Why should the lamp or the house be an art object, but not our life? (Foucault 1991, p. 350)
Introduction
When considering the career of the treatment of the topic of aesthetics (defined, hereafter, as the operationalization and application of form, taste, self-stylization, and the creative imagination to the demands of contemporary life) in the educational field, one is struck by a striking bifurcation. Mainstream and liberal curriculum standard-bearers such as Eliot Eisner (1997, 2005) writing on the topic have gone down the path of more or less insulating aesthetics within self-enclosing disciplinary frames of reference emphasizing self-referentiality, connoisseurship, and the maverick-like qualities of artistic producers. This orientation might be called, after Pierre Bourdieu, the “charismatic approach” (1993, p. 76) in which the artist and the aesthetic object are judged by art-qua-art criteria shorn from the social environment. Aesthetic conversations within this paradigm brush...
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McCarthy, C. (2016). Reconsidering Aesthetics and Everyday Life. In: Peters, M. (eds) Encyclopedia of Educational Philosophy and Theory. Springer, Singapore. https://doi.org/10.1007/978-981-287-532-7_80-1
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DOI: https://doi.org/10.1007/978-981-287-532-7_80-1
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