Skip to main content

The Principle of Moments

  • Chapter
  • First Online:
Pedagogical Stylistics in the 21st Century

Abstract

This chapter offers a redefinition of text in terms of its moments and momentum. Beginning with assumptions about the experiential and readerly basis of the nature of a text, the discussion draws on earlier work in text linguistics and discourse analysis which argued for the centrality of dynamism in stylistic analysis. An example of an analysis of moments is offered from Romeo and Juliet. The ways in which the reader’s experience of moments is perceived as narrative momentum is schematised into a principled model which can be used for classroom exploration. This draws partly on Sinclair’s proposed notion of prospection, as well as later insights from cognitive poetics. The result is a working model of moments and momentum that is briefly illustrated with a passage from an Evelyn Waugh novel. The chapter claims that experiential matters of textuality such as pragmatic knowledge, memory, feeling, and anticipation are also the proper domain of linguistics and also that discourse and readerly experience are at the heart of a stylistic exploration.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 129.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 169.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 169.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Similar content being viewed by others

References

  • Barthes, Roland. 1977. Image, music, text, trans. and ed. Stephen Heath. London: Fontana.

    Google Scholar 

  • de Beaugrande, Robert. 1980. Text, discourse and process. Norwood: Ablex.

    Google Scholar 

  • Birch, David. 1989. “Working effects with words”—Whose words? Stylistics and reader intertextuality. In Language, discourse and literature: An introductory reader in discourse stylistics, ed. Ronald Carter and Paul Simpson, 257–273. London: Unwin Hyman.

    Google Scholar 

  • Blommaert, Jan. 2013. Ethnography, superdiversity and linguistic landscapes. Bristol: Channel View Publications.

    Book  Google Scholar 

  • Blommaert, Jan, and Jie Dong. 2010. Ethnographic fieldwork: A beginner’s guide. Bristol: Multilingual Matters.

    Book  Google Scholar 

  • Brown, Gillian, and George Yule. 1983. Discourse analysis. Cambridge: Cambridge University Press.

    Book  Google Scholar 

  • Busse, Beatrix. 2020. Speech, writing, and thought presentation in 19th-century narrative fiction: A corpus-assisted approach. Oxford: Oxford University Press.

    Book  Google Scholar 

  • Crystal, David. 2005. Pronouncing Shakespeare. Cambridge: Cambridge University Press.

    Book  Google Scholar 

  • DeCourcy, Delia, Lyn Fairchild, and Robin Follet. 2007. Teaching Romeo and Juliet: A differentiated approach. Urbana: National Council of Teachers of English.

    Google Scholar 

  • Eikmeyer, Hans-Jürgen. 1983. Procedural analysis of discourse. Text 3 (1): 11–37.

    Google Scholar 

  • Emmott, Catherine. 1997. Narrative comprehension: A discourse perspective. Oxford: Clarendon Press.

    Google Scholar 

  • Fowler, Roger. 1991. Language in the news: Discourse and ideology in the press. London: Routledge.

    Google Scholar 

  • Gavins, Joanna. 2007. Text world theory. Edinburgh: Edinburgh University Press.

    Book  Google Scholar 

  • Gilbert, Daniel T., and Timothy D. Wilson. 2007. Prospection: Experiencing the future. Science 317 (5843): 1351–1354.

    Article  Google Scholar 

  • Giovanelli, Marcello. 2013. Text world theory and Keats’ poetry. London: Continuum.

    Google Scholar 

  • Hall, Kira, and Mary Bucholtz, eds. 1995. Gender articulated: Language and the socially-constructed self. New York: Routledge.

    Google Scholar 

  • Halliday, Michael A.K., and Ruqaiya Hasan. 1976. Cohesion in English. London: Longman.

    Google Scholar 

  • Halliday, Michael A.K., and Ruqaiya Hasan. 1985. Language, context, and text: Aspects of language in a social-semiotic perspective. Geelong: Deakin University.

    Google Scholar 

  • Halliday, Michael A.K., M.I.M. Christian, and Matthiessen. 2014. An introduction to functional grammar, 4th ed. London: Hodder.

    Book  Google Scholar 

  • Harris, Tony. 2002. Linguistics in applied linguistics: A historical overview. Journal of English Studies 3: 99–114.

    Article  Google Scholar 

  • Hollander, John. 1975. Vision and resonance: Two senses of poetic form. Oxford: Oxford University Press.

    Google Scholar 

  • Hunt, Maurice, ed. 2000. Approaches to teaching Shakespeare’s Romeo and Juliet. New York: Modern Language Association of America.

    Google Scholar 

  • Ingarden, Roman. 1973. The literary work of art: An investigation on the borderlines of ontology, logic, and theory of literature, trans. George G. Grabowics, from the 3rd edn of Das literarische Kunstwerk, 1965; after a Polish revised translation, 1960; from the original German, 1931). Evanston: Northwestern University Press.

    Google Scholar 

  • Ingarden, Roman. 1986. The work of music and the problem of its identity. Trans. Adam Czerniawski, ed. Jean G. Harrell. Berkeley: University of California Press.

    Google Scholar 

  • Johnstone, Barbara. 2000. Qualitative methods in sociolinguistics. Oxford: Oxford University Press.

