Egyptian blue, Chinese blue, and related two-dimensional silicates: from antiquity to future technologies. Part A: general properties and historical uses

The ancient Egyptian blue pigment was developed over 5000 years ago and was used extensively for around four millennia until its use mysteriously declined dramatically during the Early Middle Ages. It recently attracted a lot of attention along with some related materials, leading to a fast-growing number of applications in fields, such as sensors, solar concentrators, energy-saving, and medicine. The new surge in interest began in 1996 with the discovery of their intense NIR photoluminescence that surprisingly can be triggered even by visible light. In 2013, the possibility of exfoliating them and producing NIR luminescent nanosheets was established, expanding the family of 2D nanomaterials. More recently, the discovery of their high antibacterial effects and biocompatibility, and very promising optical, electric and magnetic properties, has further boosted their applications. The characteristics of Egyptian blue are due to its main component: the very stable crystalline compound CaCuSi4O10. This tetragonal sheet silicate is the synthetic analogous of the rare cuprorivaite mineral. In Part A of this review, we summarize the historical uses and main properties (i.e., composition, structure, color, stability, luminescence, and biological activity) of cuprorivaite and related 2D silicates, i.e., BaCuSi4O10 (the main constituent of the ancient pigment Chinese Blue), BaCuSi2O6 (the main constituent of the ancient pigment Chinese Purple), SrCuSi4O10 (synthetic analogous of wesselsite) and BaFeSi4O10 (synthetic analogous of gillespite). The Part B of the review will focus on the modern rediscovery of these materials, their modern synthesis and exfoliation, and the innovative applications based on their properties.


Egyptian blue, Chinese blue, and related 2D silicates
Egyptian Blue (EB) is an artificial blue pigment of mineral origin used also to mold small objects thanks to its vitreous ceramic nature (Lucas and Harris 1962;Chase 1971;Delamare 1997). It was developed in Egypt during the Early Bronze Age, more than 5000 years ago (Corcoran 2016), and is considered to be the first true synthetic pigment ever produced by humans (Riederer 1997;Warner 2011;Corcoran 2016;Greco 2022). EB largely owes its color and its extraordinary features to the crystals of CaCuSi 4 O 10 (also CaO·CuO·4SiO 2 or calcium copper tetrasilicate) that form during its manufacturing. This compound is the artificial analogous of a mineral very rare in nature, i.e., cuprorivaite (Mazzi and Pabst 1962). Natural cuprorivaite (see Fig. 1) forms likely under hydrothermal conditions, i.e., high temperature and high-pressure conditions that occur beneath the Earth's surface in the presence of water (Giester and Rieck 1994;Warner 2011;Johnson-McDaniel et al. 2015;Cairncross and Rumsey 2022). It was identified as a new mineral by Minguzzi in 1938 on a rock specimen from Mount Vesuvius (Minguzzi 1938). Some 20 years later, it has been correlated to the chemical composition of EB (Schippa and Torraca 1957;Pabst 1959;Mazzi 1 3 and Pabst 1962), and since then, the terms «cuprorivaite» and «Egyptian blue» have been often used as synonymous (Mazzi and Pabst 1962;Gaines et al. 1997).
However, artificially produced EB, unlike natural cuprorivaite, is a multicomponent material (Ullrich 1979;Tite et al. 1984;Hatton et al. 2008) and generally contains a certain amount of amorphous silicate glass (Pradell et al. 2006) as well as some minor amounts of other crystalline phases relative to silica (quartz, cristobalite, or tridymite), silicates (e.g., wollastonite), and oxides (e.g., tenorite) (Jaksch et al. 1983;Etcheverry et al. 2001;Pradell et al. 2006;Aliatis et al. 2010). Due to its rarity, natural cuprorivaite has never been considered a blue pigment or a raw material (Riederer 1997;Berke and Wiedemann 2000). However, artificial EB was widely used in antiquity, although in those times and places other natural mineral alternatives were known and occasionally have been reported, e.g., azurite, lapis lazuli, and glaucophane (Kakoulli 2009). Countless archaeological finds show that for over 3000 year EB was nearly the only blue pigment used in North Africa, Western Asia, and Europe until it was almost abandoned during the Early Middle Ages (see Sect. 4) (Scott 2016;Nicola et al. 2019;Švarcová et al. 2021;Sgamellotti and Anselmi 2022).
There are some other materials closely related to EB that often show similar intriguing features. Two of them, analogously to EB, have been used in antiquity as pigments and have been named «Chinese Purple» (CP) and «Chinese Blue» (CB), since they were developed in ancient China (Berke et al. 2009). The main constituents of CP and CB are two layered barium and copper silicates, BaCuSi 2 O 6 and BaCuSi 4 O 10, respectively. The main constituent of CB has a structure analogous to that of CaCuSi 4 O 10 in EB, the only difference being the presence of Ba 2+ instead of Ca 2+ . The main constituent of CP is strictly related to BaCuSi 4 O 10 in CB but has a different framework within a layer ) (see Sect. 3.2). Although CP and CB have a composition and production technology quite similar to that of EB, they were developed in China more than two thousand years later, most likely independently of EB (Berke 2007;Qin et al. 2016). Quite recently the two extremely rare natural analogs of the main constituents of CB and CP have been also identified, both in the Wessels mine, Kalahari Manganese Field, South Africa (Giester and Rieck 1994;Rieck et al. 2015). They were named, respectively, effenbergerite and colinowensite and are sometimes reported in association with the mineral wesselsite (SrCuSi 4 O 10 ) which is the structural analogous of cuprorivaite with Ca 2+ replaced by Sr 2+ (Giester and Rieck 1996). Cuprorivaite, effenbergerite, and wesselsite share a similar structure and the same formula MCuSi 4 O 10 (M=Ca, Sr, and Ba) and belong to the wider gillespite-type group of minerals MQSi 4 O 10 (Pabst 1959;Salguero et al. 2014;Chen et al. 2016), where Q is an appropriate divalent cation that is basically in square planar coordination (Burzo 2009). The gillespite mineral that gives its name to the whole group is BaFeSi 4 O 10 and was described for the first time by Schaller in 1922 as a new mineral present in a rock specimen from the glacial moraine near the head of Dry Delta, Alaska (Schaller 1922;Pabst 1943). It is analogous to effenbergerite with Cu 2+ replaced by Fe 2+ .
Some other compounds that show the structure of gillespite-group minerals are known. They are MCrSi 4 O 10 with M=Ca, Sr and Ba (Belsky et al. 1984;Miletich et al. 1997), and probably also BaMgSi 4 O 10 (Yuan et al. 2012;Zhong et al. 2020). However, it seems that so far, they have not yet been found as natural minerals.
Furthermore, the production of roughly monoatomic sheets of pure crystalline hydrated silica starting from leached gillespite has been pioneered by Schaller (1929) and by Pabst (1958), and in the near future, it may become more attractive due to the recent improvement in the synthesis of artificial gillespite (Bloise 2018). This kind of intriguing 2D hydrated silica could be very promising for some new technologies, such as for the production of zeolites (Frondel Fig. 1 Natural cuprorivaite from Nickenicher Weinberg, Nickenich, Andernach, Eifel, Rhineland-Palatinate, Germany. Metric reference: 50 µm. Reproduced with permission from mindat.org © Christof Schäfer (finder of the mineral). Photo by Marko Burkhardt 1979; Marler and Gies 2012) and in many other fields (Fang et al. 2015).

Nomenclature
EB is listed in the Colour Index with the Generic Name PB31 and the Constitution Number 77437 (colour-index. com). Some common names other than «Egyptian Blue» in use for EB include «Alexandrian Blue», «Pozzuoli Blue», «Vestorian Blue», and «Pompeian Blue» (Riederer 1997). Those names are overall related to the production and use of EB in Roman times (see Sect. 4). In the literature, EB is also widely referred to as «blue frit» Warner 2011;Lazzarini and Verità 2015;Grifa et al. 2016). However, some scholars pointed out that referring to EB as «blue frit» could be misleading, since it seems that there is some disagreement about the proper use of the term «frit» (Lee and Quirke 2000;Nicholson and Henderson 2000;Clegg 2014). To avoid ambiguity in terminology, in this work «Egyptian blue» (shortened «EB») will be used to refer to artificially produced modern or archaeological specimens of pigment or ceramic material (i.e., mainly constituted by CaCuSi 4 O 10 but overall containing also other amorphous or crystalline phases), while «cuprorivaite» will be used for the natural or artificial pure crystalline CaCuSi 4 O 10 . May be worth noting that the terminology "Egyptian blue" has also been used as a way to identify a web color (Wenerstrom and Kantardzic 2011) or a specific tone of blue, e.g., with the following standardized set of values in different color coordinates systems: Hex Code: #1034A6; RGB: 16, 52, 166; CMYK: 90%, 69%, 0%, 35%; HSV/HSB: 226°, 90%, 65%; Closest Pantone: 286 C (color-name.com). However, such kind of standardizations should be used carefully and are possibly misleading, since EB does not have a specific color but is associated with a range of colors (see also Sect. 3.3).
CP and CB pigments, unlike EB, have no Generic Name in the Colour Index nor they have been in general standardized in color coordinates systems. CP and CB are widely known also with their previous names, i.e., «Han purple» and «Han blue» but it has been pointed out that those terminologies could be misleading (Berke et al. 2009). Indeed, the former names of these two ancient artificial pigments based on barium-copper silicates derive from a proposal by FitzHugh and Zycherman that related them to the Han dynasty, since the finds in which they were initially identified mainly belong to that period, i.e., 206 BCE-220 CE (FitzHugh andZycherman 1983, 1992). However, more recently it turned out that both pigments were highly widespread even long before the times of the Han Dynasty (Ma et al. 2006), thus the renaming (Berke et al. 2009). Analogously to EB, in this work «Chinese Purple» (shortened «CP») and «Chinese Blue» (shortened «CB») will refer to the respective archaeological specimens or modern products obtained by artificial syntheses (i.e., overall containing also amorphous or crystalline phases other than BaCuSi 2 O 6 and BaCuSi 4 O 10, respectively). The terms «colinowensite» and «effenbergerite» will be, instead, reserved for the natural or artificial pure crystalline compounds BaCuSi 2 O 6 and BaCuSi 4 O 10, respectively.
Artificial wesselsite (SrCuSi 4 O 10 ) has been occasionally found in anthropogenic ancient blue pigments. It can be argued that its presence occurred unintentionally due to difficulties in distinguishing the relatively rare Sr-containing minerals from Ca analogs (Berke and Wiedemann 2000). BaFeSi 4 O 10 (gillespite), MCrSi 4 O 10 (M=Ca, Sr or Ba), and BaMgSi 4 O 10 have not been so far found as a component of any ancient pigment. Wesselsite, gillespite, and the remaining two-dimensional silicates related to EB are not commonly used as pigments and have no common names being generally known only by their own mineralogical or chemical names.

Composition of Egyptian blue
EB is mainly constituted by cuprorivaite and it commonly contains some other minor components mainly due to incomplete reaction, unbalanced reagents, additives (i.e., fluxes, see Sect. 4.2), impurities from the reactants, and contamination from the crucibles or the production technique utilized. Furthermore, although EB is a very stable material, some compounds within it can also be the results of deterioration processes, e.g., due to overheating during the production (e.g., cristobalite or tridymite) or severe and prolonged harsh conditions as reported, i.e., in some archaeological findings (see also Sects. 3.4 and 3.3.11).
In EB produced through the traditional melt-flux synthesis (see Sect. 3.3.4), the impurities are often concentrated in a glassy matrix surrounding practically pure cuprorivaite crystals (Delamare 1997). However, the occurrence of minor amounts of other crystalline phases is common, i.e., oxides or silicates (Tite et al. 1984;Bouherour et al. 2001;Nicola et al. 2019;Seymour et al. 2020). Overall the presence of excess silica (10-30%) above that necessary to produce cuprorivaite has been commonly reported in archaeological specimens as well as a slight excess of Ca or Cu, associated with the presence of CaSiO 3 (wollastonite) or black copper oxide CuO (tenorite), respectively (Jaksch et al. 1983;Tite et al. 1984;Pagès-Camagna et al. 1999;Hatton et al. 2008;Fontana et al. 2020). The composition of the glassy matrix consists mainly of Si from excess silica, Ca and Cu from unreacted reagents, and Na and K from the fluxing agent (see Sect. 4.2.3). Al, Mg, and Fe, and to a minor extent Mn, Cr, and Ti are common impurities Lazzarini and Verità 2015;Baraldi et al. 2017;Fontana et al. 2020). Along with some Na and K, they could likely derive from silicate impurities (e.g., feldspar) present in the silica source , or from the terracotta crucibles traditionally used for the production process (Mazzocchin et al. 2004;Warner 2011;Grifa et al. 2016;Nicola et al. 2019). Cl, S, and P impurities can derive from specific contaminants in the reactants (e.g., chlorides, sulfates, phosphates, etc.) and are generally considered to be mainly associated with fluxes (Jaksch et al. 1983;Giménez et al. 2017;Dariz and Schmid 2022) but their presence can be as well due to other features, e.g., S from Cu 2 S ores used as a source of copper (Dariz and Schmid 2021). The presence of As, Sn, Pb (El Goresy et al. 1998), andZn (Ingo et al. 2013;Nicola et al. 2019) in the glass matrix or as oxides and silicates have been correlated with the copper source (i.e., copper alloys). The presence of Pb and Zn has been thought to be possibly also intentional and has been correlated with their function as fluxes Rodler and Kostomitsopoulou Marketou 2022). Traces of Co, Pt, Ni, Mg, Sr, Ba, Sb, Ag, Rb, Y, Zr, Nb, Sc, V, La, Ce, and C have also been considered in archaeological specimens (Jaksch et al. 1983;Tite et al. 1984;Riederer 1997;Ingo et al. 2013;Clegg 2014;Grifa et al. 2016;Zaina et al. 2019;Oudbashi and Hessari 2020). For example, the sporadic presence of a minor amount of Co has been investigated by Tite et al. to assess a possible intentional adding to improve the color of EB (Tite et al. 1984), while the content of Pt has been taken into account by Zaina et al. to obtain information on the provenance of EB, since Pt presence might suggest that EB was produced and imported from Eastern Desert of Egypt or Nubia (Zaina et al. 2019). Indeed, in archaeological science, the characterization of impurities in EB is extensively used as a method to try to trace its provenance and production technique Fontana et al. 2020;Martín et al. 2020;Seymour et al. 2020;Coccato et al. 2021;Schmid 2021, 2022). For this purpose also isotopic techniques have been used on lead impurities and also on copper (Rodler et al. 2017(Rodler et al. , 2021.

Composition of Chinese blue and Chinese purple
EB has been by far more studied in comparison to its Chinese counterpart CB and the related CP. It could be roughly argued that archaeological CB and CP are quite similar to EB except for the fact that, instead of CaCuSi 4 O 10 (cuprorivaite), their main constituents are, respectively, BaCuSi 4 O 10 (effenbergerite) and BaCuSi 2 O 6 (colinowensite). However, the system BaO-CuO-SiO 2 is much more complex than the CaO-CuO-SiO 2 one , and thus some other differences are present between the average composition of EB and that of CB and CP. The main difference is that at least four different stoichiometric barium-copper silicates can form during the production of CB and CP. Besides BaCuSi 4 O 10 and BaCuSi 2 O 6 , they are BaCu 2 Si 2 O 7 and Ba 2 CuSi 2 O 7 .
• BaCu 2 Si 2 O 7 has been named Chinese dark blue (Berke et al. 2009). It is a dull blue compound corresponding to the mineral scottyite. It has been first identified in nature only recently, analogously to effenbergerite, colinowensite, and wesselsite in the Wessels mine, Kalahari Manganese Field, South Africa (Yang et al. 2013). It has been synthesized with modern hydrothermal synthesis to be used as a pigment (Chen et al. 2014b;Rendón-Angeles et al. 2021) and has been extensively studied as an intriguing example of a spin S = 1/2 quasi-one-dimensional antiferromagnet (Tsukada et al. 1999;Glazkov et al. 2005Glazkov et al. , 2011). • Ba 2 CuSi 2 O 7 has been seldomly referred to as Chinese light blue (Ma et al. 2016). It is a whitish compound that has not yet been found as a natural mineral. It exists generally in two slightly different forms, i.e., α-and β-Ba 2 CuSi 2 O 7 differing in the solid state structure just in the rotational orientation of the disilicate anions (Du et al. 2003;Berke et al. 2009). Only β-Ba 2 CuSi 2 O 7 can be produced via solid-state synthesis, while α-Ba 2 CuSi 2 O 7 can be produced only via hydrothermal synthesis (Du et al. 2003). β-Ba 2 CuSi 2 O 7 is produced at around 600 °C and seems to show a higher thermal sensitivity in comparison to the other three barium-copper silicates.
BaCu 2 Si 2 O 7 and Ba 2 CuSi 2 O 7 similar to cuprorivaite (EB) and related two-dimensional silicates have a layered structure but unlike them they are sorosilicates, i.e., less condensed silicates characterized by the presence of isolated double tetrahedral groups Si 2 O 7 6− (Berke et al. 2009) (see also the following 3.2). For this reason, BaCu 2 Si 2 O 7 and Ba 2 CuSi 2 O 7 will not be a focus of this work, and will not be further detailed. However, it has to be noted that BaCu 2 Si 2 O 7 has been occasionally found along with CB and CP in archaeological specimens (Berke et al. 2009;Xia et al. 2014;Ma et al. 2016;Zhang et al. 2019), while Ba 2 CuSi 2 O 7 has not yet been identified in any archaeological findings (Lin 2018) and it is unlikely that has ever been historically used as a pigment due to its poor color features and the difficulties in its preparation (Berke et al. 2009).
Other important features that differentiate CB and CP from EB are the following: Chen et al. 2014a). They can form also from impurities, e.g., BaSnSi 3 O 9 (Zhang et al. 2019) • Pb has been historically largely preferred as fluxing agent for CP and CB (Bouherour et al. 2001;Li et al. 2015a;Zhang et al. 2019) • BaSO 4 is sometimes present and has been associated with the source of Ba (Li et al. 2015b) • red Cu 2 O can be present (especially in CP) and has been considered responsible for a possible shift in the color of the pigments toward purple or red (Berke 2007) (see also Sect. 3.3.8).

