Key membership and implied harmony in Western tonal music: Developmental perspectives Laurel J. TrainorSandra E. Trehub OriginalPaper Pages: 125 - 132
Negative priming depends on probe-trial conflict: Where has all the inhibition gone? Cathleen M. Moore OriginalPaper Pages: 133 - 147
Apparent misalignment of oblique coplanar bars in depth R. H. DayAndrea L. Parker Halford OriginalPaper Pages: 148 - 154
Resetting the pitch-analysis system: 1. Effects of rise times of tones in noise backgrounds or of harmonics in a complex tone Albert S. BregmanPierre AhadLeanne Melnerich OriginalPaper Pages: 155 - 162
Upright versus upside-down faces: How interface attractiveness varies with orientation Karl-Heinz Bäuml OriginalPaper Pages: 163 - 172
Impression of smoothness of a sound stream in relation to legato in musical performance Sonoko KuwanoSeiichiro NambaKeiko Nishiyama OriginalPaper Pages: 173 - 182
Perceptual load as a major determinant of the locus of selection in visual attention Nilli LavieYehoshua Tsal OriginalPaper Pages: 183 - 197
Visual search asymmetry for viewing direction Michael Von GrünauStéphane Dubé OriginalPaper Pages: 211 - 220
Tuning of diatonic scales by violinists, pianists, and nonmusicians Franz Loosen OriginalPaper Pages: 221 - 226
Sweetness suppression in fructose/citric acid mixtures: A study of contextual effects Hendrik N. J. Schifferstein OriginalPaper Pages: 227 - 237
Perceived size of familiar objects and the theory of off-sized perceptions John Predebon OriginalPaper Pages: 238 - 247
