Skip to main content

Parthenon (Elgin) Marbles: Case Study

  • Living reference work entry
  • First Online:
Encyclopedia of Global Archaeology
  • 112 Accesses

State of Knowledge and Current Debates

Introduction

The Parthenon (Elgin) Marbles are a group of marble sculptures from the Athenian Acropolis owned since 1816 by the British Museum. They have gained twofold significance, as pieces that encompass the glory of Classical Greece and as perhaps the most famous case related to the issue of repatriation of material culture up to now. For more than 200 years, they have been appropriated as signifiers of identity by Britain and Greece and have been one of the most pervasive national claims by the Greek governments, setting the scene for Greek cultural diplomacy, especially after the inauguration of the New Acropolis Museum in June 2009.

Definition

The “Elgin Marbles,” as the British Museum is obliged by statute to refer to this group of artefacts since their acquisition in 1816 (Hitchens et al. 1997, pp. viii, 17, 43), or the “Parthenon Marbles” as the Greek official national rhetoric addresses them (Yalouri 2001, pp. 97–98), is a group of...

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Institutional subscriptions

References

  • Alexander, J.C. 2012. Trauma: A social theory. Malden: Polity.

    Google Scholar 

  • Anagnostopoulos, A. 2014. Varieties of nothingness: Absence, materialism and ontology in two Greek cases. In Social matter(s): Anthropological approaches to materiality, ed. T. Bampilis and P. ter Keurs, 61–87. Berlin/Zurich: LIT.

    Google Scholar 

  • Beresford, J.M. 2016. The Caryatids in the New Acropolis Museum: Out of sight, out of light, out of mind. Journal of Conservation and Museum Studies 14 (1): 1–16.

    Article  Google Scholar 

  • Billig, M. 1995. Banal nationalism. London/Thousand Oaks/New Delhi: Sage.

    Google Scholar 

  • Bounia, A. 2012. Cultural policy in Greece, the case of the national museums (1990–2010): An overview. In Museum policies in Europe 1990–2010: Negotiating professional and political utopia, ed. L. Eilertsen and A.B.. Amundsen, 27–156. Linkoping: Linköping University Electronic Press. http://liu.diva-portal.org/smash/get/diva2:557284/FULLTEXT01.pdf.

  • Bourdieu, P. 1977. Outline of a theory of practice. Cambridge: Cambridge University Press.

    Book  Google Scholar 

  • Chouzouri, K. 2014. Genethlia gia to Mouseio tis Akropolis [Birthday for the Acropolis Museum]. Pemptousia, http://www.pemptousia.gr/2014/06/genethlia-gia-to-mousio-tis-akropolis/.

  • Csordas, T.J. 1990. Embodiment as a paradigm for anthropology. Ethos 18 (1): 5–47.

    Article  Google Scholar 

  • Cuno, J. 2006. View from the universal museum. In Imperialism, art, and restitution, ed. J.H. Merryman, 15–36. Cambridge: Cambridge University Press.

    Google Scholar 

  • Cuno, J. 2011. Museums matter: In praise of the encyclopaedic museum. Chicago: The University of Chicago Press.

    Book  Google Scholar 

  • Curtis, N.G.W. 2006. Universal museums, museum objects and repatriation: The tangled stories of things. Museum Management and Curatorship 21 (2): 117–127.

    Article  Google Scholar 

  • Greek Ministry of Culture. n.d.. http://www.yppo.gr/2/g22.jsp?obj_id=51873.

  • Greenfield, J. 1996. The return of cultural treasures. Cambridge: Cambridge University Press.

    Google Scholar 

  • Gurevich, D. 2016. Literature as trauma: The post-modern option –Franz Kafka and Cormac Mccarthy. In Interdisciplinary handbook of trauma and culture, ed. Y. Ataria, D. Gurevich, Η. Pedaya, and Y. Neria, 3–26. New York: Springer.

    Google Scholar 

  • Hamilakis, Y. 1999. Stories from exile: Fragments from the cultural biography of the Parthenon (or “Elgin”) marbles. World Archaeology 31 (2): 303–320.

    Article  Google Scholar 

  • Hamilakis, Y. 2007. The nation and its ruins: Antiquity, archaeology, and national imagination in Greece. Oxford: Oxford University Press.

    Google Scholar 

  • Hamilakis, Y. 2011. Museums of oblivion. Antiquity 85: 625–629.

    Article  Google Scholar 

  • Hamilakis, Y. 2012. Are we postcolonial yet? Tales from the battlefield. Archaeologies: Journal of the World Archaeological Congress 8: 67–76.

    Google Scholar 

  • Hamilakis, Y. 2016. Some debts can never be repaid: The archaeo-politics of the crisis. Journal of Modern Greek Studies 34 (2): 27–64.

    Article  Google Scholar 

  • Hitchens, S.C., R. Browning, and G. Binns, eds. 1997. The Elgin Marbles: Should they be returned to Greece? London: Verso.

    Google Scholar 

  • International Association for the Reunification of the Parthenon Marbles. n.d. http://www.parthenoninternational.org/.

  • Lending, M. 2009. Negotiating absence: Bernard Tschumi’s New Acropolis Museum in Athens. The Journal of Architecture 14 (5): 567–589.

    Article  Google Scholar 

  • Leoudaki, Z. 2007. To Nēo Mousīo Acrōpolis kai o cōsmos (The New Acropolis Museum and the world). The voice of America (VOA): News in Greek. http://www.hri.org/news/agencies/voa/2007/07-11-12.voa.html.