    Google Scholar 

  • Lakoff, George. 1990. The invariance hypothesis: Is abstract reason based on image-schemas? Cognitive Linguistics 1 (1): 39–74.

    Article  Google Scholar 

  • Lampert, R. Brigham. 2008. Advanced placement classroom: Romeo and Juliet. Waco: Prufrock Press.

    Google Scholar 

  • Langacker, Ronald W. 2008. Cognitive grammar: A basic introduction. Oxford: Oxford University Press.

    Book  Google Scholar 

  • Mauranen, Anna. 1993. Theme and prospection in written discourse. In Text and technology: In honour of John Sinclair, ed. Mona Baker, Gill Francis, and Elena Tognini-Bonelli, 95–114. Amsterdam: John Benjamins.

    Chapter  Google Scholar 

  • McCarthy, Michael, and Ronald Carter. 1994. Language as discourse: Perspectives for language teaching. London: Longman.

    Google Scholar 

  • McGann, Jerome J. 1991. The textual condition. Princeton: Princeton University Press.

    Google Scholar 

  • McLoughlin, Nigel F. 2016. Into the futures of their makers: A cognitive poetic analysis of reversals, accelerations and shifts in time in the poems of Eavan Boland. In World building: Discourse in the mind, ed. Joanna Gavins and Ernestine Lahey, 259–276. London: Bloomsbury.

    Google Scholar 

  • Moreno, Ana I. 2003. The role of cohesive devices as textual constraints on relevance: A discourse-as-process view. International Journal of English Studies 3 (1): 111–165.

    Google Scholar 

  • O’Brien, Peggy. 2006. Teaching A Midsummer Night’s Dream, Romeo and Juliet, and Macbeth. London: Simon & Schuster.

    Google Scholar 

  • Scollon, Ron. 1998. Mediated discourse as social interaction: A study of news discourse. New York: Longman.

    Google Scholar 

  • Scollon, Ron. 2001. Mediated discourse: The nexus of practice. London: Routledge.

    Google Scholar 

  • Scollon, Ron, and Suzie Wong Scollon. 2004. Nexus analysis: Discourse and the emerging internet. London: Routledge.

    Book  Google Scholar 

  • Shakespeare, William. 1595. The most excellent and lamentable tragedie, of Romeo and Juliet. Performed: London.

    Google Scholar 

  • Sinclair, John McH. 2004. Trust the text: Language, corpus and discourse, ed. Ronald Carter. London: Routledge.

    Google Scholar 

  • Stęszewski, Jan. 2004. Roman Ingarden’s theory of intentional musical work. Muzikologija 4: 155–165.

    Article  Google Scholar 

  • Stockwell, Peter. 1992. The metaphorics of literary reading. Liverpool Papers in Language and Discourse 4: 52–80.

    Google Scholar 

  • Stockwell, Peter. 1999. The inflexibility of invariance. Language and Literature 8 (2): 125–142.

    Article  Google Scholar 

  • Stockwell, Peter. 2009. Texture: A cognitive aesthetics of reading. Edinburgh: Edinburgh University Press.

    Book  Google Scholar 

  • Stockwell, Peter. 2014. Atmosphere and tone. In The Cambridge handbook of stylistics, ed. Peter Stockwell and Sara Whiteley, 360–374. Cambridge: Cambridge University Press.

    Chapter  Google Scholar 

  • Stockwell, Peter. 2016. The language of surrealism. London: Palgrave Macmillan.

    Google Scholar 

  • Stockwell, Peter. 2017. Poe’s Gothic ambience. In Edgar Allan Poe across disciplines, genres and languages, ed. Linda Barone and Alfonso Amendola, 7–23. Newcastle: Cambridge Scholars Publishing.

    Google Scholar 

  • Stockwell, Peter. 2020. Cognitive poetics, 2nd ed. London: Routledge.

    Google Scholar 

  • Thompson, Geoff. 2004. Introducing functional grammar, 3rd ed. London: Hodder.

    Google Scholar 

  • Toolan, Michael. 2008. Narrative progression in the short story: First steps in a corpus stylistic approach. Narrative 16 (2): 105–120.

    Article  Google Scholar 

  • Toolan, Michael. 2009. Narrative progression in the short story: A corpus stylistic approach. Amsterdam: John Benjamins.

    Book  Google Scholar 

  • Waugh, Evelyn. 1928. Decline and fall. London: Chapman & Hall.

    Google Scholar 

  • Werth, Paul. 1999. Text worlds: Representing conceptual space in discourse. London: Longman.

    Google Scholar 

  • Wilson, Adrian. 2012. What is a text? Studies in History and Philosophy of Science 43: 341–358.

    Article  Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Peter Stockwell .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2022 The Author(s), under exclusive license to Springer Nature Switzerland AG

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Stockwell, P. (2022). The Principle of Moments. In: Zyngier, S., Watson, G. (eds) Pedagogical Stylistics in the 21st Century. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-83609-2_5

Download citation

  • DOI: https://doi.org/10.1007/978-3-030-83609-2_5

  • Published:

  • Publisher Name: Palgrave Macmillan, Cham

  • Print ISBN: 978-3-030-83608-5

  • Online ISBN: 978-3-030-83609-2

  • eBook Packages: Social SciencesSocial Sciences (R0)

Publish with us

Policies and ethics