Abstract
In this chapter the focus is on musical instruments, and how the use of new instruments or new technologies partake in imagining the sounds of the future. The electric guitar of Jimi Hendrix, the electronic keyboards of Sun Ra and Herbie Hancock, and the computer technologies of contemporary DJs are discussed, leading up to the idea of the musician as having at her or his hands something akin to a control board for navigating into the future.
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Discography
Eno, Brian. 1983. Apollo: Atmospheres and Soundtracks. EG.
Hancock, Herbie. 1970. Fat Albert Rotunda. Warner Bros.
———. 1971. Mwandishi. Warner Bros.
———. 1972. Crossings. Warner Bros.
———. 1973a. Sextant. Columbia.
———. 1973b. Head Hunters. Columbia.
———. 1974a. Dedication. CBS.
———. 1974b. Thrust. Columbia.
Hendrix, Jimi. 1967a. Are You Experienced? Reprise.
———. 1967b. Axis: Bold as Love. Reprise.
Hieroglyphic Being. 2015. We Are Not The First. Rvng Intl
Jonzun Crew. 1983. Lost in Space. Tommy Boy.
Knight, Kirk. 2015. Late Night Special. Pro Era Records.
Ras G. 2009. Brotha From Another Planet. Brainfeeder.
———. 2013. Back on the Planet. Brainfeeder.
Russell, George. 1960. Jazz in the Space Age. Decca.
———. 1968. Electronic Sonata for Souls Loved by Nature. Flying Dutchman.
Sun Ra. 1978. Lanquidity. Philly Jazz.
———. 1980. Strange Celestial Road. Rounder Records.
Wonder, Stevie. 1972. Talking Book. Tamla (“Superstition”).
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Steinskog, E. (2018). The Sounds of the Future. In: Afrofuturism and Black Sound Studies. Palgrave Studies in Sound. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-66041-7_6
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DOI: https://doi.org/10.1007/978-3-319-66041-7_6
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