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Evaluating Agency and Responsibility in Gendered Violence: African American Youth Talk About Violence and Hip Hop

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Abstract

The results of this study provide insights into the ways that African American adolescents think about gendered interpersonal violence. African American high school students were invited to discuss images and incidents from contemporary urban music culture (events based on incidents with famous hip hop figures and lyrics from rap music) in a focus group format. We explored how African American youth perceived and responded to examples of gendered violence portrayed in vignettes and musical lyrics. The main analyses focus on the question of how youths’ perceptions of hip hop images, hypothetical stories, and lyrics were linked to their views of “normative” gender interactions and interpersonal relationships for their racial group.

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Notes

  1. This article reflects only three modules of the focus groups. The focus groups were organized to discuss how students perceive, evaluate, and deal with violence between peers. Thus, we envisioned the focus groups as an opportunity for us to learn from the participants what they thought were the most salient terms and issues and to use this newfound knowledge to serve as guides for future investigations of Black adolescents’ beliefs about and attitudes toward violence. The research team was interested in three main arenas: violence in interpersonal relationships; how students perceived adult authorities as resources for assisting them with issues of violence; and how students reacted to acts of violence involving African American men and women communicated in popular media and the news. Other modules utilized hypothetical vignettes about violence in schools, when to involve authority figures (e.g., teachers, parents, principals), and how to avoid violence.

  2. Although the focus group literature cautions against heterogeneous groups, we were interested to see if girls and boys, when together, would modify each other’s views or challenge each other in ways different than in the homogeneous gendered groups. However, our results suggest that, at least in these groups of students, there were few differences in the students’ attitudes toward gender roles in hip hop and/or violent situations by group composition.

  3. An assistant worked with the moderator to take notes as the discussion evolved. The assistant’s role was to record observations related to group dynamics, help in creating a record of whom speaks when and how often, and note the issues that seemed to be of most interest to the group. This record, in turn, helped the transcriber to identify voices and interruptions to facilitate transcription as well include information not apparent to either the transcriber or noticeable to the moderator whose focus was on facilitating conversation.

  4. Since the advent of “gangsta” (aka “reality”) rap, cultural critics, activists, politicians, parents, and academics have decried the effects of hip hop on Black youth. Many of these criticisms center on the deleterious effects of lyrics and video images on African American adolescents; adults fear that adolescents are learning that violence toward and disrespect of women are acceptable. Preeminent in the minds of many critics are video images and lyrics that objectify women and portray them as merely sexual prey for men. The protests of Dr. C. Delores Tucker and the National Congress of Black Women (NCBW) are often mentioned as exemplars of the concern African Americans express about the imagery and lyrics in hip hop. Indeed, the NCBW continues what it refers to as “the crusade against gangsta/porno rap” and has held boycotts and rallies against major media companies such as Time Warner. From outside African American communities, a multitude of political actors, including Congressional representatives and groups such as the Parents’ Music Resource Center, have decried violence and sexism in rap lyrics and videos, and government officials have, most famously in the 2 Live Crew case, tried to use obscenity law to censor hip hop stars.

  5. The vignette, read aloud by the moderators, was modeled after recent events in the news at the time, such as the TuPac Shakur rape case. It also echoes Johnson’s (1994) use of vignettes in research on how college age students assign blame in rape situations.

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Acknowledgements

The authors would like to thank the editor and the two anonymous reviewers for their insightful suggestions for revision. We would also like to thank Kira Hudson Banks, William Corrin, Omar Headen, Lumas Helaire, Alicia Ross, Michael Selders, Mary Trujillo, and Jennifer McCall for their invaluable assistance with the focus groups. This study was funded by a grant from the Institute for Research on Women and Gender at the University of Michigan.

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Correspondence to Catherine R. Squires.

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Squires, C.R., Kohn-Wood, L.P., Chavous, T. et al. Evaluating Agency and Responsibility in Gendered Violence: African American Youth Talk About Violence and Hip Hop. Sex Roles 55, 725–737 (2006). https://doi.org/10.1007/s11199-006-9127-7

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