Abstract
A well preserved and authentic work, reliably signed and dated 1640.
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References
Schwartz 1984, p. 217.
Tümpel 1986, p. 216.
J. Smith, A catalogue raisonné of the works of the most eminent Dutch, Flemish and French painters VI, London 1836, no. 334; cf. nos. 288 and 335.
C. Vosmaer, Rembrandt. Sa vie et ses oeuvres. The Hague 1877, p. 205
C. Vosmaer, ‘De schilder Domer’, Kunstkroniek, new series I (1879), p. 2.
W. Bode and C. Hofstede de Groot, Rembrandt IV, Paris 1900, no. 275.
M.C. Visser [= C. Hofstede de Groot et al.], Die Urkunden über Rembrandt …, ist supplement, The Hague 1906, no. 251a [NB: this is the only authentic document in this publication, otherwise intended as a joke].
C. Neumann, Rembrandt I, 2nd edn Kiel 1905, p. 250.
W. Martin, ‘Rembrants portretten van Herman Doomer en Baartjen Martens’, Bulletin van den Nederlandschen Oudheidkundigen Bond, 2nd series 2 (1909), pp. 126–129.
I.H. v[an] E[eghen], ‘Baertjen Martens en Herman Doomer’, Amstelodamum. Maandblad … 43 (1956), pp. 133–137.
P.J.J. van Thiel, ‘Hollandse lijsten van balein’, Miscellanea I.Q. van Regteren Altena, Amsterdam 1969, pp. 104–110, esp. 108.
HdG 642.
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© 1989 Stichting Foundation Rembrandt Research Project
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Bruyn, J., Haak, B., Levie, S.H., Van Thiel, P.J.J., Van De Wetering, E. (1989). Portrait of Herman Doomer (companian-piece to no. A 141). In: A Corpus of Rembrandt Paintings. Stichting Foundation Rembrandt Research Project, vol 3. Springer, Dordrecht. https://doi.org/10.1007/978-94-009-0811-6_41
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DOI: https://doi.org/10.1007/978-94-009-0811-6_41
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