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Anticipating Globalisation: Rosamond Gilder and the International Theatre Institute

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Staging International Feminisms

Part of the book series: Studies in International Performance ((STUDINPERF))

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Abstract

If anyone in the raid-twentieth-century United States came to believe that ‘theatre is one of the most effective vehicles for the dissemination of the principles of international understanding, international co-operation and world peace’, they did so because of Rosamond Gilder.1

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Notes

  1. UNESCO Constitution http://portal.unesco.org/en/ev.php-URL_ID=6206& URL_DO=DO_TOPIC&URL_SECTION=201.html. Accessed 10 June 2005.

  2. Leila J. Rupp, Worlds of Women: The Making of an International Women’s Movement (Princeton, NJ: Princeton University Press, 1997), p. 34.

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  3. Mrinalini Sinha, Donna J. Guy and Angela Woollacott, eds, ‘Why Feminisms and Internationalism?’, in Feminisms and Internationalism (Oxford: Blackwell, 1999), p. 1.

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  4. Rosamond Gilder, ‘First Congress of the International Theater Institute’, Department of State Bulletin 19:485 (17 October 1948): 488.

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  5. Helen Laville, Cold War Women: The International Activities of American Women’s Organisations (Manchester: University of Manchester Press, 2002), p. 9.

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  6. Rosamond Gilder, ‘The Arts as Ambassadors’, Institute of International Education News Bulletin 28.7 (April 1953): 4.

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  7. Maurice Kurtz, ‘Creating the ITI’, International Theatre Institute 1948–1983 (Paris: International Theatre Institute, 1983), p. 10.

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Authors
  1. Charlotte Canning
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Editor information

Editors and Affiliations

  1. Lancaster University, UK

    Elaine Aston (Professor of Contemporary Performance) (Professor of Contemporary Performance)

  2. Center for Performance Studies, UCLA, USA

    Sue-Ellen Case (Professor and Chair of Theater Critical Studies and Director) (Professor and Chair of Theater Critical Studies and Director)

Copyright information

© 2007 Charlotte Canning

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Canning, C. (2007). Anticipating Globalisation: Rosamond Gilder and the International Theatre Institute. In: Aston, E., Case, SE. (eds) Staging International Feminisms. Studies in International Performance. Palgrave Macmillan, London. https://doi.org/10.1057/9780230287693_11

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