Abstract
The Pedagogical Impulse (TPI) was a 3-year research-creation project that initiated a series of artist-residencies across a variety of educational sites in Toronto, Canada. In this chapter we examine the primacy of movement as a proposition of research-creation through a ‘case study’ of one of TPI’s artist-residencies in a secondary school and argue that movement is germane to emerging post-humanist explorations within educational research, and a crucial component for re-imagining research-creation methodologies.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Bibliography
Barad, K. (2003). Posthumanist performativity: Toward an understanding of how matter comes to matter. Signs: Journal of Women in Culture and Society, 28(3), 801–831.
Barad, K. (2007). Meeting the universe half way: Quantum physics and the entanglement of matter and meaning. Durham: Duke University Press.
Barrett, E., & Bolt, B. (Eds.). (2013). Carnal knowledge: Towards a ‘new materialism’ through the arts. New York: I. B. Tauris.
Braidotti, R. (2005). Politics + Ecology. In P. Adrian (Ed.), The Deleuze dictionary. Edinburgh, UK: Edinburgh University Press.
Braidotti, R. (2013). The posthuman. Cambridge, UK: Polity.
Coleman, R., & Ringrose, J. (Eds.). (2013). Deleuze and research methodologies. Edinburgh: Edinburgh University Press.
Coole, D., & Frost, S. (Eds.). (2010). New materialisms: Ontology, agency, and politics. Durham: Duke University Press.
Cull, L. (2009). Deleuze and performance. Edinburgh: Edinburgh University Press.
Deleuze, G. (1986). Cinema 1: The movement-image. London: Athlone.
Deleuze, G. (1987). Dialgoues (with Claire Parnet). New York: Columbia University Press.
Deleuze, G. (2006). Nietzsche and philosophy. London: Continuum.
Deleuze, G., & Guattari, F. (1987). A thousand plateaus. Minneapolis: University of Minnesota Press.
Deleuze, G., & Guattari, F. (1994). What is philosophy? New York: Columbia University Press.
Garoian, C. R. (2012). Sustaining sustainability: The pedagogical drift of art research and practice. Studies in Art Education, 53(4), 283–301.
Helguera, P. (2011). Education for socially engaged art: A materials and techniques handbook. Bethesda: Jorge Pinto Books.
Hickey-Moody, A. (2013). Affect as method: Feelings, aesthetics and affective pedagogy. In R. Coleman & J. Ringrose (Eds.), Deleuze and research methodologies (pp. 79–95). Edinburgh: Edinburgh University Press.
Jackson, A. Y., & Mazzei, L. (2013). Thinking with theory in qualitative research: Viewing data across multiple perspectives. New York: Routledge.
Lewis, T.E. (2010). Swarm intelligence: Rethinking the multitude from within the trasversal commons. Culture Theory and Critique, 51(3), 223–238.
Manning, E. (2011). Relationscapes. Cambridge, MA: MIT.
Manning, E. (2013). Always more than one: Individuation’s dance. Durham: Duke University Press.
Manning, E., & Massumi, B. (2014). Thought in the act: Passages in the ecology of experience. Minneapolis: University of Minnesota Press.
Massumi, B. (2002). Parables for the virtual. Durham: Duke University Press.
Massumi, B. (2011). Semblance and event: Activist philosophy and the occurrent arts. Cambridge, MA: MIT.
May, T. (2009). Gilles Deleuze: An introduction. Cambridge: Cambridge University Press.
Meyer, H. (2012). Personal interview.
Morrell, A. (2013). Editorial: Residencies. CMagazine, 119, 2.
Olsson, L. M. (2009). Movement and experimentation in young children’s learning: Deleuze and Guattari in early childhood education. New York: Routledge.
Parikka, J. (2008). Insect technics: Intensities of animal bodies. In B. Herzogenrath (Ed.), (Un)easy alliance – thinking the environment with Deleuze/Guattari (pp. 339–362). Cambridge, UK: Scholars Press.
Rotas, N., & Springgay, S. (2013). ‘You go to my head’: Art, pedagogy and a politics to come. Pedagogies, 8(3), 278–290.
Semetsky, I. (2013). Deleuze, education and becoming. Edinburgh: Edinburgh University Press.
Springgay, S. (2008). Body knowledge and curriculum: Pedagogies of touch in youth and visual culture. New York: Peter Lang.
St. Pierre, E. (2013). The appearance of data. Cultural Studies ↔ Critical Methodologies, 13(4), 223–227.
Stengers, I. (2010). Cosmopolitics. Minneapolis: University of Minnesota Press.
Thacker, E. (2004). Networks, swarms, multitudes, part two. Ctheory. Accessed online February 2014, from http://www.ctheory.net/printer.asp?id=423
Tianinen, M., & Parikka, J. (2013). The primacy of movement: Variation, intermediality and biopolitics in Tero Sarrinen’s Hunt. In E. Barrett & B. Bolt (Eds.), Carnal knowledge towards a ‘new materialism’ through the arts (pp. 205–224). New York: I.B. Tauris & Co Ltd.
Vehlken, S. (2013). Zootechnologies: Swarming as a cultural technique. Theory, Culture & Society, 30(6), 110–131.
Zaliwska, Z. & Springgay, S. (2015). Diagrams and cuts: A materialist approach to research-creation. Cultural Studies Critical Methodologies.
Zepke, S., & O’Sullivan, S. (2010). Deleuze and contemporary art. Edinburgh: Edinburgh University Press.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2015 Springer Science+Business Media Dordrecht
About this chapter
Cite this chapter
Truman, S.E., Springgay, S. (2015). The Primacy of Movement in Research-Creation: New Materialist Approaches to Art Research and Pedagogy. In: Lewis, T., Laverty, M. (eds) Art's Teachings, Teaching's Art. Contemporary Philosophies and Theories in Education, vol 8. Springer, Dordrecht. https://doi.org/10.1007/978-94-017-7191-7_11
Download citation
DOI: https://doi.org/10.1007/978-94-017-7191-7_11
Publisher Name: Springer, Dordrecht
Print ISBN: 978-94-017-7190-0
Online ISBN: 978-94-017-7191-7
eBook Packages: Humanities, Social Sciences and LawEducation (R0)