Other 2D silicates related to Egyptian blue
The other EB-related 2D silicates of the gillespite group (i.e., wesselsite, gillespite, MCrSi 4 O 10 (M=Ca, Sr, or Ba), and BaMgSi 4 O 10 ) have only recently been artificially produced and have been obtained in fairly pure form, with minor impurities only due to the specific synthetic route employed. For further details, it is suggested to consult the specific sources in the literature (Belsky et al. 1984;Miletich et al. 1997;Inoue et al. 2009;Bloise 2018;Zhong et al. 2020).
The layered structure of cuprorivaite, effenbergerite, and wesselsite is sketched in Figs. 2, 3, and 4. It is built up of analogous nanosheets each constituted by a virtually endless layout of four and eight-membered rings of corner-shared SiO 4 tetrahedra (Berke 2007). Each SiO 4 tetrahedron is connected to two neighboring tetrahedra in the same square ring through two identical bridging oxygens O2 and to a third tetrahedron belonging to a different square ring through a different bridging oxygen O1 (Knight and Henderson 2007;Warner 2011). The fourth oxygen is a non-bridging oxygen anion O3 (Knight and Henderson 2007). Within each square ring, the four apical anions O3 all point in the same direction. Each square ring of tetrahedra is connected through the four O1 to four other identical square rings whose apical oxygen anions O3 all point in the opposite direction (Warner 2011).
The nanosheet of tetrahedra is puckered by Cu 2+ ions that form CuO 4 groups by linking four oxygen anions O3 pointing in the same direction and belonging to four different (and thus non-directly adjacent) square-rings (Berke et al. 2009;Warner 2011). The Cu-O bonds are all equal in length (i.e., about 1.91 Å) and Cu 2+ in the CuO 4 groups are in an almost perfect D 4h square planar geometry of coordination due both to lattice constraints and the Jahn-Teller effect (Mirti et al. 1995;Hughes et al. 1997;Kendrick et al. 2007;Berke et al. 2009;Knight et al. 2010;Sgamellotti and Anselmi 2022). Indeed, the stability of Cu 2+ in square planar coordination is favored by the Jahn-Teller effect, since for some specific electronic configurations (and especially the d 9 in Cu 2+ ), the square planar symmetry often turns to be the preferred  The shaded tetrahedra represent SiO 4 units, the large circles, alkaline-earth ions, and the small circles, Cu atoms. Reproduced with permission from Chakoumakos et al. (1993) one in comparison with the elongated tetragonal (T d ) coordination (Huheey 1978). The square-planar coordination descends as an extreme case of the progressive distancing of negatively charged ligands orthogonal to the square plane and their ultimate removal, as is the case of the oxygen coordinating Cu 2+ ion in MCuSi 4 O 10 (M=Ca, Sr, Ba) (Warner 2011). Indeed, in this case, there are no anions of any sort on the normal of the CuO 4 square groups, and this might be considered an ideal case (Pabst 1959).
Due to the puckering produced by Cu 2+ , each [CuSi 4 O 10 ] 2− nanosheet results in a virtually infinite double layer of square rings of SiO 4 tetrahedra. The two layers forming each nanosheet are internally strongly connected via the bridging oxygens O1. It has to be noted that the square rings of SiO 4 tetrahedra and the CuO 4 groups display specific rotations and tilting within the double layer (Chakoumakos et al. 1993;Knight et al. 2010). The nanosheets [CuSi 4 O 10 ] 2− are joined together by alkaline earth M 2+ (M = Ca, Sr, or Ba) in a distorted cubic geometry (Knight and Henderson 2007). The M 2+ ions are in eightfold coordination with four coordination sites in each neighboring nanosheet. Two of them are oxygen anions O3 also coordinated to Cu 2+ in different CuO 4 groups, while the other two are O2 bridging SiO 4 tetrahedra belonging to distinct square rings (Giester and Rieck 1994;Knight and Henderson 2007;Warner 2011).
The distance between two neighboring nanosheets depends largely on the dimension of the M 2+ ions. It increases in the series Ca 2+ , Sr 2+ , and Ba 2+ reaching a maximum of about 4.5 Å for Ba 2+ (Burzo 2009). The shortest Cu 2+ -Cu 2+ distance is between adjacent layers and is about 5.73 Å for cuprorivaite and 6.08 Å for effenbergerite. Within a layer, each Cu 2+ ion has, instead, 8 neighbors at 7.25-7.30 Å (Binet et al. 2021). Despite their high concentration, Cu 2+ ions are weakly antiferromagnetically coupled and can be roughly considered independent Cu 2+ ions (Warner 2011;Binet et al. 2021). The weak coupling occurs within a single [CuSi 4 O 10 ] 2− nanosheet, since the anion sublattice transmitting the super-exchange interactions is disrupted between the neighboring nanosheets (Binet et al. 2021). The type of M 2+ (i.e., Ca 2+ , Sr 2+ , or Ba 2+ ) produces only minor variations in the double layer arrangement of SiO 4 tetrahedra within the [CuSi 4 O 10 ] 2− nanosheets (Miletich et al. 1997;Kendrick et al. 2007). However, Knight et al. point out that a slight increase in the magnitude of rotation and tilting of tetrahedra and in the rotation of CuO 4 groups occurs to accommodate the larger and more electropositive Ba 2+ within the crystal structure (Knight et al. 2010).
The parameters of mixed alkaline-earth systems have been studied by Kendrick et al. in M 1 1−x M 2 x CuSi 4 O 10 , where M 1 , M 2 =Ca, Sr and Ba. They report that it is possible to successfully form a solid solution across the whole series of x when M 1 and M 2 are both Ca 2+ and Sr 2+ or else Sr 2+ and Ba 2+ but it is not possible to produce a solid solution when Ca 2+ and Ba 2+ are chosen together as M 1 and M 2 . They explain this feature by assuming that the excessive difference in ionic radii between Ca 2+ and Ba 2+ prevents the occurrence of a solid solution and, instead, leads to the formation of the two distinct endmembers, i.e., cuprorivaite and effenbergerite (Kendrick et al. 2007). Knight and colleagues accurately studied the system Sr 1-x Ba x CuSi 4 O 10 (Knight et al. 2010) accounting also for the minor structural variations occurring at cryogenic temperatures (Knight and Henderson 2007). Masunaga et al. point out that at least for effenbergerite, two minor phase transitions occur at low temperatures (i.e., 87 K and 103 K) slightly differing the lengths of the a and b lattice parameters, thus breaking the tetragonal symmetry (Masunaga et al. 2015).

Structure of gillespite and its other group members
The structure of gillespite (i.e., BaFeSi 4 O 10 ) was first described by Pabst in 1943(Pabst 1943 and was used by the same author as a model for the analogous structure of the three alkaline earth copper tetrasilicates described in the previous paragraph (Pabst 1959). The structure has been refined and studied several times and has been reviewed by Burzo (2009). Unlike the three alkaline earth copper tetrasilicates, gillespite undergo an intriguing reversible first-order phase transition induced by an increase in applied pressure. The transformation begins in the range of 1.2-2.6 GPa and has been first described by Strens (Strens 1966). It is associated with a shift in color from red to blue and it is due to a change in the iron coordination from square-planar to flattened tetrahedral (Knight and Henderson 2007). Single crystal, high-pressure X-ray diffraction measurements showed that the phase transformation is associated with a structural phase transition from the tetragonal space group P4/ncc to the orthorhombic space group P2 1 2 1 2. The two distinct phases are called, respectively, Gillespite I (tetragonal) and Gillespite II (orthorhombic) (Hazen and Burnham 1974;Hazen and Finger 1983). Gillespite shows a rare pattern of isolated Fe 2+ in square-planar coordination with a high-spin S = 2 state (Schofield et al. 1998;Pascualini et al. 2015).
All the three alkaline earth chromium tetrasilicate MCrSi 4 O 10 (M=Ca, Sr, Ba) have been synthesized, although they have not yet been found in nature (Belsky et al. 1984;Miletich et al. 1997). They have a structure completely analogous to that of the minerals of the gillespite-group with only minor variation in the unit cell parameters. Analogously to what happens in alkaline earth copper silicates, the type of M 2+ (Ca 2+ , Sr 2+ , Ba 2+ ) affects mainly the c lattice parameter. The substitution of the Q 2+ in the MQSi 4 O 10 series (Q=Cu 2+ , Cr 2+ , Fe 2+ ) leads, instead, to only small changes in cell unit, equally influencing the a and b parameters, without any significant change in symmetry. Analogously to what happens for MCuSi 4 O 10 , also in MCrSi 4 O 10 the relatively high stability of the compound is favored by the Jahn-Teller effect (Belsky et al. 1984;Miletich et al. 1997). The Cr 2+ cation in MCrSi 4 O 10 occupies a square-planar coordinated site unique in oxide crystal chemistry (Miletich et al. 1997).
BaMgSi 4 O 10 seems to be another gillespite-group member that has not yet been found as a natural mineral. It has been first described by Toropov et al. to crystallize in the tetragonal space group P4/ncc and to be isostructural with gillespite (Toropov 1962). More recently, different authors synthesized and characterized it (Inoue et al. 2009;Yuan et al. 2012;Zhong et al. 2020). However, there is some debate about the exact structure of this compound relying on a different route of synthesis and some diffractograms discrepancies (Inoue et al. 2009;Zhong et al. 2020). Zhong et al. point out that more work is needed to reveal the exact crystal structure of this compound that if confirmed should contain a peculiar and intriguing Mg 2+ in roughly squareplanar coordination (Zhong et al. 2020).

Structure of BaCuSi 2 O 6, i.e., colinowensite
The main constituent of CP, i.e., BaCuSi 2 O 6 (colinowensite) also crystallizes in the tetragonal system but unlike the other 2D alkaline-earth copper silicate described so far, is not a member of the gillespite-group and is not a phyllosilicate. Indeed, it is a cyclosilicate (Rieck et al. 2015). Its crystal structure has been at first assigned to space group I 44 m2 (Z = 4) (Finger et al. 1989; Janczak and Kubiak 1992b) but Sparta and Roth in 2004 proposed an improved model placing it in the space group I4 1 /acd with Z = 16 (a = 10.009(2), c = 22.467(6) Å) (Sparta and Roth 2004). Their model has been confirmed by further studies (Chen et al. 2014b;Stern et al. 2014;Rieck et al. 2015). Sparta and Roth also described a first-order phase transition at high temperature (610 K) when superstructure reflections disappear and the structure model shifts to space group I4/mmm with Z = 4. Another first-order phase transition occurs at low temperature (∼ 107 K) and is associated with an incommensurately modulated orthorhombic structure with space group Ibam (Samulon et al. 2006;Sheptyakov et al. 2012;Chen et al. 2014b). Low-Temperature High-Resolution Solid-State (cryoMAS) NMR has been used to investigate this structure that results composed of two different kinds of CuO 4 -CuO 4 dimers ) (see below within this paragraph).
The low-temperature phase transition can be avoided down to about 1.5 K stabilizing the structure of BaCuSi 2 O 6 with a partial replacement of Ba with Sr in Sr x Ba 1−x CuSi 2 O 6 (x < 0.3) van Well et al. 2016;Song et al. 2019). It may be worth noting that the existence of other compounds isostructural with CP, e.g., pure SrCuSi 2 O 6 has so far not been reported Song et al. 2019). The non-existence of CaCuSi 2 O 6 has been related to its instability (Berke and Wiedemann 2000;Bouherour et al. 2001). Compounds such as CaMgSi 2 O 6 (diopside), CaFeSi 2 O 6 (hedenbergite), CaCoSi 2 O 6 (copside) and CaNiSi 2 O 6 (niopside) exist but display pyroxene structure (Masse et al. 1999;Szubka et al. 2022). They, thus, are not 2D materials and, therefore, will not be a focus of this work.
Interestingly, there appears to be no known mineral or compound that exhibits a similar structure to that of colinowensite. However, colinowensite shares some structural similarities with alkaline-earth copper tetrasilicates and especially with effenbergerite. Indeed, also BaCuSi 2 O 6 has a layered structure built up by nanosheets intercalated by Ba 2+ ions, and its nanosheets are composed of square rings of silica tetrahedra linked together by Cu 2+ forming CuO 4

Fig. 5
Crystal structure of BaCuSi 2 O 6 . Different projections of a single bilayer of Cu atoms, which is equivalent to one layer of spin dimers. Si atoms are in the yellow tetrahedra and coupled to both upper and bottom sites of a dimer (colour figure online). Reproduced with permission from Stern et al. (2014) groups in almost perfect square planar coordination (Rieck et al. 2015) and with almost identical Cu-O bond length, i.e., about 1.92 Å (Pozza et al. 2000). The main difference between the structure of BaCuSi 2 O 6 and that of the other 2D alkaline earth copper silicates is that in BaCuSi 2 O 6 the square rings of tetrahedra are isolated and they are connected only by the CuO 4 groups. Berke et al. point out that the difference between BaCuSi 2 O 6 and the structures of compounds in the gillespite-group can be viewed as the condensation of the square rings of tetrahedra in the latter one, as sketched also in Fig. 2 (Berke et al. 2009). In BaCuSi 2 O 6 , the lack of this condensation precludes the formation of a virtually infinite network of silica tetrahedra. Indeed, the isolated square rings [Si 4 O 12 ] 8− need Cu 2+ ions to constitute a virtually infinite nanosheet [Cu 2 Si 4 O 12 ] 4− . CuO 4 groups link together four non-bridging oxygen anions from four different square rings of silica tetrahedra. As represented in Fig. 5, CuO 4 groups face directly two by two, forming, therefore, a nanosheet composed of single square rings of silica tetrahedra connected in each corner by two parallel CuO 4 groups. The nanosheets are then joined together by Ba 2+ in tenfold coordination.
Within the layer, at room temperature the distance between two opposite Cu 2+ is quite small, i.e., 2.73-2.75 Å (Chen et al. 2014b;Stern et al. 2014;Rieck et al. 2015), which is close to the Cu-Cu distance in nanometer scale metallic clusters, i.e., 2.55-2.70 Å (Bazin and Rehr 2003). Actually, the Cu 2+ ions (S = 1/2) form a square lattice of CuO 4 -CuO 4 dimers parallel to the c axis with antiferromagnetic coupling. Each dimer is roughly isolated from the others being the interdimer distance ∼ 7 Å in the same layers and ∼ 5.75 Å between dimers in adjacent layers (Sheptyakov et al. 2012;Stern et al. 2014). This unique feature has made BaCuSi 2 O 6 a choice material to study Bose-Einstein condensation (BEC) of magnons in high magnetic fields and to study quasi-two dimensional isolated spin dimer systems (Jaime et al. 2004;Sebastian et al. 2006aSebastian et al. , 2006bHarrison et al. 2006;Batista et al. 2007;Krämer et al. 2007;Rösch and Vojta 2007;Chen et al. 2014a;Mazurenko et al. 2014;van Well et al. 2016;Allenspach et al. 2020Allenspach et al. , 2021. BaCuSi 2 O 6 has also been used as a model to study the behavior of isolated square rings of silica tetrahedra Bell 1997, 1998).

