Abstract
In the late 1970s and early 1980s Soviet critics argued extensively about the role of folklore and mythology in contemporary Soviet literature, particularly in the national literatures of Central Asia, the Caucasus and the Far East.’ Addressing the question of correlation between myth and Socialist Realism, some critics questioned the appropriateness of blending the archaic and highly conventional forms of mythology with the realistic method of depiction based on verisimili-tude and probability. Lev Anninskii in his polemical article ‘Zhazhdu belletrizma’ (I Crave Fiction) criticised mythological literature for creating some kind of ‘superreality’ or ‘superphilology’, by imposing allegorical meaning on simple realistic details, for the stylistic ‘oversat-uration’ of mythological prose with allegories and symbols and for its pretentious ornamental style. 2
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Notes
See the discussion on the pages of Literaturnaia gazeta, 1 March — 7 June 1978; V. Kubilius, ‘Formirovanie natsional’noi literatury: pod-razhatelnost’ ili khudozhestvennaia transformatsiia’, Voprosy literatury, 1976, no. 8, pp. 23–52;
M. Epshtein, E. Iukina, ‘Mir i chelovek: K voprosu o khudozhestvennykh vozmozhnostiakh sovremennoi literatury’, Novyi mir, 1981, no. 4, pp. 236–47.
L. Anninskii, ‘Zhazhdu belletrizma’, Literaturnaia gazeta, 1 March 1978, p. 5.
See A. F. Losev, Dialektika mifa (Moscow, 1930); E. M. Meletinskii, S. I. Nekliudov (eds), Tipologicheskiie issledovaniia po fol’kloru (Moscow, 1975);
E. M. Meletinskii, Poetika mifa (Moscow, 1976).
John J. White, Mythology in the Modern Novel: A Study of Prefigurative Techniques (Princeton, 1971), pp. 52–4.
See the excellent analysis of the totemic function of Akbara in N. Ivanova, ‘Ispytanie pravdoi’, Znamia, 1987, no. 1, pp. 217–20; and A. Kosorukov, ‘Plakha: Novyi mif ili novaia real’nost?’, Nash sovremennik, 1988, no. 8, pp. 141–52.
Cf. the Soviet studies on Aitmatov’s use of folklore and mythology: P. M. Mirza-Akhmedova, National’naia epicheskaia traditsiia v tvorchestve Chingiza Aitmatova (Tashkent, 1980); S. Z. Agranovich, ‘Fol’klornye istochniki povesti Chingiza Aitmatova “Posle skazki” ‘, Problemy istorii kritiki i poetiki realizma (Kishinev, 1981), pp. 143–59; A. Ibragimova, ‘Kraski vsekh iskusstv: Fol’klor narodov SSR v tvorchestve Aitmatova’, Prostor, 1989, no. 4, pp. 149–52.
Many Soviet critics expressed serious reservations about Aitmatov’s treatment of the Biblical story; cf. S. Averintsev, ‘Paradoksy romana paradoksy vospriiatiia’, Literaturnaia gazeta, 15 October 1986, p. 4;
L. Anninskii, ‘Skachka kentavra’, Druzhba narodov, 1986, no. 12, pp. 249— 52;
A. Nuikin, ‘Novoe bogoiskatel’stvo i starye dogmy’, Novyi mir, 1987, no. 3, pp. 245–55.
K. Clark, ‘The Mutability of the Canon: Socialist Realism in Chingiz Aitmatov’s “I dol’she veka dlitsia den’ ” ‘, Slavic Review, 43, 4(1984), 573–87.
In addition to the Christian prefiguration, Avdii appears as a condensation of several other prototypes, most notably Don Quixote and Prince Myshkin; see S. Piskunova, B. Piskunov, ‘Vyiti iz kruga’, Literaturnoe obozrenie, 1987, no. 2, pp. 54–8.
See S. Paton, ‘Chingiz Aitmatov’s First Novel: A New Departure?’, Slavonic and East European Review, 62, 4(1984), p. 499–500.
See S. P. Ilev, ‘Parabolicheskie povesti Chingiza Aitmatova’, Zagad-nienia Rodzajow Literackich, 20, 2(1977), 61–90.
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© 1992 International Council for Soviet and East European Studies, and Sheelagh Duffin Graham
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Kolesnikoff, N. (1992). Myth in the Works of Chingiz Aitmatov. In: Graham, S.D. (eds) New Directions in Soviet Literature. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-22331-2_4
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