Skip to main content

Australia and New Zealand Vampires

  • Reference work entry
  • First Online:
The Palgrave Handbook of the Vampire

Abstract

This chapter discusses the depiction of the vampire in Australia and Aotearoa New Zealand’s literature, film, and popular culture. It examines the unique cultural and historical context that the Antipodean Gothic provides for the postcolonial development of the vampire tradition in these regions. The chapter offers an overview of some key examples of the vampire figure in contemporary texts by Australians and New Zealanders from the page to the screen. It pays particular attention to highlight works created by Māori and Aboriginal authors, screenwriters, and filmmakers, who use the vampire narrative as a medium through which the historical horrors and ongoing traumas of European colonization can be explored. The chapter begins with an introduction to the Antipodean Gothic context and the figure of the vampire, and is then geographically divided into two sections, Vampires in Australia and Vampires in Aotearoa New Zealand, that each provides an overview of the monster in recent literature, film, and television in their respective regions. The chapter is then brought to its end by way of some concluding remarks regarding the similarities between the two nations’ depictions of the immortal undead monster.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Institutional subscriptions

References

  • Abbott, Stacey. 2016. Undead apocalypse: Vampires and zombies in the 21st century. Edinburgh: Edinburgh University Press.

    Book  Google Scholar 

  • Althans, Katrin. 2010. Darkness subverted: Aboriginal gothic in black Australian literature and film. Bonn: Bonn University Press.

    Google Scholar 

  • ———. 2013. White shadows: The gothic tradition in Australian aboriginal literature. In A companion to Australian aboriginal literature, ed. Belinda Wheeler, 139–154. New York: Camden House.

    Chapter  Google Scholar 

  • Auerbach, Nina. 1995. Our vampires, ourselves. Chicago: University of Chicago Press.

    Book  Google Scholar 

  • Bacon, Simon. 2018. Alex Garland’s ex Machina (2015) – Vampire gothic. In The gothic: A reader, ed. Simon Bacon, 225–233. Oxford: Peter Lang.

    Chapter  Google Scholar 

  • Bloodlust. 1992. Directed by Jon Hewitt and Richard Wolstencroft, Windhover Productions. Film.

    Google Scholar 

  • Borwein, Naomi Simone. 2018. Vampires, shape-shifters, and sinister light: Mistranslating Australian aboriginal horror in theory and literary practice. In The Palgrave handbook to horror literature, ed. Kevin Corstorphine and Laura R. Kremmel, 61–75. Palgrave Macmillan.

    Google Scholar 

  • ———. 2020. Aboriginal Australian vampires and the politics of transmediality. In The global vampire: Essays on the undead in popular culture around the world, ed. Cait Coker, 165–176. Jefferson: McFarland.

    Google Scholar 

  • Botting, Fred. 1996. Gothic. New York and London: Routledge.

    Google Scholar 

  • Cameron, Allan. 2010. The locals and the global: Transnational currents in contemporary New Zealand horror. Studies in Australasian Cinema 4 (1): 55–72. https://doi.org/10.1386/sac.4.1.55_1.

    Article  Google Scholar 

  • Carew, Anthony. 2015. Bloody good comedy: What we do in the shadows. Metro Magazine: Media & Education Magazine 183: 18–23.

    Google Scholar 

  • Conrich, Ian. 2012. New Zealand gothic. In A new companion to the gothic, ed. David Punter, 393–408. Somerset: John Wiley & Sons.

    Chapter  Google Scholar 

  • D’Este, Madeleine. 2020. Bloodwood: An Australian vampire novella. Kindle.

    Google Scholar 

  • Daybreakers. 2009. Directed by Michael Spierig and Peter Spierig. Lionsgate.

    Google Scholar 

  • Dungan, Sophie. 2022. Reading the vegetarian vampire. Springer.

    Book  Google Scholar 

  • Eagar, Kirsty. 2010. Saltwater vampires. Penguin.

    Google Scholar 

  • Edwards, Jacob. 2011. Behind the black mask. In Dead red heart, ed. Russell B. Farr, 425–437. Greenwood: Ticonderoga Publications.

    Google Scholar 

  • Farr, Russell B. 2011. Dead red heart: Australian vampire Tales. Greenwood: Ticonderoga Publications.

    Google Scholar 

  • Firebite. 2021. created by Warwick Thornton and Brendan Fletcher. (AMC). TV Series.

    Google Scholar 

  • Fitzsimmons, P. 2020. In need of Vitamin Sea: The emergence of Australian identity through the eyes and thirst of Kirsty Eagar’s vampires. In The global vampire on stage and page, ed. Cait Coker, 177–188. New York: McFarland.

