About this book series
Performance Philosophy is an interdisciplinary and international field of thought, creative practice and scholarship. The Performance Philosophy book series comprises monographs and essay collections addressing the relationship between performance and philosophy within a broad range of philosophical traditions and performance practices, including drama, theatre, performance arts, dance, art and music. It also includes studies of the performative aspects of life and, indeed, philosophy itself. As such, the series addresses the philosophy of performance as well as performance-as-philosophy and philosophy-as-performance.
Editorial Board: Prof. Emmanuel Alloa, Professor in Philosophy, University of Freiburg, Switzerland; Dr. Luciana Da Costa Dias, Associate Professor of Aesthetic and Theatre Theory, Federal University of Ouro Preto, Brazil;
Prof. Lydia Goehr, Professor of Philosophy, Columbia University, USA; Prof. James R. Hamilton, Professor of Philosophy, Kansas State University, USA; Prof. Bojana Kunst, Professor of Choreography and Performance, Institute for Applied Theatre Studies, Justus-Liebig University Giessen, Germany; Prof. Nikolaus Müller-Schöll, Professor of Theatre Studies, Goethe University, Frankfurt am Main, Germany;
Dr. Fumi Okiji, Assistant Professor, Women, Gender, Sexuality Studies, University of Massachusetts, Amherst, USA; Prof. Martin Puchner, Professor of Drama and of English and Comparative Literature, Harvard University, USA; Prof. Alan Read, Professor of Theatre, King’s College London, UK; Prof. Freddie Rokem, Emeritus Professor of Theatre Arts, Tel Aviv University, Israel; Prof. Phillip Zarrilli, Emeritus Professor of Performance Practice, University of Exeter, UK; Prof. Cosimo Zene, Emeritus Professor in the Study of Religions and World Philosophies, SOAS, UK
http://www.performancephilosophy.org/books/
- Electronic ISSN
- 2057-7176
- Print ISSN
- 2947-5589
- Series Editor
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- Laura Cull Ó Maoilearca,
- Alice Lagaay,
- Will Daddario
Book titles in this series
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The Theatre of Death – The Uncanny in Mimesis
Tadeusz Kantor, Aby Warburg, and an Iconology of the Actor
