Abstract
Feminist film theory plays a crucial role in examining the concept of spectatorship. Ruby Rich puts it this way:
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Berger, John. 1972. Ways of Seeing, London: Penguin.
Bovenschen, Silvia. 2001. “Is There a Feminine Aesthetic?” In: German Feminist Writings. Ed. by Patricia A. Herminghouse and Magda Mueller. London and New York: Continuum.
Citron, Michelle. 1988. “Women’s Film Production”. In: Female Spectators. Ed. by Deidre Pribram. London: Verso.
Cowie, Elizabeth. 1997. Representing the Woman: Cinema and Psychoanalysis. Minneapolis: University of Minnesota Press.
De Lauretis, Theresa. 1984. Alice Doesn’t: Feminism, Semiotics, Cinema. London: Macmillan.
De Lauretis, Theresa. 1987. Technologies of Gender: Essays on Theory, Film and Fiction. Bloomington and Indianapolis: Indiana University Press.
Doane, Mary Anne. 1982. “Film as a Masquerade”. Screen, 23 (3–4): 74–88.
Fischer, Lucy. 2014. Shot/Countershot: Film Tradition and Women’s Cinema. Princeton, NJ: Princeton University Press.
Gaines, Jane. 2000. “White Privilege and Looking Relations: Race and Gender in Feminist Film Theory”. In: The Film Studies Reader. Ed. by Joanne Hollows, Peter Hutchings, and Mark Jancovich. New York: Oxford University Press.
Hills, Elisabeth. 1999. “From Figurative Males to Action Heroines: Further Thoughts on Active Women in the Cinema”. Screen, 40 (1): 38–50.
Holinger, Karen. 2012. Feminist Film Studies. London and New York: Routledge.
hooks, bell. 1996. Reel to Real: Race, Sex, and Class at the Movies. New York: Routledge.
Kaplan, Ann E. 1983 “Is the Gaze Male?”. In: Women and Film: Both Sides of the Camera. London: Methuen.
Lacan, Jacques. 2006. “Jacques Lacan and Bruce Fink”. In: Ecrits: The First Complete Edition in English. New York: W.W. Norton & Co.
Modleski, Tania. 1988 [2016]. The Women Who Knew Too Much: Hitchcock and Feminist Theory. New York: Routledge and Chapman & Hall.
Mulvey, Laura. 1975. “Visual Pleasure and Narrative Cinema”. Screen, 16 (3): 3–18.
Mulvey, Laura. 1989. Visual and Other Pleasures. New York: Palgrave.
Mulvey, Laura. 1996. Fetishism and Curiosity. Bloomington: Indiana University Press.
Mulvey, Laura. 2004. “Looking at the Past from the Present: Rethinking Feminist Film Theory of the 1970s”. Signs 30 (1): 1286–1292.
Mulvey, Laura. 2006. Death 24x a Second. London: Reaktion Books.
Mulvey, Laura. 2017. “From a Faculty Seminar with Laura Mulvey: Reflections on Visual Pleasure”. New Review of Film and Television Studies, 15 (4): 385–387.
Rich, Ruby B. 1998. Chick Flicks: Theories and Memories of the Feminist Film Movement. Durham: Duke University Press.
Riviere, Joan. 1929. Womanliness as Masquerade. International Journal of Psychoanalysis, 10: 303–313.
Sassatelli, Roberta. 2011. “Interview with Laura Mulvey: Gender, Gaze and Technology”. Film Culture in Theory, Culture and Society, 28 (5).
Silverman, Kaja. 1988. The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema. Bloomington: Indiana University Press.
Smelik, Anneke. 1998. And the Mirror Cracked: Feminist Cinema and Film Theory. New York: St. Martin’s Press.
Studlar, Gaylyn. 1988. In the Realm of Pleasure. Von Sternberg, Dietrich, and the Masochistic Aesthetic. New York: Columbia University Press.
Tasker, Yvonne. 1993. Spectacular Bodies. Gender, Genre and the Action Cinema. London and New York: Routledge.
Thornhill, Susan. 2015. On “Visual Pleasure and Narrative Cinema”. Feminist Media Studies, 15 (5): 881–884.
Williams, Linda. 1989. Hard Core: Power, Pleasure and the ‘Frenzy of the Visible’. Berkeley: University of California Press.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2021 The Author(s), under exclusive license to Springer Nature Switzerland AG
About this chapter
Cite this chapter
Stefanovic, P., Parać, A.G. (2021). Male Gaze and Visual Pleasure in Laura Mulvey. In: Purgar, K. (eds) The Palgrave Handbook of Image Studies. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-71830-5_21
Download citation
DOI: https://doi.org/10.1007/978-3-030-71830-5_21
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-71829-9
Online ISBN: 978-3-030-71830-5
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)