    Google Scholar 

  • Gardenour, W.B.S. 2015. Our old monsters: Witches, werewolves and vampires from medieval theology to horror cinema. Retrieved from https://ebookcentral.proquest.com

  • Gates, Raymond. 2011. The little red man. In Dead red heart, ed. Russel B. Farr, 379–395. Greenwood: Ticonderoga Publications.

    Google Scholar 

  • Gelder, Ken. 1994. Reading the vampire. London/New York: Routledge.

    Book  Google Scholar 

  • ———. 2007. Australian gothic. In The Routledge companion to the gothic, ed. Catherine Spooner and Emma McEvoy, 115–123. London: Routledge.

    Google Scholar 

  • ———. 2012. Australian gothic. In A new companion to the gothic, ed. David Punter, 379–392. Oxford: Wiley-Blackwell.

    Chapter  Google Scholar 

  • Gelder, Ken, and Rachael Weaver. 2007. The anthology of colonial Australian gothic fiction. Melbourne: Melbourne University Publishing.

    Google Scholar 

  • Gildersleeve, Jessica, and Kate Cantrell. 2022. Screening the gothic in Australia and New Zealand: Contemporary antipodean film and television. Amsterdam: Amsterdam University Press.

    Book  Google Scholar 

  • Grant, Barry Keith. 2008. New Zealand film and questions of genre. Film International 6 (1): 14–22.

    Article  Google Scholar 

  • Hallab, Mary Y. 2016. Humor in Vampire films. In The laughing dead: The horror-comedy film from bride of Frankenstein to Zombieland, ed. Cynthia J. Miller and A. Bowdoin Van Riper, 138–153. United States: Rowman & Littlefield Publishers.

    Google Scholar 

  • Harrington, Erin. 2020. Policing through parody with Wellington paranormal. Continuum 34 (1): 88–101.

    Article  Google Scholar 

  • Jamieson, Trent. 2015. Day boy. Erewhon Books.

    Google Scholar 

  • Jinks, Catherine. 2009. The reformed vampire support group. HMH Books for Young Readers.

    Google Scholar 

  • Kakmi, Dmetri. 2023. On ‘Vampyre’, by Margaret Wild and Andrew Yeo. Griffith Review 80. https://www.griffithreview.com/reading-australia-vampyre-margaret-wild-andrew-yeo/.

  • López, Ángel José Bugallo. 2013. Development of gothic fiction within the dominion of New Zealand: Film novels. Winds of New Zealand 25.

    Google Scholar 

  • Mackellar, Dorothea. 1906. “My country”. https://www.dorotheamackellar.com.au/my-country/

  • Mercer, Erin. 2013. Slumming among the gravestones’: Elizabeth Knox’s daylight and the New Zealand canon. Journal of New Zealand Literature 31: 130–149.

    Google Scholar 

  • Meyer, Stephenie. 2005. Twilight. Little: Brown.

    Google Scholar 

  • Mudrooroo. 1998. The undying. Sydney: Harper Collins.

    Google Scholar 

  • ———. 1999. Underground. Sydney: Harper Collins.

    Google Scholar 

  • ———. 2000. The promised land. Sydney: Harper Collins.

    Google Scholar 

  • Nahrung, Jason. 2012. Blood and dust. Clan Destine Press.

    Google Scholar 

  • ———. 2015. The big smoke. Clan Destine Press.

    Google Scholar 

  • Outback Vampires. 1987. Directed by Colin Eggleston, Cine Funds limited and Somerset Film Productions. Film.

    Google Scholar 

  • Piatti-Farnell, Lorna. 2013. The Vampire in contemporary popular literature. Routledge.

    Google Scholar 

  • Piatti-Farnell, Lorna. 2022. Dead, and into the world: Localness, culture, and domesticity in New Zealand’s what we do in the shadows. In Screening the gothic in Australia and New Zealand, ed. Jessica Gildersleeve and Kate Cantrell, 179–194. Amsterdam: Amsterdam University Press.

    Google Scholar 

  • Prosser, Ashleigh. 2018. Joan Lindsay’s picnic at hanging rock (1967/1975): Australian gothic. In The gothic: A reader, ed. Simon Bacon, 87–96. Peter Lang Publishing.

    Google Scholar 

  • Rayner, Jonathan. 2000. Contemporary Australian cinema: An introduction. Manchester University Press.

    Google Scholar 

  • Rayner, Jonathon. 2022. Australian gothic: A cinema of horrors. University of Wales Press.

