Abstract
By establishing connections between micro- and macro-analyses, between structure and agency, our monographic approach has demonstrated how Hallyu is a unique phenomenon in four different ways, on account of (a) its broad conception of art and culture, based on the notion of entertainment and multi-talented artists (Idols) whose skills stem from both the cultural realm and the commercial/media-based sphere; (b) its revitalization of creativity by betting on close interactions between entertainment agencies and participatory publics; (c) its production infrastructure, which allows for the promotion of South Korean pop culture as an alternative to the American and Japanese mainstream; and (d) its promotion of an alternative form of cultural globalization works to reshape representations of the world according to non-Western models.
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsNotes
- 1.
The South Korean cultural products referred to in this book and marked with an asterisk are presented in the glossary at the end the book.
Bibliography
Appadurai, Arjun. 2006. Fear of Small Numbers: An Essay on the Geography of Anger. Durham: Duke University Press.
Beck, Ulrich. 2002. The Cosmopolitan Society and Its Enemies. Theory, Culture & Society 19 (1–2): 17–44.
Bellavance, Guy. 2008. Where’s the High? Who’s Low? Classification and Stratification Inside Cultural Repertoires. Poetics 36 (2–3): 189–216.
Bhabha, Homi. 1994. The Location of Culture. London: Routledge.
Brandy, Grégor. 2020. Des fans de K-pop ont perturbé un meeting de Donald Trump: comment ont-ils atteint ce degré d’influence en ligne ?. Le Monde, June 24.
Chen, Kuan-Hsing, and Yiman Wang. 2000. The Imperialist Eye: The Cultural Imaginary of a Subempire and a Nation-State. Positions: East-Asia Cultures Critique 8 (1): 9–76.
Ching, Leo T.S. 2000. Globalizing the Regional, Regionalizing the Global: Mass Culture and Asianism in the Age of Late Capital. Public Culture 12 (1): 233–257.
Choi, JungBong. 2015. Hallyu Versus Hallyu-Hwa: Cultural Phenomenon Versus Institutional Campaign. In Hallyu 2.0. The Korean Wave in the Age of Social Media, ed. Sangjoon Lee and Abé Mark Normes, 31–52. Ann Arbor: University of Michigan Press.
Cicchelli, Vincenzo, and Sylvie Octobre. 2017. Aesthetico-Cultural Cosmopolitanism among French Young People: Beyond Social Stratification, the Role of Aspirations and Competences. Cultural Sociology 11 (4): 416–437.
———. 2018. Aesthetico-Cultural Cosmopolitanism: A New Kind of “Good Taste” Among French Youth. In Cosmopolitanism, Markets and Consumption. A Critical Global Perspective, ed. Julie Emonstpool and Ian Woodward, 69–95. London: Palgrave Macmillan.
Cicchelli, Vincenzo, Sylvie Octobre, Viviane Riegel, Tally Katz-Gerro, and Femida Handy. 2018. A Tale of Three Cities: Aesthetico-Cultural Cosmopolitanism as a New Capital Among Youth in Paris, São Paulo, and Seoul. Journal of Consumer Culture. https://doi.org/10.1177/1469540518818629.
Coulangeon, Philippe. 2017. Cultural Openness as an Emerging Form of Cultural Capital in Contemporary France. Cultural Sociology 11 (2): 145–164.
Cveticanin, Predag, and Mihaela Popescu. 2011. The Art of Making Classes in Serbia: Another Particular Case of the Possible. Poetics 39 (6): 444–468.
Daloz, Jean-Pascal. 2010. The Sociology of Elite Distinction: From Theoretical to Comparative Perspectives. London: Palgrave Macmillan.
Danekindt, Stjin, and Henk Roose. 2014. Ways of Preferring: Distinction Through the “What” and the “How” of Cultural Consumption. Journal of Consumer Culture 17 (1): 25–45.
Frank, Thomas. 1997. The Conquest of Cool: Business Culture, Counterculture and the Rise of Hip Consumerism. Chicago: University of Chicago Press.
Galbraith, Patrick W., and Jason G. Karlin. 2012. Introduction: The Mirror of Idols and Celebrity. In Idols and Celebrity in Japanese Media Culture, ed. Patrick W. Galbraith and Jason G. Karlin, 1–32. London: Palgrave Macmillan.
Gershuny, Jonathan. 2005. Busyness as the Badge of Honor for the New Superordinate Working Class. Social Research 72 (2): 287–314.
Holt, Douglas B. 1997. Distinction in America? Recovering Bourdieu’s Theory of Tastes from Its Critics. Poetics 25 (2–3): 93–120.
Jenkins, Henry. 2004. Pop Cosmopolitanism: Mapping Cultural Flows in an Age of Media Convergence. In Globalization: Culture and Education in the New Millennium, ed. Marcelo Suarez-Orozco and Desiree B. Qin-Hilliard, 114–140. Berkeley: University of California Press.