Color of cuprorivaite and related 2D-silicates
The three alkaline earth copper silicates owe their vivid blue color to their chromophores, i.e., Cu 2+ ions in square-planar coordination, and the effect of the internal electric field created by the entire crystal on them (García-Fernández et al. 2015. . The geometry around Cu 2+ ions induces the descent of symmetry from O h to D 4h , thus resolving the degeneracy within the E g and T 2g orbitals that resulted from the splitting of the octahedral crystal field. In this way, four energy levels are formed (see also Fig. 6). A further minor splitting is due to spin-orbit interactions (Li et al. 2014).
Three fundamental broad absorption bands associated with d-d transition thus exist, two of them in the visible and one in the NIR. The overall blue color of the three alkaline earth copper silicate is basically a consequence of the two absorption broad bands in the visible which are centered in the red and the green regions, while no absorption takes place in the blue region (see Fig. 7).
In cuprorivaite, according to Li et al., the absorption bands are, respectively, in green at 536 nm ( 2 B 1g -> 2 A 1g ), in red at 630 nm ( 2 B 1g -> 2 E g ), and in NIR at 764 nm ( 2 B 1g -> 2 B 2g ) (Li et al. 2014). Slight differences are reported by other authors, especially for the NIR band that is often reported at a little longer wavelength, i.e., around 780 nm Accorsi et al. 2009;Warner 2011;Borisov et al. 2013;García-Fernández et al. 2015;King et al. 2016;Binet et al. 2021).  Li et al. (2014) Only minor differences are reported to occur among the three MCuSi 4 O 10 species (Kendrick et al. 2007). However, Borisov et al. point out that on going from CaCuSi 4 O 10 to BaCuSi 4 O 10 a shift is noticeable (∼36 nm) in the NIR absorption band associated with 2 B 1g -> 2 B 2g , although in the visible region just a limited bathochromic shift (∼10 nm) of the 2 B 1g -> 2 A 1g band is observed (Borisov et al. 2013). Kendrik et al. report some slight shift in color properties in the M 1 1−x M 2 x CuSi 4 O 10 series, where M 1 , M 2 =Ca and Sr or else Sr and Ba. Overall, they point out that only a very limited whitening takes place with the replacement of Ca 2+ by Sr 2+, while a more appreciable effect is associated with the replacement of Sr 2+ by Ba 2+ (Kendrick et al. 2007).
May be worth noting that the three MCuSi 4 O 10 as well as the other MQSi 4 O 10 (M=Ca, Sr or Ba and Q=Cu, Fe, Cr and possibly Mg) and also BaCuSi 2 O 6 all show dichroism, i.e., they show two distinct colors when they are observed in different orientation under polarized light (Belsky et al. 1984;Miletich et al. 1997;Schofield et al. 1998;Wiedemann and Berke 2001;Eastaugh et al. 2004;Warner 2011;Johnson-Mcdaniel et al. 2012;Skovmøller et al. 2016). In cuprorivaite, e.g., the ordinary ray, ω is deep blue, and the extraordinary ray, ε is pale pink (Fouqué 1889;Warner 2011).
The overall color of the other members in the gillespite group MQSi 4 O 10 is also due to the Q 2+ atom in roughly square-planar coordination that acts as a chromophore and to lattice constraints. MCrSi 4 O 10 has tones in the range of pink, magenta, and salmon-red (Belsky et al. 1984;Miletich et al. 1997). It has three broadband absorptions that show some resemblance with those of MCuSi 4 O 10 but seem blueshifted. In CaCrSi 4 O 10 the most intense absorption reaches a maximum at 511 nm for light polarized in (001). For light polarized parallel to the c-axis, an absorption maximum occurs at 453 nm. A broad, weak absorption also occurs centered at 670 nm in (001) (Belsky et al. 1984).
Gillespite is normally red but, unlike the other members of the group, it changes its color at high pressure, turning blue as a consequence of its phase transition (see Sect. 3.2.2). BaMgSi 4 O 10 is white (Zhong et al. 2020) due to the absence of any possible d-d transition.
Like other alkaline-earth copper silicates, BaCuSi 2 O 6 also owes its color to Cu 2+ in square-planar coordination but García-Fernández et al. point out that a significative difference exists in comparison to MCuSi 4 O 10 in the contribution from the internal electric field created by the crystal (García-Fernández et al. 2016). Berke et al. report that BaCuSi 2 O 6 in its pure state (degree of purity 99.5%), obtained through melt-flux synthesis, seems to be not purple, but dark blue. A purple shade in BaCuSi 2 O 6 has been suggested to be the result of the formation of impurities of red Cu 2 O (cuprite), as a consequence of the high temperature reached in the production process (Berke 2007). However, Chen et al. point out that BaCuSi 2 O 6 produced through hydrothermal synthesis is markedly purple even when no Cu 2 O phase is detected through XRD analysis (Chen et al. 2014b). The exact color of BaCuSi 2 O 6 specimens seems, indeed, to be related to the dimension of the crystals . In fact, also BaCuSi 2 O 6 found as natural colinowensite appears dark blue when in large crystals, while it seems distinctively purple when crystals are smaller than 40 µm (Rieck et al. 2015).

Egyptian blue, Chinese blue, and Chinese purple
EB, CB, and CP pigments are not single phases of their main constituents and it has to be said that they owe a color that can take on different tones due to many factors.
EB commonly ranges in color from ashy or pale blue to intense deep blue. Sometimes, it can also get blackish or greenish shades. When pure and in the same particle sizes, the color of CB is in general very similar to that of EB (Berke 2007). However, CB can often get a purplish shade, and less commonly than EB, it gets blackish or greenish. The tone of CP is generally purple but can also have shades of Fig. 8 Image of modern EB and related pigments marketed by Kremer Pigmente. From the left: 10,064 Egyptian green, 100,601 Egyptian blue (particles < to 10 μm), 10,060 Egyptian blue (particles < 120 μm), 10,072 Han blue (i.e., CB) and 10,075 Han purple (i.e., CP) (colour figure online). Adapted from Nicola (2019) blue, pink, and red, and can get blackish. Some commercial EB, CB, and CP are shown in Fig. 8 also in comparison with Egyptian green, a vitreous material related to EB and better detailed in Sect. 4.1.1 The main features that can influence the color of EB, CB, and CP are listed in the following paragraphs.

Effect of particle size
Coarse EB, CB, and CP are generally deep blue if constituted of clusters of large crystals (Augusti 1967;Tite et al. 1987;Berke and Wiedemann 2000;Canti and Heathcote 2002). If ground to less than 15 μm EB gets quite pale but can stay deep blue if kept greater than 30 μm (Pagès- Camagna et al. 2010). The effect is evident in Fig. 8. The pale aspect of thin particles of EB and CB is generally due to the increase in the scattering of light (Kakoulli 2002). This seems true especially if the EB particles are the result of the grinding of pigments with high amounts of glass matrix. The pigments produced with a limited amount of glass matrix or via sol-gel, seem less affected by the whitening due to grinding (Chopin and Macaudiere 1994). However, pigments with a low amount of glass matrix are in general constituted of fine-textured agglomerate of particles, therefore, of relatively light tones, but, especially the sol-gels ones, can be produced in very thin particles of few μm or less without losing their quite brilliant blue tone (Chopin and Macaudiere 1994). The possibility of producing EBs made up of particles of different sizes has historically been widely exploited to obtain a series of pigments with different tones of blue as suggested by Theophrastus (Eichholz 1965;Katsaros et al. 2010;Kostomitsopoulou Marketou et al. 2020). CP is different from EB and CB in the fact that the crushing of large blue crystals of CP does not produce a simple whitening but turns it to a purplish color as does its streak (Rieck et al. 2015). May be worth noting that the exfoliation in nanosheets of cuprorivaite (i.e., EB), effenbergerite (i.e., CB), and wesselsite generally induces an ashy tone (Johnson-McDaniel and Salguero 2014) that has been related to their dichroic properties and the reversible weakening of the 536 nm ( 2 B 1g -> 2 A 1g ) absorption in the green (Johnson-Mcdaniel et al. 2012).

Effect of the amount of flux and the route of synthesis
The traditional way to produce EB, CB, and CP consists of a high-temperature synthesis involving a flux that promotes the melting of silica in a liquid phase of silicates and the formation of crystals within it through nucleation and growth (see also Sect. 4.2). For this reason, it is often referred to as melt-flux synthesis or salt-flux synthesis (Warner 2011;Johnson-McDaniel and Salguero 2014). If the amount of Images acquired through optical microscopy of powders of different EB pigment modernly synthetized. The powders have been embedded in polyester resin and lapped. KR is from Kremer Pigmente; ZA4 is obtained through high-temperature melt-flux synthesis using zinc as a secondary flux; ZM4 is analogous to ZA4 containing excess of Ca, Zn and silica; ZE4 is obtained with conventional solidstate synthesis (i.e., without any flux), and ZR4 is analogous to ZE4 but contain unreacted reagents due to different raw materials used. Reproduced with permission from Nicola et al. (2019) 1 3 flux is enough (e.g., above 2% w/w in the final product), then the crystals of cuprorivaite, effenbergerite, or colinowensite will end up being embedded into quite an extensive silicate glass matrix (Tite et al. 1987;Delamare 1997;Wiedemann and Berke 2001). An example of EB obtained via melt-flux synthesis is shown in Fig. 9A. The glass matrix contains copper and has its own color that in general ranges between blue and green, and takes part in the overall color of the pigments (Onoratini et al. 1987;Etcheverry et al. 2001;). Melt-flux synthesis generally produces the quick growth of large crystals of MCuSi 4 O 10 (Delamare 1997;Johnson-McDaniel and Salguero 2014) and, therefore, gives the pigments an overall intense and deep color (Ullrich 1979;Wiedemann and Bayer 1982). This feature is evident in Fig. 10, where ZA4 is a sample of EB produced via high-temperature melt-flux synthesis with zinc as secondary flux and KR is a sample of commercial EB, arguably obtained by conventional melt-flux synthesis using sodium or potassium compounds as fluxing agents. However, if the amount of glass formed is very large and there is little copper within it, or if some colorless glass has been deliberately added in certain steps of the production, then the EB obtained will be diluted and the color will be pale blue even for solid masses of EB obtained via melt-flux synthesis (Jaksch et al. 1983;Lee and Quirke 2000).
If the flux present in the high-temperature synthesis is close to zero then the glass phase will be limited or almost absent (Pradell et al. 2006). In this case, the temperature required for an efficient synthesis will be higher, e.g., 975 °C instead of 875 °C (Johnson-McDaniel and Salguero 2014), the synthesis will be possibly governed mainly by diffusion laws (Delamare 1997), and will be in general defined as solid-state synthesis (Johnson-McDaniel and Salguero 2014). However, Pradell et al. point out that EB crystals are formed through nucleation and growth within a liquid phase, even for flux content as low as 0.3 wt%, i.e., arguably in any ancient EB (Pradell et al. 2006).
As shown in Fig. 9B, the crystals of cuprorivaite formed by solid-state synthesis (i.e., without the adding of any flux) are not embedded in a glass matrix and are smaller, producing an overall lighter color of the pigment (Delamare 1997;Nicola et al. 2019). In fact, they consist of fine-textured crystals in small clusters uniformly interspersed on the surface of unreacted quartz grains (Tite et al. 1987;Nicola et al. 2019). ZE4 in Fig. 10 is an example of EB produced without any flux, i.e., via solid-state synthesis. It is evident its lighter color if compared with pigments produced via melt-flux synthesis (e.g., ZA4 and KR).
When hydrothermal synthesis is used to produce crystals of cuprorivaite, effenbergerite, and wesselsite they have been reported to be bright blue (Chen et al. 2014a;Johnson-McDaniel et al. 2015;Zhang et al. 2018), while those of colinowensite looks purple (Chen et al. 2014b). Solution combustion synthesis has been reported to produce EB pigments with a color that depends on the preheating temperature and that ranges between midnight blue (700 °C), teal (750 °C), dark cyan (800 °C), and dark turquoise (850 °C) (Panagopoulou et al. 2016). Sol-gel syntheses of alkaline earth copper silicates can produce pigments in a wide range of colors in blue and violet tones. It is claimed that such pigments are very easily ground in mild conditions reaching a much thinner grain size, without altering the color of the products unacceptably. They would also have excellent coloring power and excellent hiding power (Chopin and Macaudiere 1994).

Effect of non-stoichiometric or unreacted reagents
The excess of copper or its incomplete reaction often leads to the formation of colored impurities (see, e.g., ZR4 in Fig. 10). In EB they are often present as black CuO (Johnson-McDaniel and Salguero 2014; Bloise et al. 2016). CuO is a common occurrence when EB is produced with stoichiometric ratios of reagents, since in this case part of the silica in the mix of reagents cannot take part in the reaction that is forming cuprorivaite. In fact, some SiO 2 reacts, e.g., with sodium from the flux to form the glass matrix or stays unreacted forming grains in the core of particles of cuprorivaite. The lack of silica leads to the formation of byproducts such as CuO and CaSiO 3 instead of CaCuSi 4 O 10 . Arguably, this side effect has been historically countered using the excess of 10-30% SiO 2 that has been reported in archaeological samples by almost any author (see Sect. 3.1.1). When CuO is present, it gives an overall gray-blackish unpleasant color to the pigment. CuO can be removed from EB by washing the product with a strong acid, e.g., HCl, in general with subsequent annealing of the pigment, which will turn to bright blue (Canti and Heathcote 2002;Moussa and Ali 2013;Johnson-McDaniel and Salguero 2014;Berdahl et al. 2018;Fontana et al. 2020).
In the case of CB, a lack of silica during manufacturing can lead to the formation of a wider range of byproducts, since the BaO-CuO-SiO 2 system is more complex than CaO-CuO-SiO 2 . Indeed, at least four stoichiometric ternary phases exist, i.e., BaCuSi 4 O 10 (effenbergerite, blue), BaCuSi 2 O 6 (colinowensite, purple), BaCu 2 Si 2 O 7 (scottyite, dark blue), and Ba 2 CuSi 2 O 7 (light blue) (see also Sect. 3.1.2). Although only one of them is generally largely predominant, a mix of the first two (or occasionally three) compounds generally occurs in CB and CP pigments obtained via melt-flux synthesis. The exact ratio influences the specific color of each CB or CP pigment produced (Berke and Wiedemann 2000;Wiedemann and Berke 2001). A limited excess of silica seems not to impact heavily the overall color of EB and CB. On the contrary, during CP manufacturing, it can promote the formation of impurities constituted by CB, giving it a bluish tone. A slight excess of alkaline earth can produce some whitening due to the formation of barium or calcium compounds such as CaSiO 3 (wollastonite) in EB. It may be worth noting that CaSiO 3 is also produced from EB in presence of a high amount of flux and temperatures overall higher than its thermal stability. In this case, it is generally associated with a greenish copperbearing glass phase, see also Sects. 3.4.2 and 4.1.1 Hatton et al. 2008;Grifa et al. 2016;Kostomitsopoulou Marketou et al. 2020).

Effect of the raw materials used
The synthesis of EB, CB, and CP can be accomplished with a wide variety of reagents. Many different sources of silica, copper, and alkaline earth can be exploited as well as other additives commonly used, i.e., fluxes. In general, pure metals or alloys, oxides, carbonates, nitrates, and (seldom) sulfates, sulfides, and chlorides are the preferred ones (Riederer 1997;Qin et al. 2016;Zhang et al. 2016;Lin 2018;Nicola et al. 2019;Dariz and Schmid 2021;Kiss et al. 2022). However, the exact type of each reagent can promote the formation of specific impurities in the final product or can influence the dynamic of the reaction impacting thus the overall final color of the pigments. The large white particle in the bottomright corner of Fig. 9B and ZR4 in Fig. 10 show, e.g., how the use of pure copper metal powder as a source of copper could be not recommended in solid-state synthesis. Indeed, even if the copper powder is effective in melt-flux synthesis, it became detrimental if flux is not present, originating a lot of unreacted particles that will impact the general color . The use of chlorides and sulfates (or sulfides) can instead produce the formation of separate melt systems called galle (Rehren 2008;Dariz and Schmid 2022). Some effects on the color due to different reagents have been described, e.g., for the melt-flux synthesis of EB (Tite et al. 1984;Bianchetti et al. 2000;Mazzocchin et al. 2004;Hatton et al. 2008;Bloise et al. 2016;Rodler and Kostomitsopoulou Marketou 2022) and for CB and CP (Berke and Wiedemann 2000;Wiedemann and Berke 2001;Corbiere 2009;Qin et al. 2016;Lin 2018). It has been reported that the chemical nature of the flux can influence the tone of the blue (Warner 2011). It may be worth noting that the final result not only depends on the chemical nature of each reagent but is also influenced by the size and shape of the grains, since, e.g., thin silica particles will result in a minor amount of unreacted reagents (Schippa and Torraca 1957;Ullrich 1979;Mazzocchin et al. 2004;Kakoulli 2009).

