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Introduction: The Petticoat in Politics: Women and Authority

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Women in British Politics, 1760–1860

Abstract

In December 1832, the borough of Ripon in Yorkshire was contested for the first time for over one hundred years. In the aftermath of the Reform Act expectations were high that the proprietorial influence of the Aislabie family of Studley Royal could be thrown off and that the election would launch a new era of democratic politics.2 The Liberal candidates centred their campaign on the unnatural and illegal influence of the owner of the Studley Royal estate and proprietor of many burgage plots in Ripon. However, this traditional claim of ‘old corruption’ was given an alternative spin because it was a woman, Elizabeth Sophia Lawrence, who had sole control of the estate and therefore could influence borough politics. In a series of speeches, one of the Liberal challengers, Richard Crompton Staveley, utilised a particularly evocative image to draw attention to the role of this female, political power:

At your request, I now stand before you (ladies, I am sorry to say it) to do away with petticoat influence. Men could no longer bear it, that one immense blue petticoat should cover the whole town of Ripon and exclude from its inhabitants those bright rays of light and liberty which are now shining forth in all their glory from one end of the borough to another.3

The petticoat as a metaphor for women’s authority over men had been a favourite symbol in political propaganda from the early eighteenth century.

This introduction reflects the views of the editors and does not necessarily represent those of the contributors.

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Notes

  1. For further detail on this election contest see Sarah Richardson, ‘The Role of Women in Electoral Politics in the West Riding of Yorkshire during the 1830s’, Northern History, 32 (1996), pp. 133–51, and her ‘Independence and Deference: a Study of the Electorate of the West Riding of Yorkshire, 1832–1841’ (unpublished Ph.D. thesis, University of Leeds, 1995).

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  2. J. Dunton, Petticoat Government (London, 1702), p. 70.

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  7. A Secret History of the Late Petticoat Plot Against the Liberties of the People by an Officer of Her Majesty’s Household (London: W. P. Chubb, 1832?).

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  8. Cited in Anna Clark, The Struggle for the Breeches: Gender and the Making of the British Working Class (London: Rivers Oram Press, 1995), p. 254. The ballad goes on to say, ‘we’ll settle the men, and let them know that now the Queen reigns that petticoats is master’.

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  10. Cited in Juliet Gardiner, The New Woman: Women’s Voices, 1880–1918 (London: Collins & Brown, 1993), p. 12.

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  31. For an overview of approaches to the historical community see Alan Macfarlane, Reconstructing Historical Communities (Cambridge: Cambridge University Press, 1977), Chapter 1.

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© 2000 Kathryn Gleadle and Sarah Richardson

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Gleadle, K., Richardson, S. (2000). Introduction: The Petticoat in Politics: Women and Authority. In: Gleadle, K., Richardson, S. (eds) Women in British Politics, 1760–1860. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-62989-3_1

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  • DOI: https://doi.org/10.1007/978-1-349-62989-3_1

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