Abstract
I begin the final chapter with an account from my own experiences of teaching. The purpose of this account is not to provide an ‘accurate’ depiction of teaching, nor to generalise the experiences of all teachers. Rather, it should serve as a point of resonance that demonstrates how and in what way Sartre’s ideas make sense in the classroom. Following this, I explore two ways in which this – and indeed any – account of teaching might be understood. Firstly, I discuss ‘technicist’ forms of account-giving that, with the aim of cultivating evaluative dispositions perpetuate an underlying assumption that connects accountability with accuracy. In contrast to this, I introduce what might be termed as ‘existential’ forms of account-giving, garnered from an engagement with Sartre. Ultimately, this can be thought of as an ongoing project of engagement with one’s responses in the classroom, with the commitments made manifest in these responses, and with one’s responsibility in light of this. Notwithstanding the complexity that this latter form of account-giving involves, new understandings of accountability and account-giving in teaching are invited, not as an imposed requirement or a skill, but as a way of being in the classroom.
“Look,” he said, with sudden vehemence, “why don’t you put yourself into your writing? You’re more interesting than all these Renées and Lisas.” The blood flushed up in my cheeks; it was a hot day, and as usual the place was full of smoke and noise. I felt as though someone had banged me hard on the heard. “I’d never dare to do that,” I said. To put my raw, undigested self into a book, to lose perspective, compromise myself – no, I couldn’t do it, I found the whole idea terrifying. “Screw up your courage,” Sartre told me, and kept pressing the point.
Beauvoir (1994, p. 380) on a conversation with Sartre prior to ‘Memoirs of a Dutiful Daughter’.
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Notes
- 1.
‘Tough Young Teachers’ follows the lives of trainee teachers undergoing their ‘Teach First’ placements in the UK.
- 2.
It is important to mention that Claudenia is not just a young, inexperienced teacher but also a black female in a subject that, traditionally, both women and BME teachers are underrepresented in. The fact that Mr McDonald is a white older male might also have something to do with the automatic respect he seemed to generate. This is, of course, a belated explanation for the students’ behaviour, but it nevertheless points to the idea that our relationship with others in part depends on the ways in which we are characterised by virtue of our race, gender, and ‘place’ within a particular subject area.
- 3.
Of course, my use of Sartre might be thought of in the same way – because of Sartre, I now focus on aspects of my practice that would have not been brought to light had I engaged with another thinker. I do not wish to deny that the anecdotal account I offer is latent with existentialist underpinnings. But as mentioned, Sartre serves as a ‘touchstone’ for engaging with my practices, and not for explaining them.
- 4.
Of course, this is not to suggest that we should never be concerned with accuracy in accounts, nor that all accounts are of equal merit along these lines. It does not suggest that accuracy cannot be ‘approached’, nor that accounts should not be open to interrogation, particularly when there are high stakes involved. But for such concerns to be part of the conversation, the instrumental value of those accounts needs to be considered – i.e. what those accounts are for, and what they seek to capture in light of this. In the case of accounting for teaching, perhaps accuracy is not the ultimate aim.
- 5.
This is perhaps also true of the waiter in Sartre’s (2018) example of ‘bad faith’. Indeed, the waiter was also already exposed as a person, despite his attempts to suppress this through enacting exactly what he believed his ‘role’ required. This is what makes the role so difficult to sustain – for example, when confronted by a rude customer, it is difficult to maintain composure in the way that waiters ‘are supposed to’. Waitering also involves a sense of vulnerability, one that Sartre does not seem to appreciate in his example.
- 6.
Poetry might also do this, but one would not necessarily be fazed if a poet decided to write in a non-committal way. Sartre argues that poets use language in a different way than prose writers – e.g. they are less concerned with being directly intelligible, or with sending a clear message to their readers.
- 7.
Choice in this sense does not mean that I am always ‘choosing’ to offer an account of myself or not, but rather, it relates to the ways in which situations are brought to light by virtue of our (freely chosen) fundamental projects, a choice that is therefore embedded both in situations where one feels compelled to offer an account on their own accord as well as in situations where one is forced into offering an account because they are ‘answerable’ to another (e.g. their superior).
- 8.
This is often linked to the Aristotelian concept of ‘phronesis’. In the literature on professional accountability, however, phronesis is often narrowly defined as a ‘skill’ or a ‘technique’ (e.g. Jos & Tompkins, 2004).
- 9.
The authors also locate this line of thinking in what we might consider to be the more ‘noble’ justifications of education, such as the emancipatory aims that you find in thinkers such as Freire or Rancière.
- 10.
I am not fully convinced by this account of immanence, however, given that any description of teaching that we might call ‘immanent’ involves implicit norms and expectations that ‘transcend’ the given moment that is described. Indeed, descriptions involve explanations that are implicitly normative in that they relate to the meaning-making of those offering the account – i.e. their own values that transcend the interpretations of each given moment itself. Whilst I disagree with the overly sharp distinction between transcendence and immanence, the discussion is nevertheless useful in situating the current focus of accountability on external justifications rather than the ways in which a teacher is ontologically accountable in the classroom.
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Brady, A.M. (2022). Towards an Existentialist Account of Teaching. In: Being a Teacher. Contemporary Philosophies and Theories in Education, vol 19. Springer, Singapore. https://doi.org/10.1007/978-981-19-7323-9_9
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