Effect of impurities
Some impurities in the reactants, e.g., NaCl (Giménez et al. 2017), Fe (Bianchetti et al. 2000), or a high amount of Zn and Ca  can promote the formation of greenish byproducts in EB (see, e.g., ZM4 in Fig. 10). Limited amounts of As, Sn, Pb, and Zn have instead not been reported to alter significantly the color of EB even if more work on this topic is needed (Kakoulli 2002). However, some of them (i.e., Pb and Zn) can act as fluxing agents and have effects similar to those described in Sect. 3.3.4 Effect of the amount of flux and the route of synthesis Rodler and Kostomitsopoulou Marketou 2022). Kostomitsopoulou Marketou et al. extensively describe the effects of some common impurities on a large group of archaeological pellets of EB (Kostomitsopoulou Marketou et al. 2020. The chromatic effects of impurities in CB and CP have also been studied even if they are more difficult to describe, since the BaO-CuO-SiO 2 system is more complex than CaO-CuO-SiO 2 . Some detailed discussions are however available in the literature (Wiedemann and Bayer 1997;Berke and Wiedemann 2000;Bouherour et al. 2001;Berke et al. 2009;Corbiere 2009; Lin 2018).

Effect of the temperature and length of production
If the temperature of the reaction in the traditional synthesis is too high, e.g., above 1050-1100 °C, cuprorivaite may start to decompose (Mazzocchin et al. 2004) turning EB into a greenish concoction containing wollastonite, high-temperature polymorphs of silica (i.e., tridymite and cristobalite), and a copper-bearing glassy phase (Grifa et al. 2016). Furthermore, if a large amount of flux is present, then the process takes place more markedly and an extensive green glassy matrix is formed. These conditions have historically been used to deliberately produce a green pigment known as Egyptian green or green frit Hatton et al. 2008;Grifa et al. 2016). A modernly produced commercial Egyptian green is shown in Fig. 8, for further details on it see also Sect. 4.1.1.
In the synthesis of CB, analogous decomposing effects take place at a similar or possibly higher temperature, i.e., above 1200 °C (Wiedemann and Bayer 1997). CP is instead more temperature sensitive than EB. Wiedemann and Berke report that CP already at 1000 °C can decompose according to the general route: 3BaCuSi 2 O 6 → BaCuSi 4 O 10 + 2BaSiO 3 + 2CuO turning thus partly in CB and getting blackish due to the formation of CuO. They also argued that if the temperature is above 1050 °C, CP can turn also reddish-purple as a consequence of the transformation of CuO (black) into Cu 2 O (red) and oxygen . CP melts with decomposition at around 1100 °C (Berke and Wiedemann 2000).
Also in hydrothermal syntheses the temperature of the reaction impact the color of the pigments produced (Johnson-McDaniel et al. 2015;Sun et al. 2021). In this case, the final color arguably depends also on other aspects, such as pH and concentrations of reactants (Chen et al. 2014a, b;Rendón-Angeles et al. 2021). The effects of temperature in solution combustion synthesis have been described in Sect. 3.3.4.
Overall, the duration of the high-temperature production processes and the cooling rate can induce some changes in the final color of the pigments produced in each type of synthesis. In melt-flux synthesis, longer duration and slow cooling can promote, e.g., the formation of larger crystals of more intense color (Schippa and Torraca 1957;Riederer 1997;Warner 2011), while a short time of reaction and a fast cooling can lead to smaller crystals and thus to a paler color of the pigments. A short time of production can lead also to large amounts of unreacted reagents. May be worth noting that the span in the length of synthesis reported in the literature can be very wide, ranging from a few minutes (Pradell et al. 2006;Kiss et al. 2022) to more than 300 h (Schippa and Torraca 1957;Riederer 1997;Warner 2011).

Refractive Index and mixing with binding media
The presence of binding media is another factor that can modify the aspect of the pigments. Indeed, the hiding power and the saturation of pigments depend on the difference between their refractive index (RI) and that of the binder (Cosentino 2015). EB has refractive indices of 1.636 w (ordinary ray, electric field perpendicular to the c-axis) and 1.591 e (extraordinary ray) (Berdahl et al. 2018;Sobik et al. 2021). CB has almost identical values (i.e., 1.633 w and 1.593 e), while CP has higher values of 1.72 and 1.74 (Eastaugh et al. 2004). The RI values of the pigments are quite different from the ones of many water-based binding media. For this reason, EB, CB, and CP pigments are in general light and opaque when used, e.g., with gum arabic, simply showing a slight effect of whitening due to dilution. Oils, waxes, and many polymeric resins have RIs closer to that of EB, CB, and CP. If they are used as binding media for the three pigments, they decrease the scattering effect of the powders and produce more intense and deep colors. However, they decrease also the hiding power of the pigments and increase transparency effects (Kakoulli 2002;Daniels et al. 2004). EB has been used to paint not only on walls or wood but also on terracotta. Osanna and Rescigno report that for this purpose lime is used as binding media (Osanna and Rescigno 2022) arguably leading to light blue tones.

Interaction with other pigments
EB, CB, and CP are generally considered to be compatible with any other pigment. The mixing with pigments (or any other extraneous material) can be used to modify their color. However, the careful exploitation of partial transparency allows the production of color effects even simply by superimposing thin layers of, e.g., EB on layers containing other pigments (Osanna and Rescigno 2022). Historically, EB has been used to produce green tones by mixing it with, e.g., orpiment or iron-oxide yellows (Scott 2016) or to improve the tone of green pigments by adding it, e.g., to green earth or Egyptian green (Mazzocchin et al. 2003;Perez-Rodriguez et al. 2015;Nicola et al. 2018b;Bracci et al. 2022). It was also used to obtain gray, brown, purple, ocher, and skin colors by adding, e.g., iron-oxides or cinnabar (i.e., vermilion) (Edreira et al. 2003;Aliatis et al. 2010;Fermo et al. 2013;Skovmøller et al. 2016;AIRPA 2021;Bracci et al. 2022;Osanna and Rescigno 2022).
In general, EB has been lightened by mixing it with white pigments (Osanna and Rescigno 2022), such as calcium carbonate, calcareous clay (Augusti 1967), or lead white (Aliatis et al. 2010). Sometimes, EB has been added only in very small amounts, likely to optically achieve a perceived higher intensity of the white sensation (Edreira et al. 2003;Hallmann et al. 2021). Early uses of EB to improve the whiteness of white pigments predate Roman times. G. Chiari reported, e.g., it in paintings within the tomb of Tutankhamun (personal communication, December 3, 2016).
CP and CB have also been mixed with other pigments, e.g., lapis lazuli blue in beads of the eighth century BCE (see Fig. 19). In polychromies of the Qin Shi Huang Terracotta Army, CP has been found mixed, e.g., with vermilion, azurite, and iron oxide (Herm et al. 1995;Bouherour et al. 2001;Berke 2007), while in a Western Han dynasty Terracotta Army, CP has been reported mixed with chalk (Wei et al. 2012).
The possibility to add organic dyes to improve or modify the color of EB, CB and CP should not be ruled out. In this regard, it may be worth noting that, in Book XXXIII of Naturalis Historia, Pliny the Elder reports a practice consisting in boiling EB with plant juice to improve its color (Bostock and Riley 1857). However, no organic dyes have been reported so far in any archaeological specimen of EB, CB, or CP, likely due to their labile nature (Augusti 1967).

Effects of deterioration processes
In some circumstances also very stable pigments such as EB, CB and CP have been reported to suffer some decay that can impact their color (see also Sect. 3.4.3). More specifically, a color alteration toward green has been reported in many EB of Egyptian origin (Schiegl et al. 1989(Schiegl et al. , 1992Abadir 2014;Giménez 2015a, b;Scott 2016;Moussa et al. 2021), while an example in EB of Roman times has been, e.g., reported in the coastal city of Formia, in a hypogeum environment with a very high relative humidity and high level of dissolved calcium carbonate and possibly calcium bicarbonate 1 3 and chlorides (Nicola et al. 2006). In general, such color alterations have been attributed to the copper chloride cancer mechanism (Schiegl et al. 1989(Schiegl et al. , 1992Abadir 2014;Giménez 2015a, b;Scott 2016;Moussa et al. 2021) and the consequent formation of green basic copper chlorides. However, there is some debate about basic copper chlorides found in EB of archaeological sources. The general consensus is that they generally are signs of degradation of sensitive pigments, such as azurite and malachite, and possibly even of more stable pigments, such as EB (Scott 2016;Blom-Böer and Warburton 2020;Hallmann et al. 2021). Nevertheless, it seems not possible to rule out that at least occasionally basic copper chlorides have been used as synthetically prepared green pigments (El Goresy et al. 1986;Hedegaard et al. 2019;Švarcová et al. 2021). It seems that it cannot be ruled out that chloride impurities in natron or other reactants used in the production of EB have a role in its decay. However, in some specific experimental syntheses, Giménez et al. report that adding NaCl among the reactants does not induce the formation of copper chlorides in products, but rather produces a mixture with features similar to Egyptian green (see also Sect. 4.1.1) (Giménez et al. 2017).
Another mechanism of decay that can turn EB, CB, and CP toward green (or brown) is the very common phenomenon of the yellowing of paints, binders, or coatings (Scott 2016).
The blackening of painting layers containing EB is a common occurrence in many archaeological findings and has been reported already in 1934 by Lucas (Lucas 1934, Lucas and Harris 1962. Daniels et al. concluded that it can be due to two main causes. The first seems prevalent and is the darkening of the organic materials used as pictorial binders and varnishes. In this regard, it may be worth noting that possibly the natural photooxidation of many organic compounds could be intensified by the presence of EB due to its catalytic effects (Coccato et al. 2017;Gao et al. 2022). The second hypothesis of Daniels et al. regarding the blackening of EB is that it can be due to the deposition of dirt followed by the formation of gypsum-rich black crusts over the rough surface of the coarse pigment (Daniels et al. 2004). The effect seems accentuated by the fact that EB has often been used coarser than the other pigments to preserve its deep blue tone (see Sect. 3.3.3). This produces thicker pictorial layers that require more binding media than those containing other pigments and that show a rough surface that can easily trap dust and deposits. The blackening of EB has been at first argued to be linked to the formation of black CuO, maybe also mixed with other degradation products (Lucas 1934;Scott 2016). Kendrick et al. point out a possible light sensitivity of cuprorivaite, wesselsite, and effenbergerite that could lead to the blackening of EB and CB due to the local formation of black CuO (Kendrick et al. 2007). However, Lee and Daniels et al. reported that no significant presence of CuO is detectable in EB from blackened areas, concluding that the blackening of EB in archaeological samples is not due to the presence of CuO (Green 2001;Daniels et al. 2004). For further details see also Sect. 3.4.5. It has to be noted that also other chromatic alterations can be commonly observed in many samples of EB of archaeological sources, e.g., toward brown, or dark green. They can be explained as a combination of some of the mechanisms already discussed (Scott 2016).
CB has been reported to be much more stable than CP (Wiedemann and Bayer 1997) and even more stable than EB . It is so stable that it can be argued that CP could get bluish and blackish over time due to the at least partial transformation into the more stable CB along with CuO (Wiedemann and Bayer 1997;Berke et al. 2009;Xia et al. 2014). CP fades rapidly and decomposes when exposed to diluted strong acids. Contact with aqueous oxalic acid can result in the formation of a turquoise-bluish residue. Since lichens excrete oxalates or even oxalic acid, this is a possible threat to the conservation of CP in archaeological sites (Wiedemann and Bayer 1997). It has been argued that for this reason, the light blue color of the trousers of some Terracotta Warriors may not be the original color, but rather an alteration of CP due to the presence of oxalic acid . Nevertheless, the conservation issues of CP and CB on archaeological finds are overall not particularly a matter of concern in comparison to those of the other ancient blue pigments such as azurite or lapis lazuli which can easily fade even in humid or slightly acidic environments (Plesters 1966;Berke et al. 2010). The ancient organic artistic materials used to apply EB, CB, and CP are generally far more sensitive to color alteration or conservation issues than the pigments themself. For example, the greenish tone observed in the so-called blue room in Ariadne's House in Pompei is due to the collapsing of the painting layer and not to EB alteration (Prieto-Taboada et al. 2021), while the darkening of many statues of the Terracotta Army of Emperor Qin Shi Huang has overall been due to the flaking of the ground layer of Qi lacquer behind the polychromies and not to the alteration of CP (Blänsdorf and Xia 2006;Bonaduce et al. 2008).

Overview
Alkaline earth copper tetrasilicates are very stable over time as suggested by the very high number of archeological findings of EB and CB produced thousands of years ago and in excellent conditions (Wiedemann and Bayer 1997;Li et al. 2014). CP is more sensitive than EB and CB (Berke et al. 2010). However, CP is still overall stable and is generally found sound in archaeological findings (Wei et al. 2012).

Thermal stability
EB is extremely stable over a wide range of temperatures (Li et al. 2014) starting to decompose around 1050-1100 °C (Mazzocchin et al. 2004). CB seems to be even more stable, decomposing around 1200 °C (Wiedemann and Bayer 1997). The 2D materials related to EB and CB are arguably all stable from cryogenic temperatures to 1000 °C or more. Among the copper-containing members, CP is the most sensitive to high temperatures starting to decompose at about 1000 °C . For further details on thermal stability see also Sect. 3.3.8. May be worth noting that the specific thermal stability of the pigments produced through traditional synthesis seems to be influenced by the presence in the glass matrix of elements such as Na + and K + originating from fluxes. A high amount of fluxes, could arguably decrease the thermal stability of the pigments produced, and in any case can prevent their formation (Mazzocchin et al. 2004). The different amounts of fluxes in the specimens analyzed by different authors could possibly account for the discrepancies in the range of thermal stability reported in the literature and emphasized, e.g., by Jaksch et al. (1983), Mazzocchin et al. (2004) and Warner (2011).

Stability in the acid environment
Cuprorivaite, effenbergerite, and wesselsite have been reported and confirmed to be very resistant to acid attacks, even against concentrated, hot, and strong acids, such as HCl (Pabst 1959;Riederer 1997;Wiedemann and Bayer 1997;Berke and Wiedemann 2000;Johnson-McDaniel and Salguero 2014;Berdahl et al. 2018;Fontana et al. 2020). On the contrary, BaCuSi 2 O 6 (i.e., colinowensite) and BaFeSi 4 O 10 (i.e., gillespite) have been reported to be readily leached and/or decomposed when in contact with acids (Pabst 1958(Pabst , 1959Wiedemann and Bayer 1997). It seems unknown whether MCrSi 4 O 10 (M=Ca, Sr or Ba) and BaMgSi 4 O 10 are resistant to acids but they are likely more sensitive than Cu members of the gillespite-group, since it has been argued that a key role in the acid resistance of MCuSi 4 O 10 (M=Ca, Sr or Ba) is played by the high stability of Cu 2+ in square planar coordination (Pabst 1959). However, the high stability of Cu 2+ in square planar coordination is not the only explanation for the acid resistance of MCuSi 4 O 10 . In fact, effenbergerite is much more stable than colinowensite even if both have Cu 2+ in square planar coordination. Another key role should thus be played by the high stability of the network of SiO 4 tetrahedra in the gillespite-group members.
Nevertheless, EB pigment in harsh environments and on very long-time exposure (i.e., in the order of a few thousand years) has been reported to suffer from acid or salt-induced forms of decay, such as copper chloride cancer (see also Sect. 3.3.11). In the case of EB and other ancient Egyptian vitreous materials containing copper (e.g., Egyptian green and Egyptian faience), this kind of degradation seems due to the devitrification of the glass phase that is rich in elements, such as Na + and K + (Kakoulli 2009;Moussa et al. 2009;Moussa and Ali 2013). Devitrification likely occurs in archaeological EB even as a simple consequence of washout (Pradell et al. 2006). It has also been observed in an archaeological octagonal stick made of CP (Doehne and Ma 2004) and arguably could happen also in CB. Even if cuprorivaite has antibacterial properties (Lamprecht et al. 1997;Tian et al. 2016) (see also Sect. 3.6), it has been suggested that a key role in the copper chloride cancer attack of EB could be played also by some fungal and bacterial species (Moussa et al. 2021). An attempt to artificially induce copper chloride cancer on EB has been reported with prolonged exposure to concentrated HCl (Abadir 2014). It seems unclear if copper chloride cancer can affect directly cuprorivaite, effenbergerite, and wesselsite but may be worth noting that the use of strong acids such as HCl has been exploited to produce their artificial exfoliation. However, in this case quite concentered HCl has been used in conjunction with an ultrasonic treatment that likely can greatly accelerate and amplify the process (Guo et al. 2015a, b, c). In this regard, it has been speculated that in the archaeological time scale, water-mediated delamination could take place even in archaeological samples of EB Orna and Fontani 2022). Indeed, some examples in the literature suggest the presence of nanoplatelets in various degrees of detachment in EB of archaeological sources (Canti and Heathcote 2002) and thus this possible pathway of decay should be taken into account by conservation scientists.

