Skip to main content

Sound and Critical Posthumanism

  • Living reference work entry
  • First Online:
Palgrave Handbook of Critical Posthumanism

Abstract

This chapter is concerned with sound and critical posthumanism as their intersection is articulated through philosophy and through music in the twentieth century. Sound is usually understood as a force of vibration that causes reactions through the auditory cortex. Sound is a given, it is assumed, and we attend to sound as a by-product of the movements of the world. However, this instrumental view is called into question by several philosophical perspectives that problematize the very simple notion of the place of sound. There are many philosophical approaches to sound, though they all appear to atomize sound as a discrete body. Meanwhile, musical compositional strategies have problematized such atomistic tendencies by making musical experiences increasingly inclusive of all those in attendance at a musical event. This chapter surveys these philosophical and musical fields of inquiry, and brings to light the posthumanist attempts to make sound even more inclusive by concentrating on sound’s vibratory force.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Institutional subscriptions

Similar content being viewed by others

References

  • Adams-Hutcheson, G. (2017). Embodied vibrations: Disastrous mobilities in relocation from the Christchurch Earthquakes, Aotearoa New Zealand. Transfers, 7(3), 23. https://doi.org/10.3167/TRANS.2017.070304. Gale Academic OneFile.

    Article  Google Scholar 

  • Baofu, P. (2012). The future of post-human performing arts: A preface to a new theory of the body and its presence. Cambridge Scholars Publishing.

    Google Scholar 

  • Beilharz, K. (2011). Tele-touch embodied controllers: Posthuman gestural interaction in music performance. Social Semiotics, 21(4), 547–568. https://doi.org/10.1080/10350330.2011.591997

    Article  Google Scholar 

  • Bennett, J. (2010). Vibrant matter: A political ecology of things. Duke University Press.

    Book  Google Scholar 

  • Bishop, R. E. D., & Bishop, R. E. (1979). Vibration: Based on 6 lectures delivered at the Royal Inst., London in Dec. 1962 (2nd ed.). Cambridge University Press.

    Google Scholar 

  • Braidotti, R. (2013). The posthuman. Polity Press.

    Google Scholar 

  • Braidotti, R. (2015). Posthuman affirmative politics. In Resisting biopolitics (pp. 42–68). Routledge.

    Google Scholar 

  • Braidotti, R. (2019a). A heoretical framework for the critical posthumanities. Theory, Culture & Society, 36(6), 31–61. https://doi.org/10.1177/0263276418771486

    Article  Google Scholar 

  • Braidotti, R. (2019b). Posthuman knowledge. Polity.

    Google Scholar 

  • Braidotti, R., & Bignall, S. (Eds.). (2019). Posthuman ecologies: Complexity and process after Deleuze. Roman & Littlefield.

    Google Scholar 

  • Burton, D., & Burton, M. (2018). Essential fish biology: Diversity, structure and function (1st ed.). Oxford University Press.

    Google Scholar 

  • Casati, R., & Dokic, J. (1994). La philosophie du son. Éditions Jacqueline Chambon.

    Google Scholar 

  • Cecchetto, D. (2013). Humanesis: Sound and technological posthumanism. University of Minnesota Press.

    Book  Google Scholar 

  • Cohen, J. J. (2016). Posthuman environs. In Environmental humanities: Voices from the anthropocene (pp. 25–44).

    Google Scholar 

  • Connolly, W. E. (2013). The “new materialism” and the fragility of things. Millennium, 41(3), 399–412. https://doi.org/10.1177/0305829813486849

    Article  Google Scholar 

  • Cox, C. (2018). Sonic flux: Sound, art, and metaphysics. The University of Chicago Press.

    Book  Google Scholar 

  • Deleuze, G., & Guattari, F. (1987). A thousand plateaus: Capitalism and schizophrenia. University of Minnesota Press.

    Google Scholar 

  • Eidsheim, N. S. (2015). Sensing sound: Singing and listening as vibrational practice. Duke University Press.

    Book  Google Scholar 

  • Eidsheim, N. S. (2019). The race of sound: Listening, timbre, and vocality in African American music. Duke University Press.

