About this book series

This series presents new perspectives and intimate analyses of Arab cinema. Providing distinct and unique scholarship, books in the series focus on well-known and new auteurs, historical and contemporary movements, specific films, and significant moments in Arab and North African film history and cultures. The use of multi-disciplinary and documentary methods creates an intimate contact with the diverse cultures and cinematic modes and genres of the Arab world. Primary documents and new interviews with directors and film professionals form a significant part of this series, which views filmmakers as intellectuals in their respective historical, geographic, and cultural contexts. Combining rigorous analysis with material documents and visual evidence, the authors address pertinent issues linking film texts to film studies and other disciplines. In tandem, this series will connect specific books to online access to films and digital material, providing future researchers and students with a hub to explore filmmakers, genres, and subjects in Arab cinema in greater depth, and provoking readers to see new frames of transnational cultures and cinemas.

Series Editors:

Samirah Alkassim is an experimental documentary filmmaker and Assistant Professor of Film Theory at George Mason University. She is the co-editor of the Palgrave Studies in Arab Cinema and her publications include the co-authored book The Cinema of Muhammad Malas (Palgrave, 2018), contributions to Cinema of the Arab World: Contemporary Directions in Theory and Practice (Palgrave, 2020), the Historical Dictionary of Middle Eastern Cinema, 2nd Edition (Rowman and Littlefield, 2020), as well as chapters in Refocus: The Films of Jocelyne Saab (Edinburgh University Press, 2021),  Gaza on Screen (forthcoming 2022), and text book Global Horror: Hybridity and Alterity in Transnational Horror Film (Cognella Academic Publishing, forthcoming 2022) which she co-edited with Ziad El-Bayoumi Foty. She is currently writing a book, A Journey of Screens in 21st Century Arab Film and Media (Bloomsbury, forthcoming 2023) and editing a documentary about Jordanian artist Hani Hourani. She holds an MFA in Cinema from San Francisco State University and a BA in English Literature from Oberlin College.

Nezar Andary is Assistant Professor of Film and Literature at Zayed University in the College of Humanities and Sustainability Sciences. He has published literary translations, poetry, and articles on Arab documentary, and researched the relationship of Arab cinema to the recent Arab uprisings. Among his many involvements in Abu Dhabi, he directed a multilingual play for the Abu Dhabi Book Fair and organized an Environmental Documentary Film Series. In addition, he served as Artistic Director for Anasy Documentary Awards in 2010 and Artistic Director for the documentary series Perspectives and Retrospectives in 2013. He holds a PhD from the University of California, Los Angeles and was a Fulbright recipient conducting research in Syria. 


Electronic ISSN
2731-4901
Print ISSN
2731-4898
Series Editor
  • Samirah Alkassim,
  • Nezar Andary

Book titles in this series

  1. The Afterlife of Palestinian images

    Visual Remains and the Archive of Disappearance

    Authors:
    • Azza El Hassan
    • Copyright: 2024

    Available Renditions

    • Hard cover ( Book w. online files / update )
    • eBook
  2. Bollywood Film Traffic

    A History of Hindi Films’ Circulation in Beirut, Cairo, and Dubai (1954–2014)

    Authors:
    • Némésis Srour
    • Copyright: 2024

    Available Renditions

    • Hard cover
    • eBook
  3. Knights of Cinema

    The Story of the Palestine Film Unit

    Authors:
    • Khadijeh Habashneh
    • Copyright: 2023

    Available Renditions

    • Hard cover
    • eBook
  4. From Outlaw to Rebel

    Oppositional documentaries in Contemporary Algeria

    Authors:
    • Meryem Belkaïd
    • Copyright: 2023

    Available Renditions

    • Hard cover
    • eBook