Stability in the alkaline environment
The stability of EB and CB in alkaline environments has been much less studied. However, it is possible to argue that they are very stable, since very well-preserved EB has been widely used in a highly alkaline environment (e.g., with slaked lime in fresco techniques or to paint on terracotta) both in the Early Middle Ages, in Roman times or even before (Riederer 1997;Coccato et al. 2017;Nicola et al. 2018a;Osanna and Rescigno 2022). At high temperatures, the presence of highly alkaline environment, e.g., due to soda or potash fluxes can decompose EB (Augusti 1967;Riederer 1997) and arguably CB, CP, and related 2D materials.

Effects of oxygen and light
Cuprorivaite, effenbergerite, wesselsite, and arguably also colinowensite are stable in oxidizing environments and are in general not affected by the presence of O 2 . Actually, O 2 seems even necessary for the successful synthesis of EB, since it prevents the formation of Cu + (Kiss et al. 2022). Kendrick et al. point out that containing Cu 2+ , it is unlikely that those species show air instability but point out a possible light instability. In this regard, they reported a discoloration in some of their samples caused by irradiation with a high-intensity laser during their attempted Raman experiments. They ascribed it to the formation of a small amount of CuO that they reported also in X-ray diffraction patterns acquired after exposing the samples to sunlight (Kendrick et al. 2007). This interesting hypothesis of Kendrick et al. would be consistent with the first accounts for EB blackening (Lucas 1934;Scott 2016) but deserves further confirmation, since it contradicts the general consensus as reported by Riederer that EB exposed for thousands of years to the sun and heat on monuments in Egypt has overall retained its blue color (Riederer 1997). No instability under laser irradiation seems to have been reported by other scholars that performed wide Raman studies (Baraldi et al. 2006) but it has been reported for high laser irradiation during upconversion experiments (Chen et al. 2015). Furthermore, it should be considered that explaining the blackening of archaeological EB with the formation of black CuO would also contradict the overall accepted conclusions of Lorna Lee (née Green) (Green 2001) and Daniels et al. (2004) who did not report significant amounts of CuO in samples of blackened EB. Godet et al. recently assessed the effects of synchrotron X-ray on EB and Egyptian green. Notably, Egyptian green was found to be more sensitive to X-rays than EB, turning brown at the lowest doses tested, while no color change occurred on EB at that X-ray intensity. Increasing the irradiation, three types of radiation-induced defects arise: E', non-bonding oxygen hole, and aluminum hole centers (Godet et al. 2022).

NIR photoluminescence
All three Cu 2+ members of the gillespite-group show a strong luminescence associated with the electronic transition 2 B 2g -> 2 B 1g with emission in the NIR I region at 900-1000 nm. The NIR luminescence of MCuSi 4 O 10 can be triggered by the absorption of visible light in the red (overall between 600 and 630 nm) and, to a lesser extent, in the green region (Li et al. 2014). It can be induced also by absorptions in the NIR-I region at about 780 nm (King et al. 2016) and in the UV (Binet et al. 2021). The three broadband absorptions in the VIS and NIR-I region are associated with parity-forbidden d-d transitions which are weakly allowed, despite approximate D 4h symmetry at the copper center, due to vibronic coupling (Kendrick et al. 2007). The d-d transitions are, respectively, 2 B 1g -> 2 A 1g (~ 540 nm), 2 B 1g -> 2 E g (~ 630 nm), and 2 B 1g -> 2 B 2g (~ 780 nm) (Pozza et al. 2000;Kendrick et al. 2007;Accorsi et al. 2009;Verri 2009;Li et al. 2014;King et al. 2016) and are schematized in Fig. 6 in Sect. 3.3.1. Binet et al. report that the emission is excited much more efficiently by a factor of about 60 in the UV with an excitation peak at 5 eV (i.e., about 250 nm), corresponding to the valence band-conduction band transition (Binet et al. 2021). NIR excitation is noteworthy due to its higher depth of penetration. According to Borisov et al., λ max of emission of the NIR photoluminescence (PL) for the three MCuSi 4 O 10 (M=Ca 2+ , Sr 2+ , and Ba 2+ ) are, respectively, at 909 nm, 914 nm, and 948 nm (Borisov et al. 2013), while according to Cheng et al., λ max are at 932 nm, 936 nm, and 964 nm (Chen et al. 2015). Other authors report slightly different values with a general consensus on a red-shift in the Ca 2+ to Ba 2+ series (Pozza et al. 2000;Accorsi et al. 2009;Verri 2009;Li et al. 2014;King et al. 2016). The red-shift of the emission peak has been attributed to the increase of ionic radius from Ca 2+ to Ba 2+ which causes an expansion of the lattice resulting in a weaker crystal field (Pozza et al. 2000;Chen et al. 2015). The photoluminescence is based on the Cu 2+ ion located on a fourfold axis, where, in square planar coordination, it links four SiO 4 tetrahedra (Pozza et al. 2000;Kriss et al. 2016;Chiari 2018). It seems correlated also with the fact that despite their high concentration in the host matrix, Cu 2+ ions are, indeed, weakly antiferromagnetically coupled and can be considered to show properties as they were independent Cu 2+  Barbar et al. 2017;Binet et al. 2021). Cu 2+ centers, being isolated, release the excitation energy mainly via radiative decay and not through nonradiative pathways. In this regard, Zhuang and Tanabe pointed out how in Yb 3+ doped crystals of cuprorivaite, i.e., Ca 1−x CuSi 4 O 10 :Yb x , there seems to be an energy transfer mechanism that reduces the PL of Cu 2+ centers. In fact, with the increase of the concentration of Yb, the PL intensity of Yb 3+ increases too, reducing though the PL intensity of the Cu 2+ due to the increased possibility of non-radiative charge transfer between the adjacent centers Cu 2+ and Yb 3+ (Zhuang and Tanabe 2012a, b).
BaCuSi 2 O 6 shows photoluminescence analogous to that of the three MCuSi 4 O 10 (M=Ca, Sr, or Ba) (Pozza et al. 2000). According to Selvaggio et al. and Chen et al. its λ max of emission is centered at 924-925 nm (Chen et al. 2014a;Selvaggio et al. 2021), while according to Pozza et al., it is at 980 nm (Pozza et al. 2000). It may be worth noting that BaCu 2 Si 2 O 7 (i.e., Chinese dark blue) does not seem to show any photo-induced luminesce in the visible and near-infrared spectral region (Chen et al. 2014b).
Photoluminescence of EB, CB, and CP has been discovered at the end of the 1990s (Ajò et al. 1996;Pozza et al. 2000). Since 2009, it is used to identify the presence and map the distribution of the three pigments through multispectral imaging, i.e., the Visible Induced Luminescence imaging method, shortened as VIL (Verri 2008(Verri , 2009Dyer et al. 2013). An exemplifying image of the NIR photoluminescence of EB obtained through VIL is reported in Fig. 11, while the comparison with CB, CP, and Egyptian green is displayed in Fig. 12. In the last decade, VIL has been widely used in Conservation Science and beyond, becoming an almost indispensable method in many archaeological sites and conservation institutions (Kriss et al. 2016). VIL method will be one of the foci of Part B of this review.

Lifetime of emission
Selvaggio and Kruss report that the lifetimes of emission of the NIR photoluminescence are generally in the range of 100-150 µs for EB, 60-100 µs for CB, and 6-30 µs for CP (Selvaggio and Kruss 2022). Other authors reported values slightly different but in the same order of magnitude (Borisov et al. 2013;Chen et al. 2014a;Berdahl et al. 2018). Fluorescence lifetimes are reduced by grinding (Berdahl et al. 2018;Linn et al. 2018), likely due to the introduction of defects by mechanical stress as typically observed also for other phosphors (Borisov et al. 2013;Berdahl et al. 2018). According to Selvaggio et al., the lifetimes of emission decrease significantly after exfoliation in nanosheets due to defects or changes in symmetry that either enable non-radiative decay pathways or increase the radiative rate constants. In particular, EB-nanosheets have been reported to show a fluorescence lifetime of 17 µs, CB-nanosheets of 8 µs, and CP-nanosheets of 7 µs (Selvaggio et al. 2021). The route of synthesis seems also to impact the lifetime of emission although a systematic study is needed to clearly understand how synthesis affects the emission lifetime (as well as quantum yield, see the following paragraph) (Linn et al. 2018). The luminescence decay of CP produced via hydrothermal synthesis has been reported to be 5.6 µs (Chen et al. 2014b). The study of luminescence lifetimes has been pioneered by Comelli et al. and Linn et al. to obtain useful data for archaeometric study (Comelli et al. 2016;Linn et al. 2018).

Quantum yield
In 2009 Accorsi et al. tested commercially available EB (i.e., Kremer Pigmente) for the quantum yield of the NIR photoluminescence, reporting an outstanding result of Φ EM = 10.5% (Accorsi et al. 2009). The value is very high when compared with Φ EM of other NIR fluorophores which is often < 2%. Furthermore, unlike EB, other NIR fluorophores often have low photostability and /or biocompatibility issues (Hong et al. 2017;Selvaggio et al. 2020;Selvaggio and Kruss 2022). The quantum yield of hydrothermally synthesized SrCuSi 4 O 10 and BaCuSi 4 O 10 has been reported to be, respectively, 8.5% and 6.9% (Chen et al. 2014a), while for BaCuSi 2 O 6, a value of 0.9% has been measured. This latter lower level has been ascribed to the influence of Cu-Cu interaction within the CuO 4 -CuO 4 dimers in CP (Chen et al. 2014b). Features that have been reported to influence the quantum yield (or at least the PL intensity) include the way of grinding (Sobik et al. 2021), the presence of CuO In both images the grey scale contains a non-luminescent 99% reflectance standard. Reproduced with permission from Verri (2009) 1 3 (Berdahl et al. 2018), and the route of synthesis (Berdahl et al. 2018;Nicola et al. 2019). Using a technique based on temperature measurements in full sunlight instead of the traditional de Mello method, Berdahl et al. measured an even much higher value of quantum yield for EB and wesselsite (Berdahl et al. 2018;Selvaggio and Kruss 2022). Being highly promising as a means to simplify the procedure of acquiring quantum yield data, this interesting and less laborious method seems to deserve further in-depth. The aim could be the confirmation of the results obtainable, crossing them with more traditional methods.

Thermoluminescence and cathodoluminescence
EB shows the rather rare feature of being a thermoluminescent material. It follows that it is directly datable with the thermoluminescence technique (Schvoerer et al. 1988). It seems, however, unclear if this feature is purely relative to cuprorivaite or if it is due to quartz grains present withing EB (see Sect. 3.1.1). So far, EB thermoluminescence has hardly been exploited.
The cathodoluminescence of EB has been seldom investigated (Schvoerer et al. 1988;Binet et al. 2021;Yuryev et al. 2023). According to Kadikova et al. EB shows a characteristic peak at 874 nm when investigated through cathodoluminescence microspectroscopy. The technique is a promising method to identify pigments in cultural heritage (Kadikova et al. 2019;Yuryev et al. 2023).

Photothermal effect and photon up-conversion
EB nanosheets and wesselsite nanosheets have been reported to exhibit an excellent photothermal effect by absorbing energy in the NIR-II window, a region of electromagnetic radiation that is generally not absorbed by biological tissue, i.e., characterized by low self-heating of the tissues, maximum permissible high exposure and depth of penetration (He et al. 2021;Yang et al. 2021a, b;Dong et al. 2022). The feature has been exploited in innovative medical devices (see also Sect. 3.6).
Furthermore, Chen et al. reported a bright and broadband photon up-conversion from NIR-I to visible in MCuSi 4 O 10 (M=Ca, Sr, Ba). The effect is obtained via off-resonance pumping with a NIR laser diode and is mainly ascribed to the synergic effect of the laser-driven blackbody radiation and the peak broadening due to electron-phonon coupling. They use NIR-I wavelengths of 808 nm, 976 nm, and 1064 nm to produce red to bright white broadband light with the increase of laser power (Chen et al. 2015). Gao et al. report that it is possible to enhance photocatalytic nitrogen fixation arguably thanks to the up-conversion capability of CaCuSi 4 O 10 , which they report to convert NIR into visible and UV light, thus improving the utilization efficiency of the full solar spectrum. CaCuSi 4 O 10 nanosheet that they used for this purpose are produced from EB obtained using as raw materials palygorskite, egg shells, and 5-15% of K 2 CO 3 as a flux (Gao et al. 2022). No other studies have been so far performed about the up-conversion features of EB and related 2D materials. Confirmation of the results and a further indepth understanding of the mechanism seem promising opportunities for future research and innovative applications.

General features
Many archaeological objects and papyri, e.g., the bust of Nefertiti, the Papyrus Berolina, and the Papyrus Ebers, have been observed to be less affected by biological decay in the parts painted with EB (Wiedemann et al. 1996;Lamprecht et al. 1997;Wiedemann and Berke 2001;Ramadan et al. 2019). The effects of EB, CB, and CP on the growth of lichens show that the three pigments, and especially EB, have a strong inhibitory effect on the growth of the algal component and to a minor extent of the fungal part (Lamprecht et al. 1997). CB has fungicidal properties similar to those of EB, while CP, being acid-sensitive, is purportedly less effective, since it can be decomposed by the oxalic acid produced by some microorganisms, e.g., lichens . A strong antibacterial effect of cuprorivaite has been reported by Tian et al. using the bacteriological plate count method to test it against the proliferation of Gram-negative Escherichia coli (Tian et al. 2016). The anti-microbial effect of EB, CB, and CP has been related to the Cu 2+ ions resulting from their slow solubilization. The effect is evident even if their solubility is very low, i.e., EB: 3 . 10 -7 mol . 1 -1 ; CB: < 4 . 10 -8 mol . 1 -1 ; CP: < 6 . 10 -8 mol . 1 -1 (Lamprecht et al. 1997). The mechanisms besides the use of Cu 2+ ions for the contrast of pathogenic microorganisms are well-known and have been treated by many authors (Thurman et al. 1989;Borkow and Gabbay 2009;Ramadan et al. 2019). In 2016, Tian et al., furthermore, report that Cu and Si ions from cuprorivaite have a synergistic effect on angiogenesis within a safe concentrations range. This can provide a better therapeutic activity and notably, it is free of cytotoxic effects for applications in the regeneration of human tissues (Tian et al. 2016). The angiogenic effect and the safety of cuprorivaite have subsequently received growing interest for application in regenerative medicine (Zhang et al. 2020;Yang et al. 2021b;Dong et al. 2022). Tian et al. conclude that cuprorivaite has great potential for the preparation of wound healing dressings, but may not be suitable for bone repair applications, since it could inhibit osteogenesis (Tian et al. 2016). However, more recently, He et al. reported that 3D-printed scaffolds coated with cuprorivaite nanosheets can be used to fight osteosarcoma achieving also enhanced bone tissue regeneration (He et al. 2021). Similar results have been reported also for wesselsite nanosheets (Yang et al. 2021a). The safety and biocompatibility of cuprorivaite nanosheets are also at the base of their use as fluorescent material in bioimaging and biophotonics (Selvaggio et al. 2020(Selvaggio et al. , 2021.