    Book  Google Scholar 

  • Ernst, W. (2013). From media history to zeitkritik. Theory, Culture & Society, 30(6), 132–146. https://doi.org/10.1177/0263276413496286

    Article  Google Scholar 

  • Eskov, E. K., Eskova, M. D., Dubovik, V. A., & Vyrodov, I. V. (2015). Content of heavy metals in melliferous vegetation, bee bodies, and beekeeping production. Russian Agricultural Sciences, 41(5), 396–398. https://doi.org/10.3103/S1068367415050079

    Article  Google Scholar 

  • Ferrando, F. (2020). Philosophical posthumanism (Paperback edition). Bloomsbury Academic.

    Google Scholar 

  • Friedner, M., & Helmreich, S. (2012). Sound studies meets deaf studies. The Senses and Society, 7(1), 72–86. https://doi.org/10.2752/174589312X13173255802120

    Article  Google Scholar 

  • Gallagher, M., Hackett, A., Procter, L., & Scott, F. (2018). Vibrations in place: Sound and language in early childhood literacy practices. Educational Studies, 54(4), 465–482. https://doi.org/10.1080/00131946.2018.1476353

    Article  Google Scholar 

  • Goh, A. (2017). Sounding situated knowledges: Echo in archaeoacoustics. Parallax, 23(3), 283–304. https://doi.org/10.1080/13534645.2017.1339968

    Article  Google Scholar 

  • Goodman, S. (2012). Sonic warfare: Sound, affect, and the ecology of fear (1. MIT Press paperback ed). Cambridge, Mass: MIT Press.

    Google Scholar 

  • Grimshaw, M., & Garner, T. (2015). Sonic virtuality: Sound as emergent perception. Oxford University Press.

    Book  Google Scholar 

  • Hall, C. L., & Howard, D. R. (2019). Shaking it up in the classroom: Coupling biotremology and active learning pedagogy to promote authentic discovery. In P. S. M. Hill, R. Lakes-Harlan, V. Mazzoni, P. M. Narins, M. Virant-Doberlet, & A. Wessel (Eds.), Biotremology: Studying vibrational behavior (pp. 439–478). Springer International Publishing. https://doi.org/10.1007/978-3-030-22293-2_22

    Chapter  Google Scholar 

  • Hansen, M. B. N. (2015). Feed-forward: On the future of twenty-first-century media. University of Chicago Press.

    Google Scholar 

  • Harding, S. (1986). The science question in feminism. Cornell University Press.

    Google Scholar 

  • Hayles, N. K. (1999). How we became posthuman: Virtual bodies in cybernetics, literature, and informatics. University of Chicago Press.

    Book  Google Scholar 

  • Helmreich, S. (2016). Sounding the limits of life: Essays in the anthropology of biology and beyond. Princeton University Press.

    Book  Google Scholar 

  • Henriques, J. (2011). Sonic bodies: Reggae sound systems, performance techniques, and ways of knowing. Continuum.

    Book  Google Scholar 

  • Ikoniadou, E. (2014). The rhythmic event: Art, media, and the sonic. MIT Press.

    Book  Google Scholar 

  • Jan, C. C. (2014). Noise exposure in the Malaysian living environment from a music education perspective. Malaysian Journal of Music, 3(2), 32–47.

    Google Scholar 

  • Johnson, J. (2017). Calling out the nameless: CocoRosie’s posthuman sound world. Journal of Popular Music Studies, 29(3), e12223. https://doi.org/10.1111/jpms.12223

    Article  Google Scholar 

  • Kassabian, A. (2013). Ubiquitous listening: Affect, attention, and distributed subjectivity. University of California Press.

    Book  Google Scholar 

  • Meadows, P. J. (2018). In defense of medial theories of sound. American Philosophical Quarterly, 55(3), 293–302. JSTOR.

    Article  Google Scholar 

  • Mortimer, B. (2017). Biotremology: Do physical constraints limit the propagation of vibrational information? Animal Behaviour, 130, 165–174. https://doi.org/10.1016/j.anbehav.2017.06.015

    Article  Google Scholar 

  • Ong, W. J. (2009). Orality and literacy: The technologizing of the word (Reprinted). Routledge.

