison (1978), Miller (1984), McInerney (1988), and Kortooms (2002).

  3. On Husserl’s concept of temporal phases, see Sokolowski (1964, p. 538 ff.).

  4. Earlier examples can be found in Archimedes’ work On spirals, possibly in the manuscripts on which early printed editions were based. Cf. Archimedes (1558, pp. 4 verso–5 recto), and Galilei (1974 [1638]).

  5. Aristotle (1550, p. 73 verso).

  6. On Husserl’s appropriation of, and elaboration on, Carl Stumpf’s notion of Verschlmelzung, see Rollinger (1999, p. 83 ff.) and Ierna (2009).

  7. Heisenberg (1927). Hilgevoord and Uffink (2012) state: “Let us now move to another question about Heisenberg's relations: do they express a principle of quantum theory? Probably the first influential author to call these relations a ‘principle’ was Eddington, who, in his Gifford Lectures of 1928 referred to them as the ‘Principle of Indeterminacy’. In the English literature the name uncertainty principle became most common.” Eddington (1929, p. 220) formulates the principle as follows: “a particle may have position or it may have velocity but it cannot in any exact sense have both”. The phrasing “principle of…” employed by Eddington stabilized quickly. In 1929, for example, Heisenberg’s principle and Eddington’s book were extensively quoted by John Dewey, who drew support from what he referred to as “Heisenberg’s principle of indeterminacy” for his brand of pragmatism (cf. Dewey 1984 [1929], pp. 161–163).

  8. As a philosopher engaging the phenomenological tradition, I value the philosophical ideas of the past, insofar as they urge us to respond constructively to their claims. In the next section I will come back to this methodological point and expand on the reasons why I think that Husserlian phenomenology discourages an exclusively presentist approach to philosophy. By “presentist” I mean such as to privilege the present as the time of philosophical maturity.

  9. Cf. Hilgevoord and Uffink (2012) for a review article on the history and diverse interpretations of Heisenberg’s uncertainty principle. I thank an anonymous reviewer for this reference. Katsumori (2011, p. 54 ff.) should be consulted for a review of the career enjoyed by complementarity in light of the history of contemporary philosophy.

  10. Cf. also Jacobsen (2007, p. 3, n. 1), who suggests that “[p]robably the first reference in the literature to the Copenhagen Interpretation or rather to the ‘Kopenhagener Geist der Quantentheorie […] which has directed the entire development of modern atomic physics,’ is in Werner Heisenberg’s Chicago lectures of 1929 […]. Calling it an interpretation, and thereby indicating that there might be other interpretations, seems to occur for the first time in Heisenberg [in 1955] […] However, Heisenberg might have taken it from Soviet critics of Bohr’s views in the late 1940s and early 1950s, such as D. I. Blokhintsev and A. D. Alexandrov”.

  11. In a recent paper entitled “Heisenberg’s uncertainty principle”, we find the following statement concerning current debates on the uncertainty principle and its relationship to complementarity. “[S]till now, 80 years after its inception, there is no general consensus over the scope and validity of this [i.e., Heisenberg’s] principle. […] The negative characterization of the uncertainty principle as a limitation of quantum preparations and measurements has led to the widespread view that this principle is nothing but a formal expression of the principle of complementarity” (Busch et al. 2007, p. 155). Elsewhere one of the authors of the statement just quoted has come to the conclusion that “today there is a widespread sense that complementarity and uncertainty are best regarded as consequences of quantum mechanics which highlight characteristic features of that theory but need not be held up as independent principles” (Busch and Shilladay 2006, p. 5).

  12. See, for example, Mehra (1987) and Katsumori (2011).

  13. Landsman (2007, pp. 424–446, esp. p. 433 ff.). For instance, Landsman pointed out that “interesting recent attempts to make Bohr’s philosophy of quantum mechanics precise accommodate the a priori status of classical observables into some version of the modal interpretation […]. It should give one some confidence in the possibility of world peace that the two most hostile interpretations of quantum mechanics, viz. Copenhagen and Bohm […] have now found a common home in the modal interpretation in the sense of the authors just cited” (Landsman 2007, p. 437, n. 63).

  14. “In der zweiten Hälfte des vorigen Jahrhunderts war aus den großen Erfolgen der kinetischen Gastheorie und der mechanischen Theorie der Wärme ein Ideal der exacten Naturbeschreibung hervorgewachsen, das als Krönung jahrhundertelangen Forschens und Erfüllung jahrtausendealter Hoffnung einen Höhepunkt bildet und das klassische heißt” (Schrödinger 1935, p. 807).

  15. I see a response to this call for scrutiny in the first philosophically robust attempt to question Bohr’s complementarity framework, one which set the tone for many a subsequent debate, i.e., David Bohm’s work on “hidden variables” (Bohm 1952a, b). Bohm read Bohr’s complementarity principle as asserting that “at the atomic level we must renounce our hitherto successful practice of conceiving of an individual system as a unified and precisely definable whole, all of whose aspects are, in a manner of speaking, simultaneously and unambiguously accessible to our conceptual gaze” (Bohm 1952a, pp. 167–168). Hidden variables were postulated by Bohm in order to reinstate the right of the physicist’s “conceptual gaze” to conceive classically of any individual system such as an electron in an interference experiment. Eventually Bohm reformulated the theory as an “ontological” interpretation (Bohm and Hiley 1993).

  16. Bohr (1928). On the genesis of Bohr’s complementarity ideas in connection with Heisenberg’s 1927 paper, the fundamental study is Stolzenburg (1977). It is notable that, on Stolzenburg’s detailed reconstruction, one forms the impression that Bohr’s early ideas on complementarity were not motivated by the immediate search for a straightforward interpretation of Heisenberg’s formalism. Rather they appear to have gathered momentum while Bohr strove to uncover a holistic worldview.

  17. Heisenberg (1927, pp. 197–198). Bohr opened his 1928 paper pointing out that he hoped his remarks might “help to harmonise the different views, apparently so divergent, concerning this subject [i.e., in his words, “the discussion of the physical interpretation of the quantum theoretical methods developed during recent years”]” (Bohr 1928, p. 580). In the German version of the same paper, instead of “harmonise” Bohr chose the word “Versöhnung [reconciliation]” (Bohr 1928a, p. 245).

  18. From the Hugh Everett III Manuscripts Archive preserved at the University of California. Retrievable at: http://ucispace.lib.uci.edu/handle/10575/1160. Alexander W. Stern was “an American physicist and engineer who spent many years during the 1950s and 1960s in residence at Bohr’s Institute for Theoretical Physics in Copenhagen.” Hugh Everett III was an “American physicist who first proposed what has come to be known as the many-worlds interpretation of quantum physics” (ibid.).

  19. Manuscript, Alexander Stern letter to John A. Wheeler, 20-May-1956, Hugh Everett III Correspondence, University of California, Irvine Libraries, Irvine, California. Retrievable at: http://ucispace.lib.uci.edu/handle/10575/1160.

  20. Katsumori (2011, p. 18). The words reported by Katsumori in quotation marks are Bohr’s.

  21. Honner (1982, p. 20). Honner talks perceptively of Bohr’s transcendental philosophy. I would go further and suggest that there are deeper intersections between Bohr’s transcendental outlook and Husserlian phenomenology that still await historical-philosophical scrutiny, but which I cannot pursue here.

  22. For an introductory treatment which is also quite sensitive to the historical development of the theory, see Folland (2002).

  23. Hence it seems that the notion of an uncertainty stemming from classical mathematical theories was formulated before Heisenberg’s quantum uncertainty paper of 1927 (Heisenberg 1927). The evidence comes from Wiener’s autobiographical recollections, according to Folland.

  24. Landé (1930, p. 18). It is an empirical prediction that, to my knowledge, has never been tested.

  25. Oppenheim and Magnasco (2013), paper summary.

  26. Oppenheim and Magnasco (2013), not yet paginated, cf. 2nd page.

  27. Aristoxenus’s science “is rigorously phenomenalistic, concerned with the analysis and synthesis of what is heard as melodic, simply in its character as an object of perception” (Barker 1989, p. 124). This should be contrasted with the reductionist tendency championed by the ancient Pythagorean school to explain sound phenomena in terms of number, rational ratios, and the laws of acoustics.

  28. Kortooms (2002, pp. 108–109).

  29. In reference to Bernau-manuscript Text 10, Kortooms argued that “Husserl speaks of a consciousness of objects that can be animated” (2002, p. 142). This would be in harmony with my suggestion that temporal qualities are awakened by a process of animation. The Husserlian passage referred to by Kortooms (Hua XXXIII, p. 190), in which Husserl distinguishes between grasping and non-grasping types of perception, qualifies the latter “als ein von keinem erfassenden Aufmerksamkeitsstrahl ‘beseeltes’ Gegenstandsbewusstsein”. The text seems to imply, then, that a grasping perception is awakened by a process of temporal animation.

  30. David Bohm has given an impressionistic characterization of Bohr’s conundrum that is illuminating. In a 1989 interview, Bohm made it clear that he appreciated Bohr’s emphasis on wholeness but then became dissatisfied with one aspect of it. Bohm claimed that Bohr’s interpretation “emphasizes this wholeness of the observing instrument and what is observed…that they are one whole and one phenomenon… the one thing I feel I didn’t quite agree with was that he said that this whole… there was no way of making a concept of this whole… and that meant that you could not make it intelligible…” (Video Interview with Physicist David Bohm (Part 3/5), retrievable at: http://www.youtube.com/watch?v=TPcVSaW0eHo&list=PL903698A0AC1B4E82, transcription of quoted passage beginning at time 2 m:20 s).

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Palmieri, P. “The Postilion’s Horn Sounds”: A Complementarity Approach to the Phenomenology of Sound-Consciousness?. Husserl Stud 30, 129–151 (2014). https://doi.org/10.1007/s10743-013-9144-7

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