Encyclopedia of Law and Economics

2019 Edition
| Editors: Alain Marciano, Giovanni Battista Ramello

Creativity

  • Christian BarrèreEmail author
Reference work entry
DOI: https://doi.org/10.1007/978-1-4614-7753-2_126

Abstract

First of all creativity approach considers the creative behavior of judges and jurists in the legal processes. Afterwards it studies the specificities of legal tools, mainly IPR, regarding creative products.

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References

  1. Potts J (2011) Creative industries and economic evolution. Edward Elgar, CheltenhamCrossRefGoogle Scholar
  2. Sternberg RJ (2006) The nature of creativity. Creat Res J 18(1):87–98CrossRefGoogle Scholar

Further Reading

  1. Barrère C, Delabruyère S (2011) Intellectual property rights on creativity and heritage: the case of the fashion industry. Eur J Law Econ 32(3):305–339CrossRefGoogle Scholar
  2. Benghozi PJ, Santagata W (2001) Market piracy in the design-based industry: economics and policy regulation. Econ Appl LIV(3):121–148Google Scholar
  3. Cohen JE (2007) Creativity and culture in copyright theory. UC Davis Law Rev 40:1151–1205Google Scholar
  4. Fauchart E, von Hippel E (2008) Norms-based intellectual property systems: the case of French chefs. Organ Sci 19(2):187–201CrossRefGoogle Scholar
  5. Madison MJ, Frischmann BM, Strandburg KJ (2010) Constructing cultural commons in the cultural environment. Cornell Law Rev 95:657–710Google Scholar
  6. Towse R (2001) Creativity, incentive, and reward: an economic analysis of copyright and culture in the information age. Edward Elgar, CheltenhamCrossRefGoogle Scholar

Copyright information

© Springer Science+Business Media, LLC, part of Springer Nature 2019

Authors and Affiliations

  1. 1.Faculty of EconomicsLaboratoire R.E.G.A.R.D.S, University of ReimsReimsFrance
  2. 2.ISMEAParisFrance