About this book series
Editorial Board:
Jonathan Bollen (Taiwan Normal University), Diana Looser (Stanford University), meLê yamomo (University of Amsterdam), Berenika Szymanski-Düll (LMU Munich), Rashna Darius Nicholson (University of Warwick), Margaret Litvin (Boston University), Danny O’Quinn (University of Guelph), Milija Gluhovic (Warwick University), Siyuan Lu (University of British Columbia), Evan Mwangi (Northwestern University), Miguel Escobar Varela (National University of Singapore), Emine Fişek (Bogazici University/ Austrian Science Institute), Stephanie Nohelanes Teves (University of Oregon), Erith Jaffe-Berg (University of California - Riverside), Leo Cabranes-Grant (University of California - Santa Barbara), Henry Obi Ajumeze (University of Manchester), Katherine Hennessey (Wenzhou-Kean University).
Transnational Theatre Histories illuminates vectors of cultural exchange, migration, appropriation, and circulation that long predate the more recent trends of neoliberal globalization. Books in the series document and theorize the emergence of theatre, opera, dance, and performance against backgrounds such as imperial expansion, technological development, modernity, industrialization, colonization, diplomacy, and cultural self-determination. Proposals are invited on topics such as: theatrical trade routes; public spheres through cross-cultural contact; the role of multi-ethnic metropolitan centers and port cities; modernization and modernity experienced in transnational contexts; new materialism: objects moving across borders and regions; migration and recombination of aesthetics and forms; colonization and decolonization as transnational projects; performance histories of cross- or inter-cultural contact; festivals, exchanges, partnerships, collaborations, and co-productions; diplomacy, state and extra-governmental involvement, support, or subversion; historical perspectives on capital, finance, and administration; processes of linguistic and institutional translation; translocality, glocality, transregional and omnilocal vectors; developing new forms of collaborative authorship.
Series Editors: Christopher B. Balme (LMU Munich), Marlis Schweitzer (York) and Tracy C. Davis (Northwestern).
- Electronic ISSN
- 2946-5907
- Print ISSN
- 2946-5893
- Series Editor
-
- Christopher B. Balme,
- Marlis Schweitzer,
- Tracy C. Davis
Book titles in this series
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A History of East African Theatre, Volume 2
Central East Africa
- Authors:
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- Jane Plastow
- Copyright: 2021
Available Renditions
- Hard cover
- Soft cover
- eBook
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Theatre Across Oceans
Mediators of Transatlantic Exchange, 1890–1925
- Authors:
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- Nic Leonhardt
- Copyright: 2021
Available Renditions
- Hard cover
- Soft cover
- eBook
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Border-Crossing and Comedy at the Théâtre Italien, 1716–1723
- Authors:
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- Matthew J. McMahan
- Copyright: 2021
Available Renditions
- Hard cover
- Soft cover
- eBook
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The Colonial Public and the Parsi Stage
The Making of the Theatre of Empire (1853-1893)
- Authors:
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- Rashna Darius Nicholson
- Copyright: 2021
Available Renditions
- Hard cover
- Soft cover
- eBook