Historical awareness
From an archaeological point of view, it is possible that the angiogenetic and antibacterial effects of EB have been historically known and used. According to the description given by Pliny the Elder in 77 CE in Book XXXIII-57 of Naturalis Historia, EB could have been used to clean ulcers. Pliny states that "Caeruleum has the medicinal property of acting as a detergent upon ulcers. Hence, it is, that it is used as an ingredient in plasters, as also in cauteries. However, it is very difficult to grind." (vis in medicina ut purget ulcera; itaque et emplastris adiciunt, item causticis. Teritur autem difficillime) (Bostock and Riley 1857). Nevertheless, the passage is somehow unclear, since the Latin word caeruleum generally means EB, but sometimes it refers simply to a blue pigment (Riederer 1997). Since the immediately preceding sentence in the text of Pliny is relative to indigo, it is not possible to state conclusively that the Romans were aware of the angiogenetic effect of EB even if it is very likely since the features reported by Pliny, i.e., healing ulcers and being difficult to grind seems more appropriate for EB than for indigo.
It cannot be ruled out that ancient Romans may have known the anti-algae properties of EB. Notably, in fact, between the first century BCE and the first century CE they used lumps of EB as mosaic tesserae that were almost exclusively used in environments rich in water, such as nymphaea and fountains (see also Fig. 15) (Boschetti 2011;Chiari 2018).
It may be worth noting that some authors on the basis of a translation of documents of the 18th dynasty of Egypt, i.e., 1550-1292 BCE (Sethe 1961;Wiedemann and Bayer 1997;Wiedemann and Berke 2001) seem to have incorrectly inferred that EB could have been used in antiquity to preserve bread. According to them, the production of "blue bread" would have been mentioned in the ancient text translated by Sethe (1961) and it could have denoted some knowledge about the conservation effect of EB that was possibly exploited to produce air-dried bread for emergency situations (Wiedemann and Bayer 1997;Wiedemann and Berke 2001). However, to a closer view, it seems that the text reported more specifically "loaves" of EB with the term reliably referring to the shape of balls or blocks made of EB, such as those in which it was produced and which are sometimes found in archeological sites (see also Sect. 4.2). The fact that no other foods are described in the same inscription but other goods such as precious materials and stones is consistent with this interpretation as well as the fact that the presence of EB has never been reported in any of the quite numerous archaeological remains of bread from the Egyptian era analyzed so far (Glabau and Goldman 1938;Leek 1972;Samuel 2002).

The origins
EB was at first used in glazes or as a solid material and only later in powdered form as a pigment (Forbes 1955;Riederer 1997). Although the hypothesis of a first development in Mesopotamia cannot be completely ruled out (Moorey 1985;Ullrich 1987;Cavassa 2018), the early development of EB most likely took place in Egypt during the 4th millennium BCE (Berke 2007;Delamare 2007). The earliest known findings of EB are as a constituent material of some beads and have been reported by Kaczmarczyk at the site of Abydos in a funerary context dating back to the period Naqada II in Hendrickx's classification, i.e., 3500-3300 BCE (Bouquillon et al. 2007;Cavassa 2018). The first use of EB as a pigment has been instead reported by Corcoran in the carving of a bowl of the late Egyptian predynastic period listed as Naqada IIIa1-roughly 3300 BCE (Corcoran 2016; Greco 2022). Since c. 2900 BCE, EB has been found also in Mesopotamia and Greece (Riederer 1997;Panagiotaki et al. 2004Panagiotaki et al. , 2015Kakoulli 2009;Cavassa 2018).
The development of the manufacturing process of EB has been likely only possible thanks to the improvement of furnaces in the Early Bronze Age (Riederer 1997;Nicholson 2010). It occurred probably in parallel with the emergence of other furnace products, such as bronze (El Goresy et al. 1998;Gouda et al. 2020), lime (Gourdin and Kingery 1975;Philokyprou 2013), glazes, and at a later time glass that spread in Egypt only around 1500 BCE, i.e., roughly two millennia after the development of EB (Lilyquist et al. 1993;Paynter 2008;Nicholson 2012).
The ancient materials most closely related to EB are, indeed, vitreous materials. Notably, EB shares similar qualitative chemical composition, and likely kind of required raw materials with the following ancient vitreous substances ranging in color between blue, pale blue, turquoise, and green: (a) the glaze on some stones (i.e., quartz and steatite) that were already produced in the 5th millennium BCE or earlier (Paynter 2008;Nicholson 2012) (b) the copper-containing glazes of some Egyptian and Mesopotamian faience widespread since the 5th-4th millennium BCE (Kaczmarczyk and Hedges 1983;Shortland 2003, 2008;Paynter 2008;Moussa and Ali 2013;Masic and Nicola 2021). It has been speculated that the development of EB may derive from the efflorescence method of faience production in which the quartz body and glazing components are mixed together (Tite et al. 1987;Warner 2011). It may be worth noting that these glazes may consist not only of a colored glassy phase but also of a few embedded spicular crystals, similar but not identical to those in EB as observed in experiments on the incorporation of EB (Berke 2007). As shown in Fig. 13, these materials are so intimately linked to EB that both can have a very similar aspect (Masic and Nicola 2021) (c) a peculiar ancient pigment referred to as Egyptian green, green frit, or turquoise frit and used mainly in Egypt since about 2200 BCE (Ullrich 1987;Hatton et al. 2008;Scott 2016). It may be worth noting that Egyptian green features and production has been highly debated Colinart 2003, 2006;Schiegl and El Goresy 2006). It seems however widely accepted that Egyptian green has not to be simply considered a misfired EB but it is a distinct pigment Schiegl and El Goresy 2006;Hatton et al. 2008;Scott 2016). According to Pagès-Camagna et Colinart Egyptian green is largely constituted by a widespread Cu-rich glass phase containing also wollastonite and high-temperature polymorphs of silica, while, in general, cuprorivaite is absent Hatton et al. 2008). Egyptian green is overall considered to have been produced at higher temperatures than EB and with a higher amount of flux and possibly of Ca-bearing compounds ). Grifa et al. report that Egyptian green has been produced also outside of Egypt, e.g., in Roman times in the city of Cumae in Southern Italy (Grifa et al. 2016 (Lucas and Harris 1962;Lilyquist et al. 1993;Rehren et al. 2001;Paynter 2008;Boschetti 2011). However, while those ancient vitreous materials are largely amorphous (Paynter 2008), EB is instead mainly crystalline having generally only a quite limited glassy matrix Pradell et al. 2006) and exhibiting many characteristics similar to glass-ceramic materials (Chase 1971;Nicola 2019).

Use in Egypt, the Aegean, and the near East
Although EB was already present in Egypt since predynastic times, it was not until the 4th-5th dynasty (around 2500 BCE) that it became widespread. Examples of use in the 5th dynasty (c. 2494-2345 BCE) include the deeply etched hieroglyphs on the reliefs in the pyramid of Unas at Saqqara, which are filled with solid masses of EB, indicating its extensive manufacturing. At those times EB was almost the only blue pigment used in Egypt and the surrounding areas (Riederer 1997;Greco 2022).
As their ancient names suggest, it has been proposed that the ancient bluish vitreous materials may have been developed to replace precious stones such as the very expensive lapis lazuli which was to be imported from distant Afghanistan, and also other rare bluish stones like turquoise (Nicholson 2012). Indeed, in Egypt EB was known as ḫśbd iryt, meaning artificial lapis lazuli, or artificial blue (Quirke 2001;Corcoran 2016;Becker 2022), or occasionally "mfkȝ.t", meaning turquoise (Blom-Böer and Warburton 2020). In the Aegean, the term used was kuwano (κύανος also kuanos and kyanos), meaning dark blue or lapis lazuli (Delamare 2007). It may be worth noting that the Greek term became also the root of the Latin cyanus and the English word «cyan», the latter actually referring to a turquoise hue. Also related to lapis lazuli seems to be the term used in Mesopotamia for EB, i.e., uqnû (or uknû) merku meaning molded lapis lazuli (Delamare 2007). May be worth noting that uqnǔ kūri, meaning lapis lazuli from the kiln, is generally related to glass (Shortland 2012;Becker 2022), and uqnû and the related term zagindurû may also be translated as "gleaming" or "shining" (Busatta 2014;Thavapalan et al. 2016).
Hatton et al. described the extensive production of EB as almost the only blue pigment in Egypt and Mesopotamia during the second millennium BCE. To try to quantify the extent of this production, he estimated that the mass of EB required to paint a single typical temple of the 18th-20th dynasties (c. 1550-1075 BCE), e.g., Medinet Habu at Thebes, should have been roughly 1.4 tons . It may be worth noting that another artificial blue vitreous material occasionally used also as a pigment appeared in Egypt around 1479-1370 BCE, sometimes referred to in the literature as Amarna blue (Tite and Shortland 2003;Shortland et al. 2006b;Scott 2016;Skovmøller et al. 2016). It was produced from cobalt alum found in the Western Desert but its use as a pigment was abandoned at the end of the New Kingdom, i.e., around 1069 BCE (Scott 2016). The use of cobalt as a coloring agent persisted for blue glass (Shortland et al. 2006b). It is noteworthy that EB produced from the New Kingdom seems less prone to turn green as a consequence of decay (Greco 2022). Possibly, the improved 1 3 resistance could be due to the optimization of the EB production technique as a consequence of the development of glass processing or to the strengthening of the glass matrix due to the use of natron as a fluxing agent (see also Sects. 3.3.11 and 4.2.3).
EB has been widely used also in the Aegean, where it has been found in sites of the Bronze Age in the 3rd and 2nd millennium BCE, such as Keros, Knossos, Thera, Mycenae, Pylos, and Tiryns (Kakoulli 2009;Skovmøller et al. 2016). After the era of the great buildings of the Bronze Age, the occurrences of EB seem to drop significantly in the Greek world, reappearing only in the Archaic period, i.e., from the sixth century BCE (Osanna and Rescigno 2022). An explanation can be the lack of massive orders for large buildings. In this regard, Osanna and Rescigno point out that likely in that period the use of EB was not abandoned  Masic and Nicola (2021) but the pigment was mainly relegated to uses on materials of a labile nature, such as the largely lost wooden objects (Osanna and Rescigno 2022). In classical times, EB has been used to color marbles and statues not only in Egypt but also in the Near East, Greece, and Italy, a noteworthy case being, e.g., the Parthenon (Verri et al. 2010;Osanna and Rescigno 2022). As shown in Fig. 14, the polychromies on statues are very often lost or survive only in traces. However, if they contain EB, it is possible to detect them easily by exploiting its luminescence (Verri 2009;Verri et al. 2010;Skovmøller et al. 2016).

Manufacturing centers and trade in antiquity
EB was a valuable and widespread trade good in ancient times. Its production, use, and trade in antiquity have been the object of some reviews (Tite and Hatton 2007;Kakoulli 2009;Rodler and Kostomitsopoulou Marketou 2022). EB reached places quite far from its production centers. It has been found in the west in sites as old as the eighth century BCE or before, e.g., in Etruria (Baraldi et al. 2015), in Phoenician and Punic settlements including Sardinia (Hölbl 1986;Barnett and Mendleson 1987) and Spain or even in England (Needham and Bimson 1988;Gorton 1996;Cavassa 2018). In a more recent site, i.e., of the third century CE, EB has been detected also as far north as Norway, where it was used as a pigment on a shield of the Bo people (Rosenquist 1959;Scott 2016). The presence of EB in that place is probably due to the trade between the Romans and the northern populations (Rosenquist 1959;Canti and Heathcote 2002).
At first, the other ancient populations must have imported EB produced in Egypt, but over time the production technology spread (Delamare 2007;Rodler and Kostomitsopoulou Marketou 2022). Many manufacturing centers have, indeed, been proposed in various era and places both inside and outside Egypt. In Egypt, the major centers were identified in, e.g., the cities of Memphis Cavassa 2018), Amarna (Spurrell 1895;Nicholson 2007;Rodler and Kostomitsopoulou Marketou 2022), and Qantir-Piramesses (Rehren et al. 2001). Minor centers proposed are also a village near Karnak, Thebes, and Zawiyet Umm el-Rakham Skovmøller et al. 2016). Furthermore, Vitruvius also implicitly refers to production in Alexandria in the first century BCE (Rowland 1999). Outside Egypt, it has been suggested that many production sites have existed, e.g., in Mesopotamia Skovmøller et al. 2016;Zaina et al. 2019), the Urartian zone in Easter Turkey (Ingo et al. 2013;Zaina et al. 2019;Ormanci 2020), Persepolis (Oudbashi and Hessari 2020;Amadori et al. 2021), the Isle of Kos in the Aegean (Panagiotaki et al. 2015;Kostomitsopoulou Marketou et al. 2020;, the Etruria area in Central Italy (Bordignon et al. 2007;Brøns et al. 2016), and overall, from roughly the first century BCE, the Phlegraean Fields in Southern Italy, i.e., the ancient cities of Puteoli, Liternum, and Cumae near Naples (Gargiulo 1998;Cavassa et al. 2010;Lazzarini and Verità 2015;Grifa et al. 2016;Cavassa 2018;Osanna Fig. 14 Marble head of an unidentified figure from the classical Temple of Artemis in Ephesus (British Museum No. 18720405.121). a Visible image and b green-induced luminescence image, i.e., a specific variant of the VIL technique which will be detailed in part B of this review (see also Sect. 3.5). Reproduced with permission from Verri (2009) and Rescigno 2022). During the Roman Empire, EB could have been produced also in Spain (Rodler et al. 2017) as arguably meant also by Pliny the Elder in Book XXXIII of Naturalis Historia (Bostock and Riley 1857), and possibly in Gaul (Delamare 1997) and Britain (Canti and Heathcote 2002;Clegg 2014). It has been suggested that a significant spread of sites for the production of EB took place at least from the Hellenistic period (Kakoulli 2009), i.e., from 323 BCE onward. Furthermore, it has also been suggested that, analogously to glassmaking, only a few centers were actually in charge of the production of EB, while many other workshops processed likely a semi-finished material imported from there, e.g., as ingots (Panagiotaki et al. 2015;Cavassa 2018;Zaina et al. 2019). So far, only a few production sites have been found in archaeological excavation and have a completely reliable identification, e.g., Memphis in Egypt (Cavassa 2018), the Phlegraean area in Italy (Gargiulo 1998;Cavassa et al. 2010;Lazzarini and Verità 2015;Grifa et al. 2016) and probably the Isle of Kos in Greece (Kostomitsopoulou Marketou et al. 2020).

Ancient written sources on Egyptian blue production
No recipes for the production of EB have been found in all the Egyptian texts known so far (Panagiotaki et al. 2015;Fontana et al. 2020), and it has been advanced that the technique used was kept with some secrecy and was handed down orally from generation to generation (Delamare 2007;Greco 2022;Orna and Fontani 2022). Actually, the earliest known written source about EB production in antiquity has been found in Mesopotamia within cuneiform texts from the library of Ashurbanipal (seventh century BCE, but copy of original texts dating back to the mid-late 2nd millennium BCE) (Forbes 1966;Delamare 2007;Kakoulli 2009). The texts reported a recipe for making uknû merku (Kakoulli 2009). It has to be noted that this first recipe involved methods that seem more typical of glassmaking (Delamare 2007) and that some passages are not at all clear. Other pre-Roman sources report some data about EB (Kakoulli 2009), and among them, is the valuable description given in the fourth century BCE by Theophrastus in section 55 of De Lapidibus (Eichholz 1965;Katsaros et al. 2010). Theophrastus refers to EB using the still current terminology egyptios kyanos testifying that it was of Egyptian origin. He also used an adjective meaning «moldable» for EB (Katsaros et al. 2010;Rodler and Kostomitsopoulou Marketou 2022), likely related to the vitreous glass-ceramic features of the material. Furthermore, Theophrastus reports that EB was produced to imitate the native stone (i.e., lapis lazuli) and arguably that it was produced in four hues of blue (i.e., that different hues can be produced) from the darker to the lighter according to grain size (Katsaros et al. 2010) (see also Sect. 3.3.3). However, the by far most detailed and popular source available about the production of EB in antiquity is that by Vitruvius in Book VII of De Architectura written around 20-30 BCE (Davidovits 2003;Grifa et al. 2016). It will be described in detail in Sect. 4.2.

