Cruttwell, Maud [Alice Wilson]

  • Tiffany L. JohnstonEmail author
Living reference work entry
DOI: https://doi.org/10.1007/978-3-030-02721-6_220-1
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Definition

Maud Cruttwell (1859–1939) authored several foundational monographs on Italian Renaissance artists before writing guide books, one novel, and two biographies. Her monographs on Luca Signorelli, Andrea Mantegna, Luca and Andrea della Robbia, Antonio Pollaiuolo, and Donatello were important exemplars in the field, demonstrating Cruttwell’s ability to combine careful archival scholarship, the comparative attributional method of Morellian connoisseurship, and the concept of “artistic personality” developed by connoisseur Bernard Berenson. Having been introduced to Bernard and Mary Berenson by Vernon Lee, Cruttwell’s close acquaintance with the Berensons influenced her early publications, but when conflict arose with others over her adoption of the Berensonian method of connoisseurship, Cruttwell began writing less controversial and more profitable guidebooks to the galleries of Florence and Venice. Likely under the influence of Mabel Dodge and Gertrude Stein, Cruttwell moved to...

Keywords

Art history Biography Aesthetics Connoisseurship Italian Renaissance art Vernon Lee Giovanni Morelli Bernard Berenson Mary Berenson Luca Signorelli Andrea Mantegna Luca della Robbia Andrea della Robbia Antonio Pollaiuolo Andrea del Verrocchio Donatello Gertrude Stein Mabel Dodge Luhan Princess Mediha Sultan 
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References

  1. Alambritis, Maria, ed. 2019. Bibliography. 19: Interdisciplinary Studies in the Long Nineteenth Century 28.  https://doi.org/10.16995/ntn.874.
  2. Cruttwell, Maud. 1899. Luca Signorelli. London: G. Bell and Sons.Google Scholar
  3. ———. 1901. Andrea Mantegna. London: G. Bell and Sons.Google Scholar
  4. ———. 1902. Luca and Andrea Della Robbia and their successors. London: J. M. Dent & Co.Google Scholar
  5. ———. 1904. Verrocchio. London: Duckworth and Co.Google Scholar
  6. ———. 1907a. Antonio Pollaiuolo. London: Duckworth and Co.Google Scholar
  7. ———. 1907b. A guide to the paintings in Florentine galleries; The Uffizi, the Pitti, the Accademia; A critical catalogue. London: J. M. Dent & Co.Google Scholar
  8. ———. 1908. A guide to the paintings in the churches and minor museums of Florence; A critical catalogue. London: J. M. Dent &Co.Google Scholar
  9. ———. 1911. Donatello. London: Methuen & Co.Google Scholar
  10. ———. 1913. Fire and frost. London: John Lane.Google Scholar
  11. ———. 1927. Princess D’Ursins. London/Toronto: J. M. Dent and Sons, Ltd.Google Scholar
  12. ———. 1930. Madame de Maintenon. London/Toronto: J. M. Dent and Sons, Ltd.Google Scholar
  13. Douglas, Hugh A., with notes on pictures by Maud Cruttwell. 1909. Venice and her treasures. London: Methuen & Co.Google Scholar
  14. Fraser, Hilary. 2014. Women writing art history in the nineteenth century: Looking like a woman. Cambridge studies in nineteenth-century literature and culture, 95, 34–42. Cambridge: Cambridge University Press.Google Scholar
  15. Johnston, Tiffany L. 2019. Maud Cruttwell and the Berensons: ‘A preliminary canter to an independent career’. 19: Interdisciplinary Studies in the Long Nineteenth Century 28.  https://doi.org/10.16995/ntn.821.
  16. Ventrella, Francesco. 2019. Writing under pressure: Maud Cruttwell and the old master monograph. 19: Interdisciplinary Studies in the Long Nineteenth Century 28.  https://doi.org/10.16995/ntn.831.

Copyright information

© The Author(s), under exclusive licence to Springer Nature Switzerland AG 2020

Authors and Affiliations

  1. 1.Independent ScholarFairfaxUSA

Section editors and affiliations

  • Emily Morris
    • 1
  1. 1.St. Thomas More CollegeUniversity of SaskatchewanSaskatoonCanada