Synonyms
Definition
Evolutionary musicology is a subdiscipline of biomusicology, the study of music from a biological perspective, which embeds the psychological and physiological mechanisms of human music perception and production in the theory of biological evolution. Evolutionary musicology studies the origin and evolution of music in the human species, encompassing vocal communication and musical behaviors in non-human animal species; behavioral, cognitive, and neurological development of musical processing and skill; cross-cultural human universals in musical capacity and cognitive processing; and archeological evidence to develop hypotheses concerning the evolution of human musical appreciation and music-making.
Introduction
Music is a pervasive, universal, and foundational feature of human social life. Although humans appear to be more attuned to the creation and appreciation of this phenomenon than any other species, the social...
References
Brown, S. (2000). The “musilanguage” model of music evolution. In N. L. Wallin, B. Merker, & S. Brown (Eds.), The origins of music (pp. 271–300). Cambridge, MA: MIT Press.
Cirelli, L. K. (2018). How interpersonal synchrony facilitates early prosocial behavior. Current Opinion in Psychology, 20, 35–39.
Darwin, C. (1871). The descent of man and selection in relation to sex. London: John Murray.
Dunbar, R. (2012). On the evolutionary function of song and dance. In N. Bannan (Ed.), Music, language and human evolution (pp. 201–214). Oxford: Oxford University Press.
Dunbar, R., Kaskatis, K., Macdonald, I., & Barra, V. (2012). Performance of music elevates pain threshold and positive affect: Implications for the evolutionary function of music. Evolutionary Psychology, 10, 688–702.
Fancourt, D., & Perkins, R. (2018). Maternal engagement with music up to nine months post-birth: Findings from a cross-sectional study in England. Psychology of Music, 46, 238–251.
Fitch, W. T. (2004). Kin selection and “mother tongues”: A neglected component in language evolution. In D. K. Oller & U. Griebel (Eds.), Evolution of communication systems: A comparative approach (pp. 275–296). Cambridge, MA: MIT Press.
Fitch, W. T. (2010). The evolution of language. New York: Cambridge University Press.
Fitch, W. T. (2013). Musical protolanguage: Darwin’s theory of language evolution revisited. In J. J. Bolhuis & M. B. H. Everaert (Eds.), Birdsong, speech and language: Exploring the evolution of mind and brain (pp. 489–504). Cambridge, MA: MIT Press.
Freeberg, T. M., Dunbar, R. I. M., & Ord, T. J. (2012). Social complexity as a proximate and ultimate factor in communicative complexity. Philosophical Transactions of the Royal Society of London. Series B, Biological Sciences, 367(1597), 1785–1801.
Geissmann, T. (2002). Duet-splitting and the evolution of gibbon songs. Biological Reviews, 77, 57–76.
Grahn, J. A. (2012). Neural mechanisms of rhythm perception: Current findings and future perspectives. Topics in Cognitive Science, 4, 585–606.
Hagen, E. H., & Bryant, G. A. (2003). Music and dance as a coalition signaling system. Human Nature, 14, 21–51.
Haimoff, E. H. (1986). Convergence in the duetting of monogamous Old World primates. Journal of Human Evolution, 15, 51–59.
Hargreaves, D. J., Miell, D., & MacDonald, R. A. R. (2002). What are musical identities, and why are they important? In R. A. R. MacDonald, D. J. Hargreaves, & D. Miell (Eds.), Musical identities (pp. 1–20). Oxford: Oxford University Press.
Keverne, E. B., Martensz, N. D., & Tuite, B. (1989). Beta-endorphin concentrations in cerebrospinal fluid of monkeys are influenced by grooming relationships. Psychoneuroendocrinology, 14, 155–161.
Kirby, S. (2012). Darwin’s musical protolanguage: An increasingly compelling picture. In P. Rebuschat, M. Rohrmeier, J. A. Hawkins, & I. Cross (Eds.), Language and music as cognitive systems (pp. 96–102). Oxford: Oxford University Press.
Kirschner, S., & Tomasello, M. (2010). Joint music making promotes prosocial behavior in 4-year-old children. Evolution and Human Behavior, 31, 354–364.