Jung, Eun-Young. 2015. New Wave Formations. K-Pop Idols, Social Media, and the Remaking of the Korean Wave. In Hallyu 2.0. The Korean Wave in the Age of Social Media, ed. Sangjoon Lee and Abé Mark Nornes, 73–89. Ann Arbor: University of Michigan Press.
Katz-Gerro, Tally, and Oriel Sullivan. 2010. Voracious Cultural Consumption. Time & Society 19 (2): 193–219.
Kim, Sujeong, and Sooah Kim. 2015. The Ethos of Collective Moralism: The Korean Cultural Identity of K-Pop. Media & Society 23 (3): 5–52.
Lavie, Noa, and Simone Varriale, eds. 2019. Special Issue Global Tastes: The Transnational Spread of Non-Anglo-American Culture. Poetics 75.
Lee, Keehyeung. 2005. Assessing and Situating the Korean Wave (Hallyu) Through a Cultural Studies Lens. Asian Communication Research 9: 5–22.
Lee, Sanjon. 2015. Introduction. A Decade of Hallyu Scholarship: Toward a New Direction in Hallyu 2.0. In Korean Wave in the Age of Social Media, ed. Sangjoon Lee and Abé Markus Nornes, 1–30. Ann Arbor: Michigan University Press.
Lee, Claire Seungeun, and Yasue Kuwahara. 2014. ‘Gangnam Style’ as Format: When a Localized Korean Song Meets a Global Audience. In The Korean Wave, ed. Yasue Kuwahara, 101–116. London: Palgrave Macmillan.
Lie, John. 2012. What Is the K in K-Pop? South Korean Popular Music, the Culture Industry, and National Identity. Korea Observer 43 (3): 339–363.
Mayard, Aline. 2020. BlackLivesMatter: comment les fans de K-pop ont aidé la révolte. L’ADN, June 11.
Octobre, Sylvie. 2020. Youth Technoculture: From Aesthetics to Politics. Leiden/Boston: Brill.
Oh, Chuyun. 2014. The Politics of the Dancing Body: Racialized and Gendered Femininity in Korean Pop. In The Korean Wave, ed. Yasue Kuwahara, 53–81. London: Palgrave Macmillan.
Oh, Ingyu, and Hyo-Jung Lee. 2013. Mass Media Technologies and Popular Music. Korea Journal 53 (4): 34–58.
Peterson, Richard A. 2005. Problems in Comparative Research: The Example of Omnivorousness. Poetics 33 (5-6): 900–907.
Prieur, Annick, and Mark Savage. 2013. Emerging Forms of Cultural Capital. European Societies 15 (2): 246–267.
Purhonen, Semi, Jukka Gronow, and Keijo Rahkonen. 2010. Nordic Democracy of Taste? Cultural Omnivorousness in Musical and Literary Taste Preferences in Finland. Poetics 38 (3): 266–298.
Schimpfossl, Elisabeth. 2014. Russia’s Social Upper Class: From Ostentation to Culturedness. The British Journal of Sociology 65 (1): 63–81.
Shim, Doboo. 2006. Hybridity and the Rise of Korean Popular Culture in Asia. Media, Culture and Society 28 (1): 25–44.
Skeggs, Beverley. 2001. Class, Self and Culture. London: Routledge.
Takacs, Stacy. 2014. Interrogating Popular Culture: Key Questions. London: Routledge.
Taylor, Timothy D. 2009. Advertising and the Conquest of Culture. Social Semiotics 19 (4): 405–425.
Tiffany, Kaitlin. 2020. Why K-Pop Fans Are No Longer Posting About K-pop. The Atlantic, June 6.
Turner, Bryan S., and June Edmunds. 2002. The Distaste of Taste: Bourdieu, Cultural Capital and the Australian Power Elite. Journal of Consumer Culture 2 (2): 219–239.
Warde, Alan, David Wright, and Modesto Gayo-Cal. 2007. Understanding Cultural Omnivorousness: Or the Myth of the Cultural Omnivore. Cultural Sociology 1 (2): 143–164.
———. 2008. The Omnivorous Orientation in the UK. Poetics 36 (2–3): 148–165.
Wright, David. 2015. Understanding Cultural Taste: Sensation, Skill and Sensibility. London: Palgrave.
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
© 2021 The Author(s), under exclusive license to Springer Nature Switzerland AG
About this chapter
Cite this chapter
Cicchelli, V., Octobre, S. (2021). General Conclusion: Why Does the Global Success of Hallyu Matter?. In: The Sociology of Hallyu Pop Culture. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-84296-3_9
Download citation
DOI: https://doi.org/10.1007/978-3-030-84296-3_9
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-84295-6
Online ISBN: 978-3-030-84296-3
eBook Packages: Social SciencesSocial Sciences (R0)