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Isaac Asimov, the Foundation Trilogy (1951– 53; serialized 1942–49)

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Science Fiction: Ten Explorations
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Abstract

For many readers of science fiction, Isaac Asimov is the presiding genius ofthe genre, the old master who revolutionized the form and provided the basis of many of its present characteristics. The primary work through which he did this is his award-winning Foundation trilogy — Foundation (1951), Foundation and Empire (1952) and Second Foundation (1953).1 This trilogy is a foundation in more ways than one: it is the basis of the development of the modern science-fiction epic,2 from James Blish’s Cities in Flight to Herbert’s Dune series, and from Piers Anthony’s ‘Cluster’ series to Julian May’s Saga ofthe Exiles. Indeed Herbert’s Dune novels are in some ways the ‘Foundation’ trilogy rewritten.3 What Asimov succeeded in doing in this work was the combining of the Olympian overview of the human future that we have in Olaf Stapledon’s Last and First Men (1930) with the adventures of individuals that had previously been the basic character of much science fiction, from Mary Shelley to Wells and from Burroughs to Van Vogt. In this he was not the first, but he was certainly the most distinguished. From the time of his work, science fiction gains a fully epic dimension.

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Notes

  1. This is reminiscent of the opposition between Arisian and Eddorean civilization in E. E. ‘Doc’ Smith’s Triplanetary (serialized, 1934). It has been argued that the Foundation trilogy is in part an answer to Smith’s ‘Lensman’ series — in particular in its substitution of intellectual for physical power: see Mark Rose, Alien Encounters: Anatomy of Science Fiction, pp. 12–13. Joseph Patrouch, The Science Fiction of Isaac Asimov, pp. 98–9, 102–3, also makes this point in relation to Asimov’s reaction to ‘space opera’ generally.

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  2. Asimov, Second Foundation (London: Panther Books, 1969) pp. 185–6. Nevertheless their minds were also in part controlled by the Second Foundation to think this way.

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  3. Asimov, Foundation (London: Panther Books, 1969), p. 14. Page references hereafter in the text will be to this edition, and to Foundation and Empire and Second Foundation (London: Panther Books, 1968 and 1969), respectively designated I, II and III.

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  4. Gene Wolfe used the same name ‘Terminus’ to almost the same ironic purpose in his The Book of the New Sun (see p. 211 below). He may also, incidentally, have taken the name ‘Urth’ from the hero Wendell Urth of Asimov’s stories ‘The Singing Bell’ (1955),

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  5. ‘The Dying Night’ (1956) and

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  6. ‘The Key’ (1966).

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  7. Brian Stableford, reviewing Foundation’s Edge, in The Science Fiction and Fantasy Book Review, no. 15 (June, 1983) p. 17.

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© 1986 C. N. Manlove

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Manlove, C.N. (1986). Isaac Asimov, the Foundation Trilogy (1951– 53; serialized 1942–49). In: Science Fiction: Ten Explorations. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-07259-0_2

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