Abstract
Absinthe was in vogue during the nineteenth century and the beginning of ours. It was a clear green from the bottle and then, upon gentle dilution with water, displayed a beautiful pale-yellow opalescence. Artists painted and poets personified; men and women embraced the ritual of presentation as well as the appearance, taste, and excitement of this alcoholic drink. Some of the most creative people of the nineteenth century were included. Were they exposed to new ideas, exotic experiences, unique feelings, (a different view of a “Night Café”), perceptions that were otherwise unrealizable? Unfortunately, too much absinthe wracked your brains, exacted a price, and shortened your life.
If there were any difference in the composition [of paints] that’s what would interest me more. And in paint there is adulteration just as there is in wines, and how can you judge accurately when you, like me, do not know chemistry? Vincent to Theo, letter 642, from Auvers-sur-Oise, June 17, 1890.
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References and notes
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Arnold, W.N. (1992). Absinthe. In: Vincent van Gogh: Chemicals, Crises and Creativity. Birkhäuser Boston. https://doi.org/10.1007/978-1-4612-2976-6_4
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DOI: https://doi.org/10.1007/978-1-4612-2976-6_4
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