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Appendices
Appendix 1
Sr. No. | Taxonomy of heroine | Description |
---|---|---|
1 | Svakiya | A married woman totally dedicated to her husband |
2 | Mugdha | A heroine who is growing up from a child to a youth and who is more shy than romantic |
3 | Ajnatyauvana | A heroine who is unaware of the changes in body as she grows up |
4 | Navodha | A young, inexperienced heroine who is shy of romantic pleasures |
5 | Vishrabdha Navodha | A newly married heroine who gradually comes to trust her husband and loses her inhibition and feels romantically drawn to him |
6 | Madhya | A heroine who has an equal measure of shyness and romance |
7 | Praudha | A heroine who has lost her inhibition and is well versed in the arts of romance |
8 | Gupta | A heroine who hides her love for her beloved |
9 | Parakiya | A heroine who is married to one but loves another man |
10 | Vidagdha | A heroine who cleverly sends signals of her love to her beloved |
11 | Lakshita | A heroine whose love has been made public |
12 | Kulata | A heroine who has multiple romantic liaisons |
13 | Anushayana | A heroine who is distressed and falls asleep while waiting for her beloved to arrive |
14 | Mudita | A heroine who is excited when her beloved comes unexpectedly |
15 | Samanya | A heroine who is free with her love and is involved with many men |
16 | Anyasambhogdukhita | A heroine who is saddened when she sees marks of love caused by another woman on her beloved |
17 | Garvita | A heroine who is proud of her beauty and her love |
18 | Manvati | A heroine who finds her beloved guilty and feels angry |
19 | Proshitapatika | A heroine who is saddened when she hears that her beloved is going abroad on business |
20 | Kalahantarita | A heroine who fights and insults her beloved but who repents after he has left |
21 | Khandita | A heroine who is jealous when she sees her beloved return in the morning after he has spent the night with another woman |
22 | Vipralabdha | A heroine who is distressed when her beloved does not come to the appointed tryst |
23 | Utkanthita | A heroine who expectantly waits for her beloved |
24 | Svadhinapatika | A heroine whose beloved is totally dedicated to her |
25 | Abhisarika | A heroine who leaves her home in the middle of the night, ignoring various perils, to meet her beloved |
Appendix 2
Sr. No. | Poets | Major works |
---|---|---|
1 | Udaynath Kavindra | Vinodchadrika and Rasachanrodaya |
2 | Karan Bhatt | Sahityachandrika; Rasakallol; Kavyodaya; Rasa Ullas |
3 | Kalidas Trivedi | Janjira; Vadhuvinod; Hajara |
4 | Kashiram | Kanakmanjari; Parshuram Samvad; Kavitt Kashiram |
5 | Gurudutt Sinh Bhupati | Rasaratna; Bhupati Sat Sai; Rasadipaka |
6 | Gwal | Bhaktbhavan; Vijayvinod; Hamirhattatha; Rasikananda; Sahityaananda; Rasrang; Kavidarpana |
7 | Chadrashekhar Vajpeyi | Hamirhath; Rasikvinod; Nakhashikh; Vrindavan Shatak; Haribhakti Vilas |
8 | Chintamani Tripathi | Pingal; Kavittvichar; Kavikulalakpataru; Shringar Manjari |
9 | Jagat Sinh | Ratnamanjari Kosh; Rasmrugank; Alankarasathidarpana; Uttammanjari; Chitramimsa; Jagatvilas; Nakhshikha; Bharatikantahbharan; Sahityasudhanidhi |
10 | Jaswant Sinh | Shringarshiromani |
11 | Tosh | Sudhanidhi |
12 | Datta | Lalityalata; Sajjanvilas; Svarodaya |
13 | Dev | Rasvilas; Bhavavilas; Kavyarasayan; Devmayaprapanch; Premchandrika; Sukhsagartarang |
14 | Dwijadev | Shringaralatika; Shringarabattisi; Shringarachalisi |
15 | Nandram | Shringaradarpana |
16 | Nagaridas | Nagarsamuchhaya |
17 | Nilkanth | Amreshvilas |
18 | Pajnes | Alankarratnakar |
19 | Padmakar | Jagadvinod; Padmabharan; Prabodhpachasa; Gangalahiri |
20 | Puhakar | Rasratna |
21 | Pukhi | Alankar Ratnakar |
22 | Pratap Sinh | Jay Sinhprakash; Alankarachintamani; Vyangarthakaumudi; Shringaramanjari; Shringarashiromani; Kavyavinod; Rasrajtilak; Ratnachandrika |
23 | Pravinrai | Kavipriya |
24 | Baldev Awasthi Dvij | Shringarsudhakar; Shrngarsaroj |
25 | Beni | Rasmay |
26 | Beni Pravin | Navarasatarang |
27 | Bodha | Ishkanama |
28 | Bhikaridas | Rassaransh; Shringaranirnaya; Kavyanirnaya |
29 | Manchit | Krishnayan; Surabhidanalila |
30 | Makarand | Alankararatnakar; Makarandvani |
31 | Matiram | Rasraj; Lalitlalam; Satsai; Alankarapanchashiksha |
32 | Makhan | Basantmanjari |
33 | Mubarak | Alakshatak |
34 | Raskhan | Premvatika; Sujan Raskhan; Danlila |
35 | Lal | Rasmul |
36 | Vikramsahi | Vikramsatsai |
37 | Shambhunath Mishra | Rasatarangini; Alankardipak; Rasakallol; Brahmarshatak |
38 | Shiv | Rasikvilas; Alankarbhushan; Pingal |
39 | Shobhnath | Navalrasachandrodaya |
40 | Shripati | Kavyasaroj; Kavyasudhakar; Anupras |
41 | Sukhdev Mishra | Nakhashikarasarnava; Jnanaprakash; Rasaratnakar; Chandvichar; Vrittivichar |
42 | Sunder | Shringara |
43 | Senapati | kaviratnakar |
44 | Sevak Bandijan | Barvai Nakhshishk; Vagvilas |
45 | Somnath | Rasapiyushnidhi; Raspanchadhyayi; Sujanvilas; Madhav Vinod; Dhruvacharitra; Brajendravinod |
46 | Harinath | Alankar Darpana |
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Dwivedi, A.V. (2019). Braj Poetry. In: Leeming, D. (eds) Encyclopedia of Psychology and Religion. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-27771-9_200247-1
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DOI: https://doi.org/10.1007/978-3-642-27771-9_200247-1
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