Madison, G., Holmquist, J., & Vestin, M. (2018). Musical improvisation skill in a prospective partner is associated with mate value and preferences, consistent with sexual selection and parental investment theory: Implications for the origin of music. Evolution and Human Behavior, 39, 120–129.
Marler, P. (2000). Origins of music and speech: Insights from animals. In N. L. Wallin, B. Merker, & S. Brown (Eds.), The origins of music (pp. 31–48). Cambridge, MA: MIT Press.
McDermott, J., & Hauser, M. (2005). The origins of music: Innateness, uniqueness, and evolution. Music Perception, 23(1), 29–59.
Morley, I. (2013). The prehistory of music: Human evolution, archaeology, and the origins of musicality. Oxford: Oxford University Press.
Mosing, M., Verweij, K., Madison, G., Pedersen, N., Zietsch, B., & Ullén, F. (2015). Did sexual selection shape human music? Testing predictions from the sexual selection hypothesis of music evolution using a large genetically informative sample of over 10,000 twins. Evolution and Human Behavior, 36, 359–366.
Oesch, N. (2016). Deception as a derived function of language. Frontiers in Psychology, 7(1485), 1–7.
Oesch, N. (2017). Reliability and deception in language. In T. K. Shackelford & V. A. Weekes-Shackelford (Eds.), Encyclopedia of evolutionary psychological science (pp. 1–9). New York: Springer.
Oesch, N. (2018). Social brain hypothesis. In H. Callan (Ed.), International encyclopedia of anthropology (pp. 1–11). New York: Wiley.
Oesch, N. (2019). Music and language in social interaction: Synchrony, antiphony and functional origins. Frontiers in Psychology, 10(1514), 1–13.
Origgi, G., & Sperber, D. (2000). Evolution, communication and the proper function of language. In P. Carruthers & A. Chamberlain (Eds.), Evolution and the human mind: Language, modularity and social cognition (pp. 140–169). Cambridge: Cambridge University Press.
Pearce, E., Launay, J., & Dunbar, R. I. M. (2015). The ice-breaker effect: Singing mediates fast social bonding. Royal Society Open Science, 2, 1–9.
Pinker, S. (1997). How the mind works. New York: Norton.
Rabinowitch, T. C., & Meltzoff, A. N. (2017). Synchronized movement experience enhances peer cooperation in preschool children. Journal of Experimental Child Psychology, 160, 21–32.
Tarr, B., Launay, J., & Dunbar, R. I. M. (2014). Music and social bonding: “Self-other” merging and neurohormonal mechanisms. Frontiers in Psychology, 5(1096), 1–10.
Tarr, B., Launay, J., & Dunbar, R. I. M. (2016). Silent disco: Dancing in synchrony leads to elevated pain thresholds and social closeness. Evolution and Human Behavior, 37, 343–349.
Trainor, L. J., Tsang, C. D., & Cheung, V. H. W. (2002). Preference for sensory consonance in 2- and 4-month-old infants. Music Perception, 20(2), 187–194.
Vuoskoski, J. K., Clarke, E. F., & DeNora, T. (2017). Music listening evokes implicit affiliation. Psychology of Music, 45, 584–599.
Watts, D. P. (2016). Production of grooming-associated sounds by chimpanzees (Pan troglodytes) at Ngogo: Variation, social learning, and possible functions. Primates, 57, 61–72.
Zawidzki, T. W. (2006). Sexual selection for syntax and kin selection for semantics: Problems and prospects. Biology and Philosophy, 21, 453–470.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Section Editor information
Rights and permissions
Copyright information
© 2021 Springer Nature Switzerland AG
About this entry
Cite this entry
Oesch, N. (2021). Evolutionary Musicology. In: Shackelford, T.K., Weekes-Shackelford, V.A. (eds) Encyclopedia of Evolutionary Psychological Science. Springer, Cham. https://doi.org/10.1007/978-3-319-19650-3_2845
Download citation
DOI: https://doi.org/10.1007/978-3-319-19650-3_2845
Published:
Publisher Name: Springer, Cham
Print ISBN: 978-3-319-19649-7
Online ISBN: 978-3-319-19650-3
eBook Packages: Behavioral Science and PsychologyReference Module Humanities and Social SciencesReference Module Business, Economics and Social Sciences