Collection

Special Issue: The Limits of Online Visibility for South Asian Religious Minorities

The ubiquity of smartphones and the logic of algorithms that power leading content-sharing apps such as Twitter, Facebook, or YouTube have changed how, through what, and when people become visible locally and globally. In this special issue, we explore how minority actors in South Asia—including social activists, filmmakers, citizen journalists and others—tactically navigate these new digital environments and how their practices of becoming visible—or, in fact, of remaining invisible—alleviate or exacerbate their often-precarious lifeworlds. We call our interlocuters engagements with online visibility tactics. This has to do with the fact that minorities’ often volatile circumstances do not allow for long-term strategies: Their practices are usually versatile, spontaneous, and highly context-sensitive as they need to advance and retreat in response to the frames of majoritarian politics.

These tactics emerge from and respond to three interdependent moments: The frames that define how minorities can become visible, the interplay between limits and thresholds of a communicative form in the process of becoming visible, and the possible capture of these visibilities by external parties for their own gain and algorithms that change potentially emancipatory articulations into mere data for value extraction.

We understand these three moments as relating in different ways to dynamics of cognitive or communicative capitalism where communication itself becomes the means of capitalist accumulation and increasingly neo-feudal value extraction (as Jodi Dean has recently argued). We are interested in the myriad ways communicative interactions change once the conditions under which people converse produce financial value.

This special edition grapples with these conditions through an engagement with the practices of actors belonging to South Asian religious and ethnic minorities. We discuss our interlocuters’ different tactics with regard to how they handle dangerous terrains, how they avoid risks of exposure and surveillance, and how they increase the emancipatory possibilities that come with digital visibility. Our contributions work with and learn from the different media practitioners that run up against the emancipatory limits of the digital space.

Editors

  • Max Kramer

    Max Kramer is a senior research fellow at the Department of Social- and Cultural Anthropology at Freie Universität Berlin in the project “The Populism of the Precarious.” Currently, he works on the online activism of Indian Muslims. His first book “Mobilität und Zeugenschaft" (2019) discusses the mediation of audio-visual testimonies through independent documentary film practices in the context of the Kashmir Conflict. Max co-directs documentary films and is co-Editor-in-Chief of the journal “Dastavezi: The Audio-Visual South Asia.”

  • Jürgen Schaflechner

    Dr. Jürgen Schaflechner is a research group leader at the Department for Social and Cultural Anthropology, Freie Universtät Berlin. He and his team study the political and social movements of religious minorities in South Asia in the advent of social media and communicative capitalism. Jürgen’s research and teaching cover cultural and post-colonial theory, the religious and ethnic minorities in the Islamic Republic of Pakistan, the socio-anthropology of martial arts, and the role of documentary film in ethnographic research.

Articles

Articles will be displayed here once they are published.