Roman times
Analogously to other blue pigments, EB was generally known in Rome as caeruleum (akin to the English adjective cerulean). The term is related to the Latin word caelum and means «the color of the sky» (Busatta 2014). Vitruvius reports within the De Architectura (around 20-30 BCE) that an EB production plant was set up in Italy by Vestorius (Rowland 1999), a wealthy banker and entrepreneur, correspondent of Cicero and Atticus (Davidovits 2003;Osanna and Rescigno 2022). According to Vitruvius the technology to manufacture EB was imported from Alexandria to Puteoli (modern Pozzuoli near Naples see also Sect. 4.2). The description given by Vitruvius is overall consistent with that reported roughly a century later by Pliny the Elder in Book XXXIII of Naturalis Historia (Bostock and Riley 1857). Pliny seems to refer to some typologies of EB, i.e., caeruleum Aegyptios, caeruleum Vestorianum, and caeruleum Puteolanum, calling the latter also cylon (spelled also coelon or cyanon) (Augusti 1967;Becker 2022;Osanna and Rescigno 2022). He also uses the term lomentum referring to a typology of light blue pigment obtained by washing and grinding EB (see also Sect. 3.3.3) and the term tritum referring to an EB of lower quality probably deriving from grinding leftovers (Becker 2022). Pliny describes the uses of EB as pigment and even seems to suggest its use as a remedy for ulcers. This latter use could be related to the recently discovered antibacterial and regenerative properties of cuprorivaite (see also Sect. 3.6). Pliny reported the prices of the different types of caeruleum, but he does not include any type of EB in the list of rare and expensive pigments that had to be supplied by the commissioner of a paint, i.e., colores floridi. The full list of colores floridi is provided in Book XXXV of Naturalis Historia and includes only minium, Armenium, cinnabaris, chrysocolla, Indicum, and purpurissum (Bostock and Riley 1857; Augusti 1967). However, EB has been often implicitly considered among colores floridi by many authors Lazzarini and Verità 2015) that likely considered its price to be relatively high (Damiani et al. 2003). On the contrary, other authors conclude that EB has not at all to be considered among colores floridi and that it likely had to be considered a fairly inexpensive pigment in Rome, pointing out that it was a substitute for more expensive and exotic natural pigments and that it was used also for hidden parts, such as underdrawings (Skovmøller et al. 2016).
EB was widespread in Italy since before the Roman times, i.e., in Magna Graecia, e.g., the Tomb of the Diver at Paestum (Zuchtriegel 2018;Osanna and Rescigno 2022) and extensively among the Etruscans (Bordignon et al. 2007;Baraldi et al. 2015Baraldi et al. , 2017Brøns et al. 2016;Ceccarelli et al. 2020). Between the second century BCE and the end of the first century CE, the use of EB in Roman wall paintings has been thriving (Bracci et al. 2022). EB was widely used in Roman frescoes, but also in many other techniques and on a wide range of supports, e.g., wood, terracotta, and marbles (Rescigno and Sampaolo 2005;Osanna and Rescigno 2022). In mosaics it was used: (a) to paint preparatory underdrawings below mosaics (Verri et al. 2010); (b) to paint mosaic tesserae (Osanna and Rescigno 2022); and (c) from first century BCE as tesserae made of lumps of vitreous glass-ceramic material (generally used in wall mosaics inside Nymphaea and fountains, see Fig. 15), (Delamare 2007;Boschetti 2011;Chiari 2018).
Throughout the Roman Empire, EB has been almost the only blue pigment used in Europe, West Asia, and North Africa (Scott 2016;Sgamellotti and Anselmi 2022). In Italy, it reached possibly its highest diffusion at the end of the first century CE. In fact, from the second century CE, the presence of EB in the area of Rome (e.g., in Ostia Antica) seems to be limited to more simple uses than before, finding it mixed with other pigments only in contexts of great value (Blümich et al. 2021;Bracci et al. 2021;Falzone et al. 2021). Similar conclusions were drawn by Fermo et al. (2013) and also the use of lumps of EB in mosaics seems to end after the first century CE (Boschetti 2011). A fall in the use of EB in Italy at the end of the first century CE could have been due to many causes, such as local fashion or the troubled political and social period. It may be worth noting the concomitant eruption of Vesuvius near the main Italian sites producing EB. However, according to Delamare, the largest diffusion and use of EB was reached only in the third century CE (Delamare 2007). It has been reported that the price of EB dropped in time. In fact, in 301 CE Diocletian (referring to EB as cyaninum vestorianus) regulated its price in the Edict on Maximum Prices setting it at just about one-tenth of the parametrized price referred to by Pliny in first century CE (Delamare 2007;Cavassa 2018). In the fourth and fifth centuries, the availability of EB seems to decrease even if EB has been reported, e.g., in Roman villas (El Salam and Morgan 2006;Cristini et al. 2010;Piovesan et al. 2016) and catacombs (Delamare 2007;Iannaccone et al. 2015;Bracci et al. 2020;Bartolozzi et al. 2021).

Middle ages
Until quite recently it was a common belief that during the years leading to the collapse of the Western Roman Empire (i.e., during the 4th or fifth century CE) the technological know-how to produce EB got lost and consequently the use of EB quickly ended (Chase 1971;Orna et al. 1980;Lazzarini 1982). However, there is a significant number of identifications of EB in that period and beyond the classical Egyptian-Greek-Roman age, thus seems more appropriate to conclude that during the Early Middle Ages the use of EB dropped significantly but did not disappear completely (Delamare 2007;Skovmøller et al. 2016;Linn et al. 2017;Nicola et al. 2018a). However, only a limited number of occurrences seems to have been reported during the sixth century and even less during the seventh century, e.g., in some fourth-sixth century religious buildings in Romania (Iaţcu 2013), in a fifth-sixth century church in northern Italy (Dariz and Schmid 2021), in the fifth-sixth century chorus of the old Basilica Santa Maria antiqua in Rome (Raehlmann 1914;Riederer 1997), in the 6 th -century wall paintings from a byzantine church in Israel (Linn et al. 2017), in b VIL image acquired in daylight using two NIR-free flashes. Reproduced with permission from Chiari (2018) sixth century Byzantine encaustic mural paintings in Egypt (Gehad et al. 2015), in fifth-seventh century undercoloring of mosaics in Ravenna (Baraldi et al. 2016), in the seventh century Monument of Santalla de Boveda in Galicia (Blanco-Rotea et al. 2022) and in some illuminated manuscripts Hofmann et al. 2020;Aceto 2022). The reasons why the use of EB sharply declined during the Early Middle Ages are still debated. A possible explanation is related to the almost concurrent medieval crisis of glassmaking . Notably, in fact, the discontinuation of EB production in the sixth-seventh century CE (Delamare 2007) seems to coincide with the early stages of the crisis of the closely related production of glass in the seventh-ninth century CE (Shortland et al. 2006a;Phelps et al. 2016). Analogously to what happened for glass, the disappearance of EB could have been related to a shortage of natron, i.e., a key ingredient for the production of both EB and glass . The natron shortage could have been triggered by the paralysis of trade that followed the fall of the Western Roman Empire or by the political turmoil involving the main natron production sites (e.g., Wadi al Natrun and al-Barnuj) as a consequence of the surge of Islam (Shortland et al. 2006a). However, it has been pointed out that the Islamic conquest had little effect on people's everyday lives, with no destruction layers, no changes to settlement patterns and negligible changes in ceramic and glass production (Phelps et al. 2016).
Another hypothesis is that a natron shortage could have been due to a climatic change (Shortland 2004;Shortland et al. 2006a) triggered by long-term climatic dynamics (Phelps et al. 2016) or by disruptive events such as the three large volcanic eruptions in 536, 540 and 547 CE that led to the Late Antique Little Ice Age lasting between 536 and 660 CE (Büntgen et al. 2016).
Alternative explanations for the disappearance of EB have been expressed by some scholars, e.g., the decrease in the number and quality of newly produced works of art due to the troubled period (Delamare 2007) and the replacement with other pigments increasingly popular in the Middle Ages, such as lapis lazuli and azurite. Notably, in fact, the EB used in the Early Middle Ages and afterward is frequently found not in the pure form but together with another blue pigment, i.e., the very rare and expensive one obtained by lapis lazuli (Gaetani et al. 2004;Bredal-Jørgensen et al. 2011;Beeby et al. 2017;Hofmann et al. 2020). In any case, a certain use of EB has been observed also after the seventh century (Delamare 2007). The main occurrences of EB reported in the eighth to thirteenth century CE are listed in Table 1.
Some hypotheses have been put forward to explain this residual use. Some scholars argued that a limited EB production could have survived somewhere for a few centuries. It has been pointed out that some EB produced in the Middle Age seems of poor quality and low crystallinity (Lazzarini 1982). These features are consistent with a lack of natron (see Sect. 3.3.4). It has also been proposed that possibly some non-traditional manufacturing was developed to avoid or limit the use of natron, i.e., by replacing it with zinc from cementation brass (Nicola et al. 2018aAceto et al. 2020). An example of the ancient use of zinc-rich EB is shown in Fig. 16. Since many of the late finds of EB are in Northern Italy or close to its border (i.e., Müstair) it has been suggested that a certain production of EB could have survived in that area (Delamare 2007). It has been also pointed out that possibly such a production survived in the Eastern Roman Empire, a zone that was less touched by the political instability that affected the former Western Empire. In this case, EB could have reached Italy through painter-monks of oriental provenance, many of whom are known to have been active in Rome in the Middle Ages (Lazzarini 1982;Nicola et al. 2018a). In this regard, it is interesting to note that the term Venetum was then used to indicate a blue or bluish color (e.g., in the fourth-fifth century by the writer Vegetius in De re militari, Book IV, 37 referring to the camouflage color used for sails and sailors' clothes) (Spurrell 1895;Reeve 2004). Notably, also Isidore of Sevilla used this term in Book XIX, Caput XVII of Etymologiae which was written shortly before his death in 636 CE and is possibly the last medieval writer that described EB in a treatise. The use of the description of Vitruvius as a source is evident, but EB is referred to as Venetum caeruleum (Spurrell 1895;Riederer 1997;Barney et al. 2006). Since it was common to name a pigment or even a color from its place of origin (e.g., Puteolanum, see the previous paragraph) (Becker 2022), it seems possible that the use of the term Venetum can imply that a blue pigment was produced there or in the surrounding area, or that it arrived in Venice by sea from the mainland Roman Eastern Empire, maybe in raw form (Nicola 2019). At those times Venice was a glassmaking center rising in importance (Whitehouse 2014), and thus it seems possible that the name Venetum is related to a residual production of EB there, since generally EB production centers were bound to glass production centers (see also Sects. 4.2.3 and 4.2.4).
However, some other relevant theories exist to explain the use of EB in the Middle Ages. They are related to leftovers that could have remained in storage for some centuries or the pictorial reuse of EB found in excavations. It has to be noted that Hatton calculated that, for the elder fresco in the church of San Clemente in Rome, no less than 35 blue spheres would have been required (Hatton 2008). This would, therefore, imply the availability of fairly large deposits of unused EB (Cavassa 2018). Actually, the discovery of small groups of lumps of raw EB pigment is not uncommon in excavations of Roman sites (see also Sect 4.2.2) (Gaetani et al. 2004;Bensi 2017). 1 3 EB in Middle Ages could have also been a recycled Roman material such as other building materials that were looted from Roman ruins (Lluveras et al. 2010). A large number of EB tesserae could be found, e.g., in Roman mosaics of the first century BCE-first century CE such as the one in Fig. 15, or EB may have also been scraped from earlier wall paintings (Settis 2022). Polychrome capital Brain and Welford (1991a; and Delamare (2007) 8th-12th Various (mainly British) Illuminated manuscripts Roger et al. (2004), Delamare (2007), Roger (2007), Vezin and Roger (2007), Beeby et al. (2017Beeby et al. ( , 2018 and Panayotova and Ricciardi (2017) 8th (first half) Church of San Saba in Rome (Central Italy) Wall paintings Gaetani et al. (2004) 8th ( Painting (tempera on wood) Ajò et al. (1996) and Pozza et al. (2000) 12th (mid) Chapter house of the St. Albans Abbey (England) Polychrome sculpture Howard (2003) 13th Loggia dei Cavalieri in Treviso (Northern Italy) Wall paintings Gaetani et al. (2004) 13th Portal of the Cathedral of Genoa (Northern Italy) Polychrome lunette Rotondi Terminiello (1978) and Bensi (1990Bensi ( , 2017 Possibly, all explanations are valid, with residual production best explaining the most extensive uses of EB and leftovers or recycling for the occasional ones (Nicola et al. 2018a).
It should be noted that another area very rich in late EB findings is England, especially in terms of illuminated manuscripts (Beeby et al. 2018). However, the high number of occurrences of EB in the Middle Ages in both Northern Italy and England may be the result of a more focused search for EB that has been made in those zones (Delamare 2007). It is, therefore, hoped that wider future research also elsewhere, will fill important gaps in the general understanding of the use and trade of EB in the Middle Ages and help to improve the hypotheses expressed so far (Delamare 2007).
Finally, it is worth noting that the last reference to EB in a medieval treatise seems to date back to the eighth century CE as Vestorianum. It is in the recipe XX Auri confectio within Mappae Clavicula, likely related to the production of brass (Baroni et al. 2013;Settis 2022).

Renaissance
The use of EB did not stop in the thirteenth century. Some few but significant findings are reported in the sixteenth century, after more than two centuries of what seems complete oblivion. Actually, the findings of EB in the sixteenth century are all strictly related to the Italian Renaissance (Sgamellotti and Anselmi 2022). Baraldi et al. in 2001 reported the first of them, i.e., some evident traces of EB in Renaissance Bologna on the walls of a villa undergoing restoration (Baraldi et al. 2001b). In 2011 Bredal-Jørgensen identified for the first time the use of EB in an oil painting. It is a painting on wood (i.e., poplar) depicting St. Margaret by the artist Giovanni Battista Benvenuto known as "L'Ortolano" and active in the city of Ferrara, halfway between Bologna and Venice. EB is in a mixture with ultramarine (i.e., lapis lazuli) (Bredal-Jørgensen et al. 2011). Similar findings were made on two other paintings from the zone of Ferrara dating to the 1520-1530 period. They were both painted by the slightly younger and more famous painter Benvenuto Tisi known as "Il Garofalo" (de Vivo et al. 2019). The first depicts the Holy Family with Saints Elizabeth, Zacharias, John the Baptist, and possibly Saint Francis (Spring et al. 2019), while the second depicts the Adoration of the Magi (de Vivo et al. 2019). Garofalo was in touch with Titian, Giulio Romano, Ludovico Ariosto, and other leading humanists and notably had worked with Raphael in Rome (de Vivo et al. 2019). This is a key point, since the most surprising finding of EB occurred in 2020, i.e., on Raphael's fresco, the Triumph of Galatea painted around 1512 in Villa Farnesina, Rome (Anselmi et al. 2020, a detail of which is shown in Fig. 17. The reason for the use of EB in Renaissance has yet to find an explanation. It has been suggested that a new interest in an old pigment could have been triggered by Renaissance artists' attraction to classical Roman culture and materials, which were to be seen in the ruins and the excavations (Anselmi et al. 2020). EB was mentioned in the written testimonies of Pliny and Vitruvius and during Renaissance, a vivid interest surged around Vitruvius De Architectura following its full rediscovery in 1414, due to the Florentine humanist Poggio Bracciolini at Montecassino (Gaetani et al. 2004). It may be worth noting that Raphael had a very deep knowledge of Vitruvius's work (Anselmi et al. 2020). In fact, Raphael  Nicola et al. (2018a, b) was in close touch with the elderly Fra 'Giocondo, publisher in 1511, of the first illustrated edition of De Architectura (Rowland 2011), and that Raphael in 1514 was also the commissioner of the translation in vernacular of De Architectura by the humanist Fabio Calvo from Ravenna (Fontana et al. 1975). It should also be noted that in 1515 Pope Leone X charged Raphael with the title of praefectus marmorum et lapidum omnium, i.e., prefect of all marbles and stones, a role that comprise the supervision of ancient monuments and ruins, which denotes Raphael's interest and familiarity in handling ancient and archaeological materials (Shearman and Staff 2003). Finally, it cannot be ruled out that Raphael directly obtained archaeological lumps of EB from the antiquity market, since he was also a collector of antiquities and was in touch with many other collectors such as his friend Agostino Chigi (Zuccari 2022).
No further reliable occurrence of EB has been reported so far beyond the Italian Renaissance until the development of the modern synthesis of the pigment in the nineteenth and twentieth centuries CE (Pisareva et al. 2021). The only exceptions seem to need confirmation, since in both cases, the authors infer the presence of EB by relying on techniques that are not conclusive. They are the following: • two sculptural models, i.e., a papier-maché head and an unfired clay crucifix both attributed to the 17th-century workshop of Alessandro Algardi (Salerno 1997;Bensi 2017;de Vivo et al. 2019). In this case, the author refers to the identification of EB by polarized-light microscopy only, without supporting further analytical data (de Vivo et al. 2019) • an 18th-century Coptic icon depicting the Angel Michael (Sakr et al. 2016). In this case, EB has been identified using SEM-EDX and FT-IR that in this situation seem however not sufficient for a univocal identification of EB.
Confirmation of these occurrences would be of high interest, since they could represent the last known preindustrial uses of EB.
The find of EB in Raphael's Triumph of Galatea constitutes the earliest known use of EB in a Renaissance painting (Anselmi et al. 2020). The enthusiastic discovery of EB in the palette of one of the most iconic Italian painters has been the starting point of new perspectives and brought to the birth of the BLUENET project, as a joint effort to improve the knowledge of the past use of EB and foster its applications in the present and the future (Sgamellotti and Anselmi 2022).

