Abstract
This chapter deals with capitalist economy’s ambiguous relation to art. Capitalist economy was once, in the eighteenth century, a necessary precondition for the emerging of the modern system of art, as well as for art’s emancipation from the control of royal ruler families, churches, patrons, and guilds. In this sense, the emerging and establishing of capitalist ways of action made modern art’s relatively autonomous position in society possible. However, in current national societies and world society, art has increasingly merged with capitalist economy, in particular, with commercial entertainment culture, which has called this autonomy in question and, in part, suppressed it. The chapter clears up this developmental line and shows that the current hegemony of capitalist economy has also aroused critical resistance in contemporary art.
This chapter has been written within the premise/scope of the research project “How Art Worlds Have Reacted to the Market-Based or Neoliberal Turn in Society” financed by the Academy of Finland for the years 2011–14. The number of the project is 139049.
Notes
- 1.
Marx (1974) presents his own view of original accumulation in the last chapter of the first volume of Das Kapital (1867). At the beginning of this volume, he formulates his own value theory.
- 2.
This book’s literal translation into English is, in fact, “The Art of Society.” Despite this, the title “Art as a Social System” aptly expresses Luhmann’s way of conceptualizing art.
- 3.
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Sevänen, E. (2018). Capitalist Economy as a Precondition and Restraint of Modern and Contemporary Art Worlds. In: Alexander, V., Hägg, S., Häyrynen, S., Sevänen, E. (eds) Art and the Challenge of Markets Volume 2. Sociology of the Arts . Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-64644-2_1
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