    Google Scholar 

  • O’Shaughnessy, B. (2008). Consciousness and the world (Reprinted). Clarendon Press.

    Google Scholar 

  • Pasnau, R. (2003). What is sound? The Philosophical Quarterly, 49(196), 309–324. https://doi.org/10.1111/1467-9213.00144

    Article  Google Scholar 

  • Peters, J. D. (2015). The marvelous clouds: Toward a philosophy of elemental media. The University of Chicago Press.

    Book  Google Scholar 

  • Philippopoulos-Mihalopoulos, A. (2016). Withdrawing from atmosphere: An ontology of air partitioning and affective engineering. Environment and Planning D: Society and Space, 34(1), 150–167. https://doi.org/10.1177/0263775815600443

    Article  Google Scholar 

  • Pippard, A. B., & Pippard, A. B. (2006). The physics of vibration: Omnibus edition (Digitally print. 1. Paperback version). Cambridge University Press.

    Google Scholar 

  • Robinson, D. (2020). Hungry listening: Resonant theory for indigenous sound studies. University of Minnesota Press.

    Book  Google Scholar 

  • Seaback, R. (2020). Anacoustic modes of sound construction and the semiotics of virtuality. Organised Sound, 25(1), 4–14. Cambridge Core. https://doi.org/10.1017/S1355771819000414

    Article  Google Scholar 

  • Stoever, J. L. (2016). The sonic color line: Race and the cultural politics of listening. New York University Press.

    Book  Google Scholar 

  • Strain, G. M. (2017). Hearing disorders in cats: Classification, pathology and diagnosis. Journal of Feline Medicine and Surgery, 19(3), 276–287. https://doi.org/10.1177/1098612X17695062

    Article  Google Scholar 

  • Šturm, R., Polajnar, J., & Virant-Doberlet, M. (2019). Practical issues in studying natural vibroscape and biotic noise. In P. S. M. Hill, R. Lakes-Harlan, V. Mazzoni, P. M. Narins, M. Virant-Doberlet, & A. Wessel (Eds.), Biotremology: Studying vibrational behavior (pp. 125–148). Springer International Publishing. https://doi.org/10.1007/978-3-030-22293-2_8

    Chapter  Google Scholar 

  • Vallee, M. (2019). Falling in place: Geoscience, disaster, and cultural heritage at the frank slide, Canada’s deadliest rockslide. Space and Culture, 22(1), 66–76. https://doi.org/10.1177/1206331218795829

    Article  Google Scholar 

  • Wargo, J. M. (2018). Writing with wearables? Young children’s intra-active authoring and the sounds of emplaced invention. Journal of Literacy Research, 50(4), 502–523. https://doi.org/10.1177/1086296X18802880

    Article  Google Scholar 

  • Whitehead, A. N. & Griffin, D. R. (1985). Process and reality: An essay in cosmology (Corr. ed.). Free Press.

    Google Scholar 

  • Wolfe, C. (2010). What is posthumanism? University of Minnesota Press.

    Google Scholar 

  • Wolfe, C. (2020). Ecological poetics; or, Wallace Stevens’s birds. University of Chicago Press.

    Book  Google Scholar 

  • Wolfe, C. (2021). Art and posthumanism: Essays, encounters, conversations. University of Minnesota Press.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Mickey Vallee .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2022 The Author(s), under exclusive licence to Springer Nature Switzerland AG

About this entry

Check for updates. Verify currency and authenticity via CrossMark

Cite this entry

Vallee, M. (2022). Sound and Critical Posthumanism. In: Herbrechter, S., Callus, I., Rossini, M., Grech, M., de Bruin-Molé, M., John Müller, C. (eds) Palgrave Handbook of Critical Posthumanism. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-42681-1_44-1

Download citation

  • DOI: https://doi.org/10.1007/978-3-030-42681-1_44-1

  • Received:

  • Accepted:

  • Published:

  • Publisher Name: Palgrave Macmillan, Cham

  • Print ISBN: 978-3-030-42681-1

  • Online ISBN: 978-3-030-42681-1

  • eBook Packages: Springer Reference Literature, Cultural and Media StudiesReference Module Humanities and Social SciencesReference Module Humanities

Publish with us

Policies and ethics