Overview
Vitruvius's recipe to produce EB is included in Book VII of his De Architectura which was written around 20-30 BCE (Davidovits 2003). The passage is the following:  (2022) "Methods of making blue were first discovered in Alexandria, and afterwards Vestorius set up the making of it at Puzzuoli. The method of obtaining it from the substances of which it has been found to consist, is strange enough. Sand and the flowers of natron are brayed together so finely that the product is like meal, and copper is grated by means of coarse files over the mixture, like sawdust, to form a conglomerate. Then, it is made into balls by rolling it in the hands and thus bound together for drying. The dry balls are put in an earthen jar, and the jars in an oven. As soon as the copper and the sand grow hot and unite under the intensity of the fire, they mutually receive each other's sweat, relinquishing their peculiar qualities, and having lost their properties through the intensity of the fire, they are reduced to a blue color." (Riederer 1997).
Substantially, Vitruvius's recipe implies that EB was obtained by mixing some water, a sand (i.e., harena), flos nitri, and filings of metallic copper. The paste produced by the mixture was then shaped in the form of balls that were then dried and fired in terracotta vessels.
There is general consensus about the fact that Vitruvius's recipe is the most detailed literary source known about the ancient production of EB (Riederer 1997;Delamare 2007;Kakoulli 2009). However, it should be emphasized that, actually, Vitruvius does not give any information about the temperatures involved, does not describe the ingredient unambiguously nor indicate their quantity or ratio (Grifa et al. 2016;Schmid 2021, 2022;Osanna and Rescigno 2022). He gives also no information about the dimensions of the "balls" of EB to be produced or if and how they have to be ground and reprocessed.
For this reason, some passages of the ancient method of production remain unclear or debated even though modern chemical analyses extensively carried out from the nineteenth century to the present day have significantly improved the understanding of the ancient technique of production.
In any case, it seems likely that the exact production technique changes quite significantly depending on the place and time. In this regard, it has to be noted that EB existed long before the founding of Alexandria (Augusti 1967), although possibly Vitruvius referred to a specific type of caeruleum.

Temperature
The temperatures used in antiquity to produce EB have been estimated by many authors who generally agree on a range of 850-950 °C (Tite et al. 1987;Riederer 1997;Bianchetti et al. 2000;Mazzocchin et al. 2004 (Grifa et al. 2016) and by Aliatis et al. (1000Aliatis et al. ( -1100 studying Roman pigments of the Vesuvian area (Aliatis et al. 2010). On the opposite Jaksch et al. in a study on Egyptian EB deduced that the temperature of production should have been below 742 °C due to the presence of pyrite in some samples (Jaksch et al. 1983).

Natron and other fluxes
Notably, some disagreement exists about the translation of the Latin terminology «flos nitri», although it is generally accepted that it is associated with a typology of salt. The word «flos» (literally «flower») is generally understood as «high quality» or «refined» (Mottana 2006), but it cannot be ruled out that it simply means something like «efflorescences» (Crosland 2004). The term «nitri» is more debated. As suggested also by the description of nitrum given by Pliny the Elder in Book XXXI of Naturalis Historia, it is generally agreed that flos nitri refers reliably to natron (Gitton-Ripoll 2009), i.e., a salt mainly constituted by Na 2 CO 3 ·10H 2 O with minor amounts also of NaHCO 3 , chlorides, sulfates, other carbonates and impurities (Shortland 2004;Shortland et al. 2011). Natron is a naturally occurring salt generally coming from the huge crusts that form in and around the periodic lakes (sebka) and rivers (wadi) in the desert, e.g., in Egypt at Wadi El Natrun (Lucas and Harris 1962) and al-Barnuj (Shortland 2004;Mottana 2006;Shortland et al. 2011). It has been pointed out that other exploitable sources were also at lake Van in Turkey (Dardeniz 2015) and maybe also elsewhere. Quite recently, e.g., it has been found as efflorescences in fumaroles at Mt. Vesuvius and in the Sicilian volcanoes (Mottana 2006). Natron was extensively produced in Egypt and used for many purposes, such as detergent, disinfectant, or desiccant (e.g., in mummification) (Abdel-Maksoud and El-Amin 2011; Dardeniz 2015). Its use for the production of glass spread from Egypt in the early 1st millennium BCE and has been widely exploited in Roman times (Shortland et al. 2006a). It was such an important commodity as to become a state monopoly in Ptolemaic times (Mottana 2006). In EB production, analogously to glassmaking, the role of natron is that of a flux, i.e., a substance that lowers the melting point of silica and allows the melt-flux synthesis (see also Sect. 3.3.4). The presence of appreciable amounts of potassium in addition to sodium in most of the ancient EB samples has been related to the use of other alkaline fluxes different from natron, such as plant ash or soda-rich plant ash, the latter from plants, such as Salsola soda and Anabasis articulata, growing in coastal, or saltrich zones . Similar uses of natron and other fluxes are well-known and established in the history of glassmaking (Shortland et al. 2006a;Hatton et al. 2008;Jackson et al. 2018). Other possible sources of potassium in EB are feldspar from the sand used  or from terracotta crucibles (Grifa et al. 2016;Nicola et al. 2019). However, it is not possible to completely rule out that nitri in Vitruvius's recipe referred actually to other salts different from natron and known in antiquity, such as saltpeter (KNO 3 ) (Pagès-Camagna et al. 1999;Barnum 2003;Skovmøller et al. 2016;Dariz and Schmid 2021). However, the translation with saltpeter would not only contradict the general consensus that relates nitri to natron (Mottana 2006;Gitton-Ripoll 2009) but would also seem inconsistent with the preponderant presence of sodium generally found in Roman EB Fontana et al. 2020). It may be worth noting that in some translations of De Architectura, i.e., the one of 1826 by Gwilt (still very widespread) «flos nitri» seems to be translated fairly loosely with «flower of sulphur» (Gwilt 1826). This type of interpretation seems erroneous and devoid of any foundation.
Natron was often impure due to chlorides, sulfates, and calcium carbonate (Turner 1956;Davidovits 2003;Pradell et al. 2006;Giménez et al. 2017). It is possible that such impurities played a key role in EB production. Calcium could be present as a natural impurity of natron but also as a consequence of the intentional adulteration of natron with lime as reported by Pliny the Elder in Book XXXI of Naturalis Historia (Bostock and Riley 1857;Davidovits 2003). The presence of chlorides has been pointed out as a possible cause of the formation of a green product as a result of the synthesis (Giménez et al. 2017), even if the production of the Egyptian green pigment has been generally related to other specific features, e.g., a higher temperature of production or an increased amount of flux (and possibly calcium) in comparison to EB Grifa et al. 2016).

Sand and source of calcium
The presence of calcium in natron could account for the lack of a calcium-bearing ingredient in Vitruvius's recipe (Davidovits 2003). However, the general consensus is that, similar to what happened in glass production, the main source of calcium in Vitruvius's EB was a specific type of sand containing some CaCO 3 already in the proper ratio with SiO 2 (Mazzocchin et al. 2004;Lazzarini and Verità 2015;Fontana et al. 2020). Indeed, the two main sources of sand for glassmaking reported in Roman treaties are both relatable to siliceous sand, rich in calcium carbonate and low in iron (Turner 1956). The most famous of them is at the mouth of the River Belus on the Syrian coast and is referred to by Strabo, Pliny, Josephus, and Tacitus, while the other is found on the seashore deposit mentioned by Pliny near the mouth of the River Volturnus between Cumae and Liternum, north-west of the ancient harbors of Pozzuoli and Naples 1 3 (Turner 1956). The main sites for the production of EB in Italy have been found exactly in the same area. This fact strongly supports the hypothesis that the sand used to produce EB and referred to by Vitruvius was the same used for glassmaking and was the source of both calcium and silica (Lazzarini and Verità 2015;Rodler and Kostomitsopoulou Marketou 2022). The use in different places and periods of quartz pebbles or sand as a source of silica for EB has been taken into account and described diffusely by many authors (Jaksch et al. 1983;Tite and Shortland 2003;Hatton et al. 2008;Ingo et al. 2013;Panagiotaki et al. 2015).

Source of copper
The copper needed to produce EB could have been from copper metal, as reported by Vitruvius, but it has been pointed out that also copper ores may have been used (Jaksch et al. 1983;Hatton et al. 2008;Rodler and Kostomitsopoulou Marketou 2022). They could be, for example, malachite, e.g., from Sinai (Rademakers et al. 2017;Gouda et al. 2020) or roasted sulphidic copper ores Schmid 2021, 2022). Some specific studies to identify the source of the copper ore used have been recently performed using, e.g., lead isotopes data (Rademakers et al. 2017;Rodler et al. 2017). However, copper very likely has also been sourced from scraps of alloys as indicated by the presence of some peculiar elements reported in many archaeological samples of EB. The chronological succession of these occurrences fits well with the chronological development of metallurgy, i.e., meaningful amount of arsenic has been found in the most ancient samples of EB (related to arsenical bronzes), followed by tin (bronzes), lead (leaded bronzes) (Kaczmarczyk and Hedges 1983;El Goresy et al. 1998), and finally zinc (orichalcum or brass) (Nicola 2019).

Chinese blue and Chinese purple
Even if a technology transfer from Egypt to China could not be ruled out (Chiari and Scott 2004;Berke et al. 2010) it is most likely that the development of CB and CP occurred in China independently of EB, roughly two and a half millennia after the development of EB in Egypt (Berke 2007;Liu et al. 2007;Xia et al. 2014). Xia et al. conclude that CP and CB were developed in the southeast of Gansu province, China and that the trajectory of their usage follows the route of the development of the Qin State and Empire (Xia et al. 2014). It has been suggested that the diffusion of CB and CP could be connected with the developments of Taoism and alchemy, since the synthesis technology of barium-copper silicates could be related to the production of high refractive index glasses (artificial jades) by Taoist monks and alchemists (Thieme 2001;Liu et al. 2007;Li et al. 2015a, b).
The earliest occurrences of barium-copper silicate pigments known so far are from beads that date back to the beginning of the Spring and Autumn period (770-476 BCE) (Ma et al. 2006;Berke 2007;Qin et al. 2016;Zhang et al. 2019). The oldest known objects that contain artificial barium-copper silicates are, indeed, faience tubes, beads, and other decorative objects, such as octagonal sticks (see, e.g., Fig. 19). They date from the Eastern Zhou Dynasty (770-255 BCE) to the Warring States period (475-221 BCE) (Ma et al. 2006;Xia et al. 2014). CB and CP, analogously to EB, were actually at first used to mold small objects, having a production technology closely related to that of ancient faience, glazes, and glass (Ma et al. 2006;Li et al. 2015b;Wang et al. 2017). The fluxes used for the production of CB and CP were mainly lead compounds, e.g., lead metal, sulfides, oxides, or carbonates (Li et al. 2015a). It has been suggested that lead additives have been preferred likely because they can promote the thermal decomposition of the otherwise stable BaSO 4 (barite) that is one of the main natural sources of barium and is widespread in the area of production of ancient barium-copper silicates pigments Xia et al. 2014). However, Qin et al. have pointed out with a series of simulation experiments how the most likely source of barium for the Fig. 19 Bead 1 (777-766 BCE) contains CP and lapis lazuli blue within a faience layer. Bead 2 (eighth-sixth century BCE) contains CB and lapis lazuli blue within a faience pigment layer. Origin: the archaeological excavation site Li County (Northwestern China). Bead 3 (770-476 BCE) is composed of a heterogeneous, compact blue body of CB. It is part of the class of the sinter minerals rich in lead and barium. Octagonal stick 4 (fifth-third century BCE) is composed of equally colored sinter material rich in lead and barium, partly crystallized and partly glassy with a decomposed, partly whitish surface (colour figure online). Reproduced with permission from Berke (2007) 1 3 production of barium-copper silicates should have been the rarer witherite deposits (i.e., BaCO 3 ) also present in the area (Qin et al. 2016). Analogously to what happened for EB the source of copper could have been sometimes also copper alloys such as bronze as suggested by the platelet-like crystals of BaSnSi 3 O 9 detected on the mural painting of a tomb in Luoyang City, Henan Province, China, dated to Western Han Dynasty (206 BCE-8 CE) (Zhang et al. 2019).
It seems somehow unclear which appeared first between CP and CB. Currently, the general consensus seems to be that CP has been developed first (Xia et al. 2014;Qin et al. 2016). According to Xia et al. CP has been detected on finds dating to the beginning of the Spring and Autumn period (about 770 BCE), while CB should have appeared only during the early to mid-Warring States period (i.e., about three hundred years later) (Xia et al. 2014). However, Berke previously suggested that CB and CP appeared both around 800 BCE and that at first CB was used in preference, being replaced by CP as the preferred pigment around 400 BCE (Berke 2007;Berke et al. 2010). The difficulty of drawing a clear boundary between CB and CP production and use may be due to the fact that CB and CP are frequently found in the same sample. This is because the BaO-CuO-SiO 2 system is more complex than the CaO-CuO-SiO 2 one and can lead to the formation of multiple compounds. Actually, CB and CP are often found together and are occasionally found also in association with another blue copper-barium silicate pigment based on BaCu 2 Si 2 O 7 and named Chinese dark blue (Xia et al. 2008(Xia et al. , 2014Berke et al. 2009) (for further details see also Sect. 3.1.2 Composition of Chinese Blue and Chinese Purple). Since when CP has been developed blue pigments were quite available in China (i.e., azurite), Xia et al. proposed that CB and Chinese dark blue were developed as by-products of the production of CP (Xia et al. 2014). In this view, the fact that some CB has been reported also on more ancient findings could be explained, since CB (i.e., effenbergerite) is much more stable than CP (i.e., colinowensite) and also of Chinese dark blue, i.e., scottyite (Berke et al. 2009). Thus, the CB identified on ancient objects could be linked to the decay of CP (Berke 2007). Furthermore, it is anyway expected that effenbergerite can better survive in time on ancient objects in comparison with the other barium-copper silicates even in the case that, i.e., it was present only as a minor component in the ancient freshly produced CP pigment (Berke et al. 2009;Xia et al. 2014).
In the late Warring States period, both CP and CB start to be found in greater abundance as pigments in paintings as well as in glazed objects and as compact body artifacts (Xia et al. 2014;Zhang et al. 2019). The Terracotta Army of the first Emperor of the Qin dynasty, Qin Shi Huang, (about 220 BCE) was painted largely with CP, while azurite has been in general used for the blues (Herm et al. 1995;Thieme 2001;Blänsdorf and Xia 2006;Ma et al. 2006;Berke 2007;Bonaduce et al. 2008). Examples of warriors wearing robes painted with CP are reported, i.e., by Liu et al. (2007) and by Berke (2007). The use of barium-copper silicate pigments found its peak between the end of the Warring States period and the end of the Eastern Han Dynasty (220 BCE-220 CE) (Xia et al. 2014).
The use of CB and CP seems to be limited to some regions of China (i.e., Shaanxi, Henan, Gansu, Hebei, Shandong, and Jiangsu provinces) (Xia et al. 2014). Some occurrences of CB outside China were also reported, such as numerous tubular faience beads and a piece of glass unearthed in Japan, dating back to the centuries 1st BCE-2nd CE (Takayasu 2002). However, as there is no archaeological evidence of the use of CB and CP in the ancient Korean peninsula, they are likely related to travelers and trade (Xia et al. 2014).
The production and use of barium-copper silicate pigments seem to end with the end of the Han Dynasty when the Chinese Empire has been divided up again (Berke et al. 2009). According to Xia et al., after the fall of the Eastern Han Dynasty (220 CE) the lead barium glass industry declined and external lead silicate glass became the mainstream. The manufacture and use of CP and CB wane accordingly (Xia et al. 2014). Liu et al. suggest that a concomitant reason for the abandonment of CP and CB may also have been the coeval resurgence of Confucianism, a philosophy more focused on human society and with little interest in materials and natural science (Liu et al. 2007).
Contrary to what happened for EB, no further occurrences of CB or CP have ever been reported at any time. Their production technology and existence as pigments or material have been completely forgotten and lost for about 1750 years until their recent rediscovery, respectively, in the 1980s and 1990s Zycherman 1983, 1992).
Funding Open access funding provided by Università degli Studi di Torino within the CRUI-CARE Agreement.

Data availability
The authors confirm that the data supporting the findings of this study are available within the article [and/or] in the articles in the reference list.
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