Immanuel Kant, with his “brilliantly dry style” (Schopenhauer), expounds the notable theory that “objects are approaching to the mind” via the spectacle metaphor by addressing transcendental idealism in support of the mind as an active knower (mind-making nature), not passive in a realistic sense, while objects of knowledge conform to the mind begotten in categories of understanding. On Kant’s view, James Conant writes, “Kant’s term for this unity, considered at this level of abstraction, is the original synthetic unity of the understanding. This admits of forms of further determination, one sensible and one intellectual. This form of unity – categorial unity – characterizes both the manner in which objects are given to us in intuition and the manner in which concepts are combined in judgments” (Conant 2016: 114).
Insofar the same pioneering stance is reflected in the Groundwo...