  • Liakos, A. 2011. To Nēo Mousīo Acrōpolis sto Trigono Istorīas, Ideologīas, kai Apōlafsis. s [The New Acropolis Museum in the Athens Sunday Press]. In Proceedings of the international symposium “Museums 11: Acropolis Museum, ideology, museology, architecture”. http://www.blod.gr/lectures/Pages/viewlecture.aspx?LectureID=60.

  • Loyal, S., and S. Quilley. 2004. The sociology of Norbert Elias. Cambridge: Cambridge University Press.

    Book  Google Scholar 

  • Pickel, A. n.d. The habitus process: A biopsychosocial conception. Working Paper, Centre for the Critical Study of Global Power and Politics, Trent University, Peterborough. https://www.trentu.ca/globalpolitics/documents/Pickel051.pdf.

  • Plantzos, D. 2009. I Kivotos kai to Ethnos: ena sholio gia tin ypodohi tou Neou Mouseiou Acropolis. Sygxrona Themata 106: 14–18.

    Google Scholar 

  • Plantzos, D. 2011a. ‘Ιl n’y a pas de hors-texte’: to Mouseio tis Acropolis kai ta Aponera tou Idealismou. Tetradia Mousieologias 7: 23–29.

    Google Scholar 

  • Plantzos, D. 2011b. To Neo Mouseio Akropolis kai I Elginiopoiisi ton Marmaron toy Partheona. In Proceedings of the international symposium “Museums 11: Acropolis Museum, ideology, museology, architecture”.

    Google Scholar 

  • Plantzos, D. 2011c. Behold the raking geison: The new Acropolis Museum and its context-free Archaeologies. Antiquity 85: 613–625.

    Article  Google Scholar 

  • Plantzos, D. 2012. The glory that was not: Embodying the classical in contemporary Greece. Interactions: Studies in Communication & Culture 3 (2): 147–171.

    Google Scholar 

  • Rose-Greenland, F. 2013. The Parthenon Marbles as icons of nationalism in 19th century Britain: From pre-national to supranational. Nations and Nationalism 19 (4): 654–667.

    Article  Google Scholar 

  • Sillar, B. 2009. The social agency of things? Animism and materiality in the Andes. Cambridge Archaeological Journal 19 (3): 369–379.

    Article  Google Scholar 

  • Simpson, M. 2005. Museums, world heritage, and interpretation: The case of the Parthenon Marbles. In Greek research in Australia: Proceedings of the biennial international conference of Greek studies, Flinders University April 2003, ed. E. Close, M. Tsianikas, and G. Frazis, 241–262. Adelaide: Flinders University Department of Languages – Modern Greek.

    Google Scholar 

  • Stefanou, E. 2011. To Neo Mouseio Akropolis ston Kyriakatiko Athinaiko Typo [The New Acropolis Museum in the Athens Sunday Press]. In Proceedings of the international symposium “Museums 11: Acropolis Museum, ideology, museology, architecture” (in press).

    Google Scholar 

  • Stefanou, E. 2014. Parthenon (Elgin) Marbles: Case study. In Encyclopedia of global archaeology, ed. C. Smith. New York: Springer.

    Google Scholar 

  • The British Museum. n.d.. http://www.britishmuseum.org/about_us/news_and_press/statements/parthenon_sculptures.aspx.

  • United Nations Educational, Scientific, and Cultural Organization. 1988. Inscription: The Acropolis, Athens (Greece). 11COM VIIIA. Paris, 20 Jan 1988. http://whc.unesco.org/en/decisions/3727.

  • Yair, G., and S. Odom-Weiss. 2014. Israeli diplomacy: The effects of cultural trauma. The Hague Journal of Diplomacy 9: 1–23.

    Article  Google Scholar 

  • Yalouri, E. 2001. The Acropolis: Global fame, local claim. Oxford: Berg.

    Google Scholar 

Further Reading

  • Challis, D. 2006. The Parthenon sculptures: Emblems of British national identity. British Art Journal VII (1): 37–43.

    Google Scholar 

  • Hamilakis, Y. 1999. Stories from exile: Fragments from the cultural biography of the Parthenon (or ‘Elgin’) marbles. World Archaeology 31 (2): 303–320.

    Article  Google Scholar 

  • Hitchens, C. 2008. The Parthenon Marbles: The case for unification. London: Verso.

    Google Scholar 

  • Merryman, J.H. 2009. Thinking about the Elgin Marbles: Critical essays on cultural property, art, and law. The Hague: Kluwer Law International.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Eleni Stefanou .

Section Editor information

Rights and permissions

Reprints and permissions

Copyright information

© 2018 Springer International Publishing AG, part of Springer Nature

About this entry

Check for updates. Verify currency and authenticity via CrossMark

Cite this entry

Stefanou, E. (2018). Parthenon (Elgin) Marbles: Case Study. In: Encyclopedia of Global Archaeology. Springer, Cham. https://doi.org/10.1007/978-3-319-51726-1_2203-2

Download citation

  • DOI: https://doi.org/10.1007/978-3-319-51726-1_2203-2

  • Received:

  • Accepted:

  • Published:

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-319-51726-1

  • Online ISBN: 978-3-319-51726-1

  • eBook Packages: Springer Reference HistoryReference Module Humanities and Social SciencesReference Module Humanities

Publish with us

Policies and ethics