Volume 34, Issue 1

Search all International Journal for the Semiotics of Law - Revue internationale de Sémiotique juridique articles

February 2021

Special Issue: Law, Popular Culture and the Arts in the 21st Century

Issue Editors:

Peter Robson,
Sarah Marusek

16 articles in this issue

Law, Popular Culture and the Arts in the 21st Century
Peter Robson
Sarah Marusek
EditorialNotes 16 October 2020 Pages: 1 - 5
Hollywood, an American Factory of International Soft Law and Social Order
Mikel Díez Sarasola
OriginalPaper 23 July 2020 Pages: 7 - 31
The Seventh Art and the Public Discourse on Maritime Migration
Laura Carballo Piñeiro
OriginalPaper 31 January 2019 Pages: 33 - 48
Primal Crime: Visions of the Law and Its Transgression in Nicolas Winding Refn’s Cinema
Mark Featherstone
OriginalPaper 25 June 2019 Pages: 49 - 67
Developments in Revenge, Justice and Rape in the Cinema
Peter W. G. Robson
OriginalPaper Open access 05 March 2019 Pages: 69 - 88
Reflections of Legal Culture in Television Comedy: Social Critique and Schadenfreude in the US Series “Frasier”
Stefan Machura
Olga Litvinova
OriginalPaper Open access 11 July 2020 Pages: 89 - 108
Truth Does Not Matter: Legal Storytelling in the Japanese Drama “Legal High 2”
Lung Lung Hu
OriginalPaper Open access 26 November 2018 Pages: 109 - 126
Visual Rhetoric of the Truth in the Dreyfus Affair: A Semiotic Approach
Nathalie Hauksson-Tresch
OriginalPaper Open access 13 March 2019 Pages: 127 - 143
Drawn to Court: What Does the Unofficial Eye See?
Isobel Williams
OriginalPaper 14 September 2019 Pages: 145 - 171
Decoding the Crime Scene Photograph: Seeing and Narrating the Death of a Gangster
Anita Lam
OriginalPaper 30 November 2019 Pages: 173 - 190
Challenges to Criminal Labeling: Three Voices in American Popular Music
David Ray Papke
OriginalPaper 04 January 2019 Pages: 191 - 210
Prison and the Law in Modern American and British Popular Music
Philip Emanuel Rodney
OriginalPaper 16 September 2020 Pages: 211 - 236
‘Beneath This Mask There is More Than Flesh, Beneath This Mask There is an Idea’: Anonymous as the (Super)heroes of the Internet?
Sofia Alexopoulou
Antonia Pavli
OriginalPaper Open access 06 March 2019 Pages: 237 - 264
The Murderer as Writer, Storyteller and Protagonist: The Case of Krystian Bala
Katarzyna Struzińska
OriginalPaper Open access 02 March 2020 Pages: 265 - 288
Review Article of Das österreichische UGB—The Austrian Business Code (LexisNexis 2020)
Daniel Leisser
Luke Green
Book Review 19 October 2020 Pages: 289 - 294
Yadong Cui (2020): Artificial Intelligence and Judicial Modernization
Le Cheng
Fei Xie
Book Review 22 October 2020 Pages: 295 - 301

Volume 34, Issue 1

Law, Popular Culture and the Arts in the 21st Century

Hollywood, an American Factory of International Soft Law and Social Order

The Seventh Art and the Public Discourse on Maritime Migration

Primal Crime: Visions of the Law and Its Transgression in Nicolas Winding Refn’s Cinema

Developments in Revenge, Justice and Rape in the Cinema

Reflections of Legal Culture in Television Comedy: Social Critique and Schadenfreude in the US Series “Frasier”

Truth Does Not Matter: Legal Storytelling in the Japanese Drama “Legal High 2”

Visual Rhetoric of the Truth in the Dreyfus Affair: A Semiotic Approach

Drawn to Court: What Does the Unofficial Eye See?

Decoding the Crime Scene Photograph: Seeing and Narrating the Death of a Gangster

Challenges to Criminal Labeling: Three Voices in American Popular Music

Prison and the Law in Modern American and British Popular Music

‘Beneath This Mask There is More Than Flesh, Beneath This Mask There is an Idea’: Anonymous as the (Super)heroes of the Internet?

The Murderer as Writer, Storyteller and Protagonist: The Case of Krystian Bala

Review Article of Das österreichische UGB—The Austrian Business Code (LexisNexis 2020)

Yadong Cui (2020): Artificial Intelligence and Judicial Modernization

Navigation