Abstract
The design process has various elements that require understanding the implications for creativity and product development to create different and innovative products. While it is critical to design for a customer or for a purpose the creativity is often stagnated by a lack of understanding of the different components that can make up a creative approach to an area that seems traditional and often outdated. By directing students to observe the embroidery as a starting point to a creative process it is possible to deconstruct the embroidery into its different parts and interpret it as whole creation and entity as well as a sum of parts that have their creative elements that can be structured or restructured to create new, innovative and invocative design pieces.
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Bibliography
Dziadkiewicz A (2017) Managing design process. Exploring the differences in and the relationship between the analitycal, multiplying and visionary design process. Handel Wewnętrzny 2(367):69–81
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https://clevelandart.org/art/1928.231.a 1870 Plain weave with supplementary weft wrap; wool (homespun and Germantown) Cleveland Museum of Art (This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer.)
2005–11–12 18:01 PKM 1024×581× (1024627 bytes) Detail of [[cross-stitch]] [[embroidery]]. Tea cloth border, black and red cotton floss, Hungarian, mid-twentieth century. Black and red cross-stitch patterns are characteristic of the folk embroidery of eastern and central [[Europe]]. Photo by Paula K
https://pixy.org/2502525/ SCANDINAVIAN STYLE KNITTED EMBROIDERY CC0 Public Domain
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Fernandes, A.M., Lavado, I. (2022). Design Applying Creativity and Its Process, with Different Types of Embroidery. In: Raposo, D., Neves, J., Silva, J. (eds) Perspectives on Design II. Springer Series in Design and Innovation , vol 16. Springer, Cham. https://doi.org/10.1007/978-3-030-79879-6_23
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DOI: https://doi.org/10.1007/978-3-030-79879-6_23
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