Abstract
The conflicted attitude that Torquato Tasso shows toward chivalric romance in his epic theory also marks his epic practice, as this article illustrates by comparing Rinaldo inGerusalemme liberata to Homer’s Achilles. While there are broad parallels between the two heroes—in particular their angry withdrawal from the fighting, which so hampers their side that no progress to victory can be achieved without their return—the circumstances that follow their defection and that, eventually, prompt their return are quite different. In Tasso’s poem these differences are mostly ascribable to the poet’s incorporation of conventional romance ingredients: the hero’s solitary quest for chivalric adventures, his amorous dalliance and truancy in the realm of an enchantress who falls in love with him, his liberation from her spell thanks to the intervention of a magus, his eventual overcoming of hostile magical forces that impede the progress of his fellow warriors. It also becomes apparent that a salient difference between Rinaldo and Achilles is that the conflict faced by Tasso’s hero is much more internal. Once again it is the matter of romance that allows Tasso to dramatize the personal susceptibility and the regeneration of his protagonist. Despite the negative valence he assigns to the motifs and themes of romance, Tasso depends on romance ingredients to depict the inner transformation that Rinaldo must undergo to make him into a fitter Christian warrior, and there by a hero ethically superior to both his Homeric and chivalric precursors.
Similar content being viewed by others
Bibliography
See Daniel Javitch, “Lo spettro del romanzo nella teoria sull’epica del seidicesimo secolo,”Rinascimento 43 (2003[2004]), 159–176.
Torquato Tasso,Prose, ed. E. Mazzali, La Letteratura italiana, storia e testi 22 (Milano-Napoli: Ricciardi, 1959), p. 385.
See Tasso,Prose, ed. cit, p. 353.
Torquato Tasso,Lettere Poetiche, a cura di Carla Molinari, ser. Biblioteca di scrittori italiani (Parma: Guanda, 1995), p. 116. See also pp. 98–101.
John Steadman, “Achilles and Renaissance Epic,” in: Horst Meller and Hans-Joachim Zimmermann (eds.),Lebende Antike. Symposion für Rudof Sühnel (Berlin: Schmidt Verlag, 1967), pp. 139–154.
Sergio Zatti,L’ombra del Tasso: epica e romanzo nel Cinquecento, ser. Testi e pretesti (Milano: B. Mondadori, 1996), p. 20.
Author information
Authors and Affiliations
Rights and permissions
About this article
Cite this article
Javitch, D. Tasso’s critique and incorporation of chivalric romance: His transformation of achilles in theGerusalemme Liberata . Int class trad 13, 515–527 (2007). https://doi.org/10.1007/BF02923023
Issue Date:
DOI: https://doi.org/10.1007/BF02923023