Abstract
This chapter discusses the historical-scientific context of systematic musicology and it relates the paradigm which has been developed in the previous chapters with a psycho-morphological approach of music. The chapter closes with a specification of the interdisciplinary and cognitive foundations of systematic musicology.
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Leman, M. (1995). Cognitive Foundations of Systematic Musicology. In: Music and Schema Theory. Springer Series in Information Sciences, vol 31. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-85213-8_13
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DOI: https://doi.org/10.1007/978-3-642-85213-8_13
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