Volume 41, Issue 4

September 2022

What’s so Special About Faces? Visages at the Crossroad Between Philosophy, Semiotics and Cognition / Guest Edited by Marco Viola and Massimo Leone

Issue Editors:

Marco Viola,
Massimo Leone

17 articles in this issue

Introduction: What’s so Special About Faces? Visages at the Crossroad Between Philosophy, Semiotics and Cognition
Marco Viola
Massimo Leone
OriginalPaper Open access 08 September 2022 Pages: 623 - 628
Correction: Introduction: What’s so Special About Faces? Visages at the Crossroad Between Philosophy, Semiotics and Cognition
Marco Viola
Massimo Leone
Correction Open access 17 October 2022 Pages: 629 - 629
Making Faces
Paul Dumouchel
OriginalPaper 28 February 2022 Pages: 631 - 639
A Pragmatics-First Approach to Faces
Silvia Carolina Scotto
OriginalPaper 03 September 2022 Pages: 641 - 657
Faces and situational Agency
Matthew Crippen
Giovanni Rolla
OriginalPaper 05 September 2022 Pages: 659 - 670
Perception of Faces and Other Progressively Higher-Order Properties
Fabrizio Calzavarini
Alberto Voltolini
OriginalPaper Open access 15 March 2022 Pages: 671 - 684
Face perception and mind misreading
Joulia Smortchkova
OriginalPaper 14 October 2022 Pages: 685 - 694
How Much Do We Really Care What We Pick? Pre-verbal and Verbal Investment in Choices Concerning Faces and Figures
Alexandra Mouratidou
Jordan Zlatev
Joost van de Weijer
OriginalPaper Open access 01 June 2022 Pages: 695 - 713
The Reflected Face as a Mask of the Self: An Appraisal of the Psychological and Neuroscientific Research About Self-face Recognition
Gabriele Volpara
Andrea Nani
Franco Cauda
OriginalPaper Open access 13 October 2022 Pages: 715 - 730
Embodying the Face: The Intersubjectivity of Portraits and Self-portraits
Vittorio Gallese
OriginalPaper Open access 16 July 2022 Pages: 731 - 740
Faces in disguise. Masks, concealment, and deceit
Remo Gramigna
OriginalPaper Open access 17 June 2022 Pages: 741 - 753
From Mask to Flesh and Back: A Semiotic Analysis of the Actor’s Face Between Theatre and Cinema
Massimo Roberto Beato
OriginalPaper Open access 06 June 2022 Pages: 755 - 769
Artifacting Identity. How Grillz, Ball Gags and Gas Masks Expand the Face
Cristina Voto
Elsa Soro
OriginalPaper Open access 07 September 2022 Pages: 771 - 783
Models, Mannequins, Dolls and Beautified Faces: A Semiotic and Philosophical Approach to the Sense of Beauty
Maria Giulia Dondero
OriginalPaper 15 June 2022 Pages: 785 - 793
“I’ve just seen a face”: The Beatles’ Faces as Aesthetic and Cultural Objects
Dario Martinelli
OriginalPaper 23 April 2022 Pages: 795 - 808
Looking into Death: Trauma, Memory and Human Face
Patrizia Violi
OriginalPaper Open access 05 September 2022 Pages: 809 - 819
What is So Special About Contemporary CG Faces? Semiotics of MetaHumans
Gianmarco Thierry Giuliana
OriginalPaper Open access 25 August 2022 Pages: 821 - 834

Volume 41, Issue 4

Introduction: What’s so Special About Faces? Visages at the Crossroad Between Philosophy, Semiotics and Cognition

Correction: Introduction: What’s so Special About Faces? Visages at the Crossroad Between Philosophy, Semiotics and Cognition

Making Faces

A Pragmatics-First Approach to Faces

Faces and situational Agency

Perception of Faces and Other Progressively Higher-Order Properties

Face perception and mind misreading

How Much Do We Really Care What We Pick? Pre-verbal and Verbal Investment in Choices Concerning Faces and Figures

The Reflected Face as a Mask of the Self: An Appraisal of the Psychological and Neuroscientific Research About Self-face Recognition

Embodying the Face: The Intersubjectivity of Portraits and Self-portraits

Faces in disguise. Masks, concealment, and deceit

From Mask to Flesh and Back: A Semiotic Analysis of the Actor’s Face Between Theatre and Cinema

Artifacting Identity. How Grillz, Ball Gags and Gas Masks Expand the Face

Models, Mannequins, Dolls and Beautified Faces: A Semiotic and Philosophical Approach to the Sense of Beauty

“I’ve just seen a face”: The Beatles’ Faces as Aesthetic and Cultural Objects

Looking into Death: Trauma, Memory and Human Face

What is So Special About Contemporary CG Faces? Semiotics of MetaHumans

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