    Google Scholar 

  • Rice, Anne. 1976. Interview with the vampire. New York: Knopf.

    Google Scholar 

  • Safta, Ben. Yara-ma-yha-who. 2015.

    Google Scholar 

  • Spickard, Paul. 2020. Mudrooroo, aboriginal writer of many identities. Ethnic and Racial Studies 43 (3): 433–435.

    Article  Google Scholar 

  • Starrs, D. Bruno. 2011. That Blackfella Bloodsucka dance! Saarbrücken: Just Fiction.

    Google Scholar 

  • Starrs, Bruno. 2014. Writing indigenous vampires: Aboriginal gothic or aboriginal fantastic? M/C Journal 17 (4).

    Google Scholar 

  • Stoker, Bram. 2003. Dracula (Revised edition). Penguin Group.

    Google Scholar 

  • The Caretaker. 2012. directed by Tom Conyers. (Little Man Streaming). Film.

    Google Scholar 

  • Thirst. 1979. Directed by Rod Hardy, F.G. Film Productions, New South Wales Film Corporation, and Victorian Film Corporation. Film.

    Google Scholar 

  • Tozan, McKenzie Lynn. 2022. The Yara-ma-yha-who, “real” Vampires, and aboriginal erasure. In Global perspectives on the liminality of the supernatural: From animus to Zombi, ed. James M. Vander and Rebecca Gibson Veen, 59–70. Lexington Books.

    Google Scholar 

  • Turcotte, Gerry. 1998. Australian gothic. In The handbook to gothic literature, ed. Mulvey M. Roberts, 10–19. Basingstoke: Macmillan.

    Google Scholar 

  • ———. 2003. Remastering the ghosts: Mudrooroo and gothic Refigurations. In Mongrel signatures: Reflections on the work of Mudrooroo, ed. Annalisa Oboe, 129–151. Amsterdam and New York: Rodopi.

    Chapter  Google Scholar 

  • ———. 2005. Vampiric decolonization: Fanon, ‘Terrorism’ and Mudrooroo’s vampire trilogy. In Postcolonial whiteness: A critical reader on race and empire, ed. A. Lopenz, 103–1118. Albany: State University of New York Press.

    Google Scholar 

  • ———. 2009. Peripheral fear: Transformations of the gothic in Canadian and Australian fiction. Brussels: Peter Lang.

    Google Scholar 

  • Unaipon, David. 2001. Yara Ma Tha Who. In Legendary Tales of the Australian aborigines, ed. Stephen Muecke and Adam Shoemaker, 217–219. Carlton: Melbourne University Press. Originally Published 1930.

    Google Scholar 

  • Vidler, Anthony. 1994. The architectural uncanny: Essays in the modern unhomely. MIT press.

    Google Scholar 

  • Weinstock, Jeffrey. 2012. The vampire film: Undead cinema. Columbia University Press.

    Google Scholar 

  • Wend-Walker, Graeme A. 2020. Children of the night in a sunburnt country: Aristocrats and outback vampires. In Vampire films around the world: Essays on the cinematic undead of sixteen cultures, ed. James Aubrey, 9–27. McFarland.

    Google Scholar 

  • Wild, Margaret, and Andrew Yeo. 2011. Vampyre. Newtown: Walker Books Australia.

    Google Scholar 

  • Williamson, Milly. 2005. The lure of the vampire: Gender, fiction and fandom from Bram Stoker to Buffy. Wallflower Press.

    Google Scholar 

  • Wisker, Gina. 2020. Shadows in paradise: Australian gothic. In The Routledge companion to Australian literature, ed. Jessica Gildersleeve, 384–392. Routledge.

    Chapter  Google Scholar 

  • Wright, Andrea. 2014. Vampires don’t do dishes’: Old myths, the modern world, horror and the mundane in what we do in the shadows. Journal of New Zealand and Pacific Studies 6 (2): 137–149.

    Article  Google Scholar 

  • Yang, Sharon Rose, and Healey Kathleen. eds. 2016. Gothic landscapes: Changing eras, changing cultures, changing anxieties. Germany: Springer.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Ashleigh Prosser .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2024 The Author(s), under exclusive license to Springer Nature Switzerland AG

About this entry

Check for updates. Verify currency and authenticity via CrossMark

Cite this entry

Prosser, A., Speakman, B. (2024). Australia and New Zealand Vampires. In: Bacon, S. (eds) The Palgrave Handbook of the Vampire. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-36253-8_47

Download citation

Publish with us

Policies and ethics