Abstract
In this chapter, I explore a critical praxis grounded in social semiotics that is distinct from the traditions of critical literacy in a) its emphasis on the capacity to create and b) its explicit attention to the range of semiotic resources with which we communicate. Drawing on the concept of design put forward by The New London Group and on the concept of reflection literacy as described by Hasan, I put forward the tenets of such a praxis before illustrating the ideas using classroom data from a national SSHRC-funded study of multiliterate pedagogies. The examples powerfully demonstrate students’ capacity to engage with and remake sophisticated meanings not only to achieve sanctioned curricular goals, but also for purposes they have charted independently.
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- 1.
Kress strongly prefers the term multimodal ensemble to text as it more accurately reflects the semiotic construction of contemporary communication. In this chapter, I have continued to use the term text, but not without reservations.
- 2.
At the time, the Province of British Columbia used the designation English as a Second Language (ESL) to identify students for whom schools received additional funding.
- 3.
- 4.
The concept of mode continues to be refined by language and literacies scholars; however, these lessons were based on the work of the New London Group.
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Potts, D. (2018). Critical Praxis, Design and Reflection Literacy: A Lesson in Multimodality. In: Harman, R. (eds) Bilingual Learners and Social Equity. Educational Linguistics, vol 33. Springer, Cham. https://doi.org/10.1007/978-3-319-60953-9_10
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