Abstract
Olivier Assayas’s seminal film Après mai (2011) includes a key moment when the protagonists, students from France travelling to Italy, participate in an open-air screening of revolutionary film-making on China and Latin America. The depiction of the young revolutionaries in early 1970s Florence, gathered around the screen in perfect counter-cultural outfit, endlessly debating the limits between bourgeois and radical film-making and whether cinema can provide the ‘revolutionary syntax’ for the new rebellious identities, encapsulates the entire meaning of cinema as a vehicle of anti-imperialist resistance at the time.
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La Hora de Los Hornos. Dir. Fernando Solanas and Octavio Getino, 1968. Argentina.
La Nouba des femmes du Mont Chenoua. Dir. Assia Djébar, 1977. Feature film. Algeria.
Les carabiniers. Dir. Jean-Luc Godard, 1963. Feature film/France.
Les statues meurent aussi. Dir. Chris Marker and Alain Resnais, 1953. Documentary. France.
Moolaadé. Dir. Ousmane Sembène, 2005. Feature film. Senegal.
Performing the Border. Dir. Ursula Biemann, 1999. Documentary. Switzerland.
Rang de Basanti. Dir. Rakeysh Omprakash Mehra, 2006. Feature film. India.
Soleil Ö. Dir. Med Hondo, 1969. Feature film. Mauritania.
Terra em Transe. Dir. Glauber Rocha, 1967. Feature film. Brazil.
The Battle of Algiers. Dir. Gillo Pontecorvo, 1966. Feature film. Italy.
The Battle of Chile. Dir. Patricio Guzman, 1977. Documentary. Chile.
The Forgotten Space. Dir. Noël Burch and Allan Sekula, 2012. Documentary/Essay. USA.
The Winds of the Aures. Dir. Mohammed Lakhdar-Hamina, 1967. Feature film. Algeria.
Vénus Noire. Dir. Abdellatif Kechiche, 2010. Feature film. France.
Xala. Dir. Ousmane Sembène, 1974. Feature film. Senegal.
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© 2016 Immanuel Ness and Zak Cope
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Ness, I., Cope, Z. (2016). Culture and the Arts. In: Ness, I., Cope, Z. (eds) The Palgrave Encyclopedia of Imperialism and Anti-Imperialism. Palgrave Macmillan, London. https://doi.org/10.1